Just in: Dutchman wins $200,000 from the New York Philharmonicmain
The NY Phil has awarded the $200,000 Marie-Josée Kravis Prize for New Music to the distinguished Dutch minimalist composer, Louis Andriessen.
In addition to the prize, Andriessen wins a commission for a new orchestral work to be conducted in his opening season by the incoming New York Philharmonic music director Jaap van Zweden.
Who is also Dutch.
And who has pledged to promote Dutch music in New York.
His publisher’s press release:
The New York Philharmonic will commission a new orchestral work by Andriessen to be premiered during the 2018–2019 season, led by Jaap van Zweden in his first season as Music Director.
The Marie-Josée Kravis Prize for New Music at the New York Philharmonic, which recognizes a composer for extraordinary artistic endeavor in the field of new music, has been awarded to Dutch composer Louis Andriessen. Andriessen was chosen to receive the Kravis Prize for his lasting contributions to new music by a Selection Committee of leading artists and administrators who have close ties to the New York Philharmonic and a demonstrated interest in fostering new music. One of the world’s largest new-music prizes, the Kravis Prize for New Music is awarded every two seasons, and includes $200,000 and a commission to write a work for the New York Philharmonic.
The New York Philharmonic will give the world premiere of a new orchestral work by Andriessen during the 2018–2019 season, led by Jaap van Zweden, who will then be in his first season as Music Director of the New York Philharmonic. Of note, the Philharmonic also performed the New York premiere of Louis Andriessen’s De Staat in May 1986, led by Gunther Schuller, as part of the Orchestra’s new-music seriesHorizons.
Andriessen remarked, “It is an immense honor to receive The Marie-Josée Kravis Prize for New Music, and I send my deep and solemn feelings of gratitude. Being preceded by such masters as Per Nørgård and Henri Dutilleux is in itself already a great inspiration. I admire them both and have known and adored Dutilleux since I was 18 years old. My father, the composer Hendrik Andriessen, used to say: ‘We are not important; the music is important, and we have the duty to write as well as we can.’ It is in this spirit that I will write for the New York Philharmonic.”