Musicians tell audience their orchestra is mismanaged
OrchestrasFriday night at the Belgrade Philharmonic, a member of the orchestra addressed the audience, warning that the 100 year-old orchestra is on the brink of collapse.
Here’s what he said:
Dear audience,
In the hundred-year life of this orchestra of ours and yours, there was everything that a century can bear. Certainly, the most valuable thing in the past hundred years has been the audience of the Belgrade Philharmonic, because of which this orchestra continues and because of which it has lived through such beautiful years. Every Friday, in your presence, the musicians of the Belgrade Philharmonic write new pages of history, with the aim of leaving a cultural legacy for generations to come for the next hundred years. But will we succeed in that?!
Just as we share our artistic achievements with you, we feel an obligation and responsibility to share with you what is taking us further and further away from the secure future of this orchestra every day.
Even after more than two years since the death of Ivan Tasovac, the Belgrade Philharmonic is in VD status, celebrating its centenary with the lowest salaries of orchestral musicians in the region, with a shamefully small budget year after year, without a director, without advertising, without a renewed concert uniform already ten years, and without firm convictions that our new hall will be built.
By spreading the name of our city and country around the world, we are increasingly confronted with the fact that in our city and in our country we are so highly educated and so low valued. That we play so well and a lot, and that we are paid so little and badly. That the dream of a new Philharmonic Hall of our metropolis is fading more and more, while the audience in Skopje, Podgorica, Tirana is enjoying the auditoriums that befit capital cities. At the end of October last year, we warned the Board of Directors of the Belgrade Philharmonic about all of the above with a warning strike.
We regret that in our country and in our city we represent an emblem that may or may not exist. What hardly anyone knows is that the education of a professional musician lasts an average of sixteen years and is one of the most expensive at the University because it is individual. That the competition at the auditions of the Belgrade Philharmonic is fierce and that top musicians fail to get a job several times, because someone even better always appears. That this job requires daily training and practice, regardless of how many years you have been doing it. That each of the members of the Belgrade Philharmonic can, with more or less training, perform many other jobs, but that no one who has not gone through the thorny path of very specific artistic development can become a Philharmonic player.
But regardless of us, those who decide about us, ask: “What makes you special?”
Being a member of the Philharmonic is equal to being a representative, and the Philharmonic is a cultural representation that repeatedly and repeatedly serves its country with pride and honor.
Existentially, our lives on these salaries are extremely modest. Artistically, our lives are very rich. We Philharmonicians live for applause, but unfortunately we don’t live from applause. That is why we will demand that the state raise the salaries of the musicians of the Belgrade Philharmonic, to raise the budget necessary to achieve our further goals and to build a new building that will make the name of the Belgrade Philharmonic and the names of its musicians a more alive and present institution in the next hundred years.
Investing in culture and art is the only definitely correct investment for the ages, because the fruit of such investments is a healthy society that stands on strong pillars of humanity. Everything else is the temptation of the existential, which apart from art, nothing has ever won.
Dear audience, we want to thank you for listening to us, seeing us and recognizing our value in a city and state that seem to have forgotten about us and everything we represent in this society for a hundred full years.
Finally, if you want to support us, we invite you to write to the Ministry of Culture with a few words what the Belgrade Philharmonic means to you and to appeal in your own way that our requests be heard and respected.
With respect,
Musicians of the Belgrade Philharmonic
pictured: Zubin Mehta with the Belgrade Philharmonic, with which he has a sentimental attachment
If they are playing for packed houses this is a reasonable move; otherwise…
Part of the complaint is how little (or no) marketing is done for the orchestra. It would be extremely frustrating being a hard-working musician in an organization that doesn’t put effort into announcing to the public how good the music is, and how they need to attend upcoming concerts.
It’s about sponsors and not marketing. BF has just marvelous marketing team that is world famous!
If there is any orchestra that has constantly packed concerthalls wherever they play, that is Belgrade Phil. Check it out!
Sadly I fear it won’t be long before a resident orchestra at London’s South Bank will be doing much the same thing. The venue built during the post War gloom to present great orchestras and wonderful music would now much rather be rid of classical music altogether.
But at least they don’t work for 700 euros salary pr. month, aren’t they (?!). Yes, you are reading corectly!
Unfortunately, education often doesn’t correspond to income. The world is full of baristas and clerks with university degrees. Classical musicians too. It’s just not an especially lucrative vocation for most of its practitioners. Is that the way it should be? I don’t know. But that’s the way it always has been.
Organisations that run or own orchestras can be clunky, inefficient and sometimes, just unmotivated. I’d advise them to form independent ensembles like string quartets, brass ensembles, trios and other chamber ensembles and just to use the Philharmonic job as a base. Advertise performances using social media channels and a website. More financially and artistically rewarding that way.
The concert hall is another separate issue which involves municipal and federal governments (and bigger sums of money).
i told my kids to study hard and get a professional STEM job, and if they love classical music they can play it as a hobby or a side gig. Worked out great.
My heart goes out to the members of the Belgrade Philharmonic. I conducted them about ten years ago, they are wonderful musicians. This situation they find themselves in, is shameful!
I agree wholeheartedly with maestro Arman.
I have reviewed the Belgrade Philharmonic on several occasions over the years and attended many more of their performances including a recent Balkan tour with Zubin Mehta.
They are indeed an absolutely first rate orchestra with a silky string sound which can withstand comparison with the legendary luxuriant timbre of the Wiener Philharmoniker.
Since the untimely death of the orchestra’s major proselytizer Ivan Tasovac, the Serbian Ministry of Culture has treated its greatest performing arts organisation with almost philistine disregard.
It is time this major Balkan country realised its remarkable potential and instead of engaging in aesthetically repugnant projects such as the Belgrade Waterfront or the ludicrously expensive Expo 2027 circus, devote much more attention, and of course funding, to its premier musical ensemble which has enjoyed a peerless international reputation for over 100 years.
If Aleksandar Vučić is serious about proving to Brussels that his country is no longer a incorrigible cultural backwater, he needs to remedy the appalling situation of the Belgrade Philharmonic musicians and also re-affirm the construction of the new Concert Hall post-haste.
It is fair to say that Sultan Vučić does not enjoy an exactly stellar reputation with his neighbours or Western Europe as a whole.
To satisfy the entirely reasonable demands of the Belgrade Philharmonic would be one step in trying to improve his own parlous prestige but also the cultural life of this often unjustly maligned country.
Thanks Mr. Sutherland for your insightful comments, couldn’t agree more.
Dear Norman, I am very saddened to hear the news. Belgrade Philharmonic is a wonderful orchestra with a rich tradition. About 10 years ago I had the privilege to be the permanent guest conductor during 3 years and we had great experiences. But during that time the musicians were living in a dream. Though Mr. Tasovac was a very talented and skillful director, the orchestra’s identity became too intertwined with his own and that worried me for the future of the orchestra. I sincerely hope a competent minister will address and resolve this unfortunate situation.
Not just the Belgrade Philharmonic. This open letter has been supported by Opera of the Serbian National Theater in Novi Sad, as well as the orchestra of the National Theater in Belgrade.
Also, Chief Conductor of the Philharmonic Gabriel Feltz sent an open letter to the Minister of Culture of Serbia.
My mom played for the Atlanta Symphony Orchestra in an era when Conductor Robert Shaw made it professionally viable as a career.
I wish you greatest blessings in doing the same.