‘Opera’s most dynamic leading man’ on CBS 60 Minutes
News‘I do this for myself,’ he says.
Here’s a clip:
Comments
MOST READ TODAY:
-
Orchestras
End of: CBSO bans happy snappers
The following notice has gone up in Symphony…
-
Orchestras
Muti will tour Chicago world premiere around the US
press release: CHICAGO – Riccardo Muti leads the…
-
Orchestras
2nd-generation player leaves the Berlin Philharmonic
The orchestra is bidding farewell to Alessandro Cappone,…
-
Opera
Joyce DiDonato survives the US election
Message from the Kansas diva: Last night: I…
Nauseating publicity. But what to except from the present day Herr Kaufmann? He just follows the money and money follows him. A dynamic duo.
*expect
Rambling. Both his speech and his written prose are as unfocused as his singing. I agree with him on one point though, he did this for himself, there isn’t any other possibly explanation for it.
He is back in the US? Where? Not at the Met. He cancelled his last performances regularly. Saw him last I think years back in London in his first Otello.
You are really up to date. October 2021 in 7 cities – but Lieder are not your business?
I hope the towel was clean.
Apparently, when he retires opera will finally die.
Kissin said that he performs better in a live concert.
It seems the same with Kaufman.
Yes, Henry W., Kissin was not alone. Leonard Bernstein only recorded live performances.
You forgot to add an irony alert to your comment
Just listening to the short clip, and taking into account that English is not his native language, I think he was actually saying that it was wrong to think that “I do this for myself”, as if the audience was not important: now, post-Covid, he understands better. This will cut no ice with the chorus of Kaufmann-haters on display here, of course.
They all can’t hear to the end or don’t understand (like NL). In several interviews after the Lockdown – like here – he clearly said he was wrong. Singing without an audience is terrible. You need the audience because it gives you energy, because you feel it and have resonance. But people here just want to boo even if the message is wrong.
There’s no question of the message being right or wrong, the problem is there’s no message, or rather too incoherent and convoluted for his own good.
I wonder how long until ‘Becker Waltraud’ makes an apparition? Are you and Waltraud the ‘Jonas Siamese Twins’?
Clearly, he is manufacturing a self-aggrandizing celebrity status (more profitable?) to replace the status of wonderful singer. His banality is remarkable. Such a contrast to the voice.
Luciano and Dima and the rest pale!
He should save opera and join the Jonas Brothers, tomorrow.
I am not a Kaufmann hater but I wish he would not do such overtly masculine gestures while singing.
Like it or not, he is the Divo du jour. I try to find something to enjoy. I prefer Italianate tenors in Italian opera. I guess Wagner is OK, but the same situation: no heroic ring, no Italian squillo. He he was singing things he just wasn’t right for. ( Cosi, Traviata, ). He is good onstage, and seems like a nice enough guy. He is the product of our culture. 1. Be good looking 2. Hopefully sing well, but it’s not the main concern. My question is , if not him as the major male opera star, WHO? No use lamenting the sorry state of operatic voices. They have been gone a long time. The public doesn’t demand them. Kauffman is who/what we have….
‘No use lamenting the sorry state of operatic voices. They have been gone a long time. The public doesn’t demand them.’
What a splendid idea. Who needs standards anyway? Let’s drop spelling too. After all, the kids working diligently to increase social media garbage can’t spell for the life of them. They don’t demand spelling, so why should we? Even better, let’s drop words altogether because more than half of them have reached the stage in which they communicate using a vocabulary consisting of just three emojis.
Let’s call pop and rap ‘opera’, let’s call graffiti ‘Rembrandt’, let’s call junkfood ‘haute cuisine’, let’s call social media posts ‘literature’. Most important of all, never question what media and advertising throw at you, just take it, pay and be happy, particularly if it sports good looks, or had so in the past. Rings a bell. Oh, Huxley. Are you going to audition for Mustapha? I’m afraid that particular role isn’t offered to audition.
He is an admirable , versatile and always interesting artist. I do not understand the large amount of negative criticism he receives by the so called “operatic intelligentsia” Both he and ” 60 Minutes ” were apparently uncomfortable in this awkward interview . Must he apologize for being a handsome , charismatic , often brilliant and dedicated, successful artist with a unique, powerful voice and adored by millions ? Control the ” green eyed monster ” ladies and gentlemen. Excelsior, Jonas !! Je t’aime !
He’s fine. It’s the sycophantic interviewer who sucks …