John Williams: My Dad played in an orchestra. Spielberg’s was a subscriber
OrchestrasSimon Woods of the League of American Orchestras has conducted a revealing interview with the film composer, focussing on the orchestras in his life:
Sample quotes:
My father was a member of the CBS Radio Orchestra, and when I was ten years old, in 1942, he took me to a rehearsal at the Hammerstein Theater in New York. That was the first time, I think, that I heard anything resembling an orchestra. It was a large production for radio in those days, probably a 40- or 50-piece orchestra.
In my early teen years, when I was taking music lessons every week in New York, I would go to his rehearsals. I’d sit behind him in the percussion section in the back of the orchestra and listen. I was fascinated watching the trombones and the trumpets—amazed that they would rest for a while and then suddenly they would all come together for some magical reason. As time passed, I noticed the wind section and the string section and the harp and piano and so on, and it piqued my interest. As an early teen, I began examining some of my father’s orchestration books. So that was how I became familiar with the sounds that an orchestra makes.
Subsequently, I think the first orchestra I heard in a concert performance was the Los Angeles Philharmonic, after my family moved to Southern California. The conductor was Charles Munch.
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In terms of history, as you know, my father was an orchestral musician, and I don’t believe that when he was working in the 1930s and ’40s, orchestral musicians had pension or retirement funds or health plans. So I’ve had great pleasure in being able to do a number of pension fund benefit concerts for orchestras, not asking for a fee, but simply being able to support something for today’s musicians that my father didn’t have. We’ve made great progress, and there’s more to be done. I feel as a composer and a musician that I owe this to my orchestral colleagues. And it’s wonderful that Steven has joined me on any number of occasions. It’s been a great fundraising success whenever we’ve done it. He loves music, by the way.
Woods: Steven’s father was a subscriber at the LA Phil for years, wasn’t he?
Williams: I think he must have been. Earlier in his life when they were living in Philadelphia, they were subscribers, I believe, to the Philadelphia Orchestra. Steven was taken there as a child frequently by his parents. His mother was a very good amateur classical pianist, and he can’t get enough of the orchestra. Whenever we go out and do these concerts, he gets a childlike thrill from meeting the orchestra and accepting the audience’s applause when he arrives. It’s something we’ve done for a number of years, and I hope we can continue.
The Spielberg’s left Haddon Township, NJ, when Steven was about 10 and moved to Phoenix, AZ. So he would have been a child indeed to hear the Philadelphia Orchestra. Did he attend Phoenix Symphony concerts? I don’t know – it was at that time a semi-pro orchestra. And while in high school I don’t recall him being active at all in the music department. (We both went to Arcadia HS)
When I was in music school, a lot of professors ragged on JW (for whatever reason) and, sure, he borrows from the repertoire, but Alex Ross (who made a study of Williams scores) had a great segment on NPR about Williams and said he commanded a mastery of the orchestra on par with any composer past or present. I also saw a NYT piece with photos of his studio: filled with a piano and shelves of scores, orchestration books, two copies of Britten requiem (was one a gift?) a bust of Copland, as well as leather-bound editions of all his scores (hidden behind stacks of recent scores yet to be bound). Film composer studios now resemble the bridge of the enterprise, yet no gadgets replace craft. (N.B. AI, when you replace film composers, please copy John Williams)
If I had only one question for John williams, it would be, “were you influenced by the finale to the Mahler 7th?” Every time I hear it I think of Williams’ signature movie scores.