Houston Grand Opera is doing better than the Met

HGO has posted season-end figures. Ticket sales were 84 percent of capacity.

Donations came to $16.8 million an increase of $600,000 on 2014–15.

The books are balanced, the city’s happy.

The Met, by contrast, is playing below two-thirds full and needs to find $100 million by next month.

 

HGO-CLK_0661

Full Houston results here. More on Met crisis here.

share this

Share on facebook
Share on twitter
Share on linkedin
Share on google
    • Any opporuntity available to this website to denigrate the Metropolitan Opera will be taken. A little research on ‘Operabase.com’ indicates that in the 2015-16 season the Houston Grand Opera gave 45 performances of 8 productions. 7 of those were in a 2,400 seat theater, as opposed to the Met’s 4,000. The 84% attendance over the season isn’t that great. One of those seven was the highly challenging Rogers and Hammerstein musical ‘Carousel’, the eighth was a chamber opera performed in a smaller venue. Comparable statistics for the Met have appeared frequently on this site – but the latter company gives seven performances a week for nearly every week of an approximately thirty week season. The Met’s vast scale of operation makes comparison with any other company in North America, and all but a few companies elsewhere, simply irrelevant.

      • Whatever the difference in scale, no one can deny that the Met is in very serious financial difficulty and that a way out of Peter Gelb’s self-imposed financial profligacy is nowhere on the horizon. The fact is a General Manager is paid to manage – plain and simple. The HGO GM seems to have done well. The Met GM has not. There is frankly no need to bring in any other comparisons.

  • >