Zubin Mehta yields baton to a capable friend

You may be surprised.

share this

Share on facebook
Share on twitter
Share on linkedin
Share on google
      • Carlos Kleiber admired Danny Kaye’s conducting too. He said it demonstrated how really easy it was to be a ‘stick waver’!! Typical gorgeous Carlos! (We miss you maestro!)

        • Also typical snarky Carlos. Maybe it’s easy to be an effective stick waver if you have Danny Kaye’s sense of rhythm.

  • That concert took place years ago in the PBS series Live from Lincoln Center during the period of Zubin Mehta’s tenure as Music Director of the New York Philharmonic. I was honored to have been chosen as Commentator for all Live From Lincoln Center telecasts from the very first one (in January, 1976) until I retired 30 years later due to voice problems.

    And it’s no joke. Danny Kaye was an intuitive, natural musician. Had he studied and devoted his life to music, he well might have become a first rate and IMPORTANT conductor……..

  • I believe it has been mentioned a number of times on this site that Danny Kaye was regarded by many fine musicians as a great conductor, at least for someone who wasn’t trained for it, and he did a lot of benefit concerts with orchestras, similar to this one. And just watch this: clearly he was an outstanding musician, even if he couldn’t read a score:


    • Someone who couldn’t read a score – which is much more difficult for a conductor than for a pianist – can’t seriously be considered a great conductor. Danny Kay was a great comedian, which is in itself a considerable achievement.

      • “Danny Kaye was regarded by many fine musicians as a great conductor, at least for someone who wasn’t trained for it…”

  • No one who was a regular concertgoer in the 1960s or 1970s would be surprised by this. Danny Kaye regularly conducted fundraisers for major orchestras, and they would sell out. The man may have not had score-reading facility, but he certainly knew a lot about music. And he knew how to connect with the musicians.

    • Um…if you choose the music carefully, then the piece can mostly be led by the front of the violin desk, without needing much input from the conductor.

  • I’ve seen these many times and am glad to see the word about the wonderfulness of Danny Kaye being spread again.

  • As someone who played under Zubin Mehta for a number of years, Danny Kaye is by far a better musician and conductor.

  • Back in 1976 with the Yale Philharmonia, Danny Kaye worked 3 days with us in one of his benefit concerts. I have never played under a better conductor. He had no idea of how to read music, and yet had the most powerful and unequalled eye contact I have ever seen from anyone up to this day. He was a born performer in anything he desired to do.

  • I think this scene from “Wonder Man”, wherein Kaye has to fake his way through an opera to simultaneously avoid two murderous thugs and “sing” evidence to the District Attorney, is one of his best performances poking delicious fun at classical music:


  • A very famous conductor – I believe it was Mitropolous, but not sure – said backstage that if Danny Kaye took up conducting seriously, he could put them ALL out of business.

  • >