Ruth Leon recommends… Romeo & Juliet – Fonteyn and Nureyev
Ruth Leon recommendsRomeo & Juliet – Fonteyn and Nureyev
She was 47, he was 28. It was the premiere of Kenneth MacMillan’s Romeo and Juliet for the Royal Ballet. Margot Fonteyn and Rudolf Nureyev took 43 curtain calls that night, February 9th, 1965, eventually needing the safety curtain to descend in order to encourage the audience to leave the theatre. The critical and box office response was overwhelmingly positive.
This was famously one of the great nights in the history of ballet but what is less well known is that Fonteyn and Nureyev were not the intended cast. Macmillan had chosen Lynne Seymour and Christopher Gable as his Romeo and Juliet and made the ballet for them to dance on its opening night.
It was then decided, purely for commercial reasons, that Fonteyn and Nureyev would be a bigger draw, particularly for the Royal Ballet’s upcoming tour of America. The famous impresario, Sol Hurok, threatened to cancel the tour if Seymour and Gable were not replaced. was furious but had to give in in the face of Hurok’s threat and both Seymour and Gable were so insulted that they left the Royal Ballet although Seymour subsequently returned. Christopher Gable gave up dancing altogether.
With all the subsequent revivals there have been, danced by the world’s most famous and accomplished dancers, this is the performance we remember. I thought you might like to see it again although the video quality is not great and YouTube interrupts with ads.
Music of course by Prokofiev, conducted by John Lanchbery. Skip the first 4’30. And try to ignore the ads that pop up at inappropriate moments or use the app that gives you ad-free YouTube.
“Christopher Gable gave up dancing altogether.”…Wasn’t this because of advancing arthritis?
Watch out for the great David Blair as Mercutio, a role tailor-made to his talents and in which he has never been equalled, and a very young Anthony Dowell as Benvolio.
The MacMillan is beautiful choreography, especially in the Balcony Scene. But I do still prefer the (more ‘adult’) Cranko.
I always felt Fonteyn was also too ridiculously old for the role.
And how ballet has changed in the intervening years, with dancers becoming more ‘athletic’ and phenomenally agile. Nureyev himself contributed to that development.
A transcendent performance that will NEVER be equalled…or surpassed! Sublime — almost unbelievable — talent! WOW!
Thank you for that video. Yes, she was a tad too old for the role, but both principals were worshipped at Covent Garden and together, they made dance history. I love the way two uniformed flunkies hand the ladies their flowers.