Salzburg coup: Cecilia renews to 2021
mainBartoli, the brighest spark on the mountain, has made the Whitsun Festival her own.She signed a new contract today.
Bartoli, the brighest spark on the mountain, has made the Whitsun Festival her own.She signed a new contract today.
The Finnish music world is in mourning for…
The city of Würzburg has been shaken by…
Singers’ agents tell us of a tsunami of…
Russian websites have uncovered a new contract for…
Session expired
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.
Means Rabl-Stadler — effectively the boss — is comfortable with her.
She is one of the very few artists around today who guarantees bums on seats. Rabl will probably not be in Salzburg that lang, but Hinterhäuser will be – and will certainly need that sort of commercial catalyst, since the Whitsun Festival opera production transfers to summer and will be a welcome source of income.
It is interesting that after Cleopatra in 2012 and Norma in 2013 she went back to La Cenerentola in 2014 and heads even further down to Gluck’s Iphigenie in 2015. Is she realising that she’s not really credible in soprano roles? I do hope so…
Her Cleopatra is really good though. I haven’t heard her live performance of Norma so I can’t say anything about that, but I like her CD recording. I love her Desdemona is Rossini’s Otello. Anyway, I don’t mind her turning back to mezzo roles at all.