Stockhausen’s son leads German non-vax manifesto
NewsA very long list of German musicians topped by the trumpeter Markus Stockhausen has signed a declaration calling for concert restrictions to be removed against people who have refused the Coronavirus vaccination.
They say, in part:
We musicians point out, with reference to the resolution of the Parliamentary Assembly of the Council of Europe (PVER) No. 2361 of January 27, 2021, that vaccination is an individual decision. In conclusion, no one may be compelled to vaccinate or, in the event of a refusal to vaccinate, discriminated, blackmailed, threatened, defamed, persecuted, stigmatized, isolated or otherwise disadvantaged; be it through the state, the economy or social majorities. This must apply precisely if the vaccine is so new that approval is only granted on the condition that research results are subsequently submitted. Said resolution applies to all areas of existence and to peaceful social coexistence and was passed by the Council of Europe, the independent guardian of human rights in Europe, on January 27, 2021. It stands on its own as a reminder to the responsible representatives of all European countries.
We musicians do not want to feel pushed into a position in which we are forced to recognize the state-imposed 2- or 3-G rules for access to art and culture and thereby create a gap between us and our beloved audience, to tear open our fans and friends. We are in no way entitled to request such health data. This is a task that, if at all, can only be carried out by the state.
The signatories are:
Roger Hanschel, Saxophonist, Komponist, Hochschullehrer, Köln
Attila Benkö, Tuba, Konzertdramaturg, Philharmonie Südwestfalen / Landesorchester NRW
Markus Stockhausen, Internationaler Solist / Trompeter / Komponist, Erftstadt
Amrei Collmer, Geigerin, Köln
Bodek Janke, freischaffender Schlagzeuger & Komponist, Berlin
Felix Adlon, Film und Musikproduzent/ Buch – Drehbuchautor/ Adlon oblige GmbH
Mag. Nina Adlon, Opern- und Konzertsängerin, Gesangspädagogin, Nachwuchsförderin
Imke Johanne Spöring, Jazzsängerin, Chorleiterin, Essen
Hilmar Kupke, Solobratscher, Philharmonisches Orchester Regensburg
Jens Piezunka, Bassist u. Chorleiter, Oldenburg
Maxi Jagow, Saxophonist und Gitarrist, Köln
Dirk Amrein , Posaunist, Crossover artist with no limits, Degerfelden
Julia Samhaber, freischaffend, Gesang, Klavier und Akkordeon, Musikpädagogin, Köln
Claudio Puntin Klarinette, Elektronik, Berlin
Katharina Micada, Gesang und Singende Säge, Berlin
Kilian Forster, Intendant der Jazztage Dresden, Kontrabassist Klazz Brothers
Gerdur Gunnarsdottir, Violine, Konzerthaus Orchester Berlin
Markus Segschneider, Gitarre, Köln
Frederic Belli, internationaler Solist / Kammermusiker / Orchestermusiker, Posaune
Rüdiger Pawassar, Schlagzeug, Staatstheater Kassel
Ricardo Villalobos, DJ, Berlin
Dietrich von Kaltenborn, Violoncello, Bayerisches Staatsorchester
Harald Hendrichs, 1. Solo-Klarinettist, Essener Philharmoniker
Peter Dellbrügger Geige/Klavier/Stimme, Basel
Naomi Binder, Violine, Köln
Lisa Barry, Pädagogin / freischaffende Geigerin und Bratscherin, Stuttgart
Matthias Rosenfelder, Viola, Theater Regensburg
Dagmar Boecker, Stimme, Köln
Winfried Zimmermann, Violine, Stuttgart
Michael Gees, Pianist, Gelsenkirchen
Uta Hannabach, Violine, Münchner Rundfunkorchester
Saskia von Mendel, Gesang, Berlin
Kirsten Klopsch, Oboe, Staufen
Florian Hasel, Oboe, Orchestermusiker, Dozent, Staufen im Breisgau
Stephan Kirschner, Gitarre & Gesang, Neuss
Irene von Fritsch, Cellistin, Fürth
Sabine Seide, Jazzsängerin & DJ, Nürnberg
Stephan Bleier, Kontrabass, Berlin
Martina Binnig, Kontrabass/Violone, Köln
Jörg Brinkmann, Cello, Bochum
Gero Körner, Piano, Köln
Johannes Schenk, Klavier, Wesseling
Gernot Nutzenberger, Violoncello, Bamberg
Sebastian Schürger, Trompete/Orchesterleitung, Essen
Kim Jovy Sax, Fl, Cl, Köln
Richard Schütz, Klavier, Erftstadt
Davit Melkonyan, Cellist, Köln
Doris Orsan, Violine, München
Koryun Asatryan, Saxophon, München
Malina Mantcheva, Violine, Köln
Florian Bischof, Violoncello, Orchestermusiker, Lehrer, Nürnberg
Birgit Reimer, Violine und Gongs, Musiktherapie
Vincent Royer, Bratsche, Hochschullehrer, Gürzenich Orchester, Köln
Christian Elin, freischaffender Saxophonist/Bassklarinettist und Komponist, Augsburg
Anna Zimre, Viola da Gamba, München
Josef Kirschgen, Schlagzeug, Köln
Wolfgang Sellner Cello, Bochumer Symphoniker
David Erler, Sänger, Leipzig
Stephan Böhnlein, Pauke, Deutsche Radio Philharmonie Saarbrücken
Kirsten König, Saxophon, Hamburg
Ellen Wegner, konzertierende Harfenistin und Instrumentallehrerin, Hannover
Armand Fauchère, Violoncello, Theater Regensburg
Gesa Kessler, Geige, Erlangen
Stefan Hansel, Jazz-Pianist, Bergisch Gladbach
Ulrich van der Schoor, Klavier, Freudenberg
Barbara Senator, Barbara Senator, Opernsängerin, Leipzig
Meike Sislian, Geige, Essener Philharmoniker
Jenifer Lary, Opernsängerin, Heidelberg
Rupert Buchner, Violoncello, Bayerisches Staatsorchester München
Tomas Eckardt, Klarinette, Hessisches Staatstheater Wiesbaden
Peter Röttig, Entertainer, Sänger Dresden
Eva-Maria Görres, Horn, Naturhorn, Hannover
Julia Glocke, Violine, Berlin
Klaus Mertens, Konzertsänger, Sinzig
Gesa Korthus, Kirchenmusikerin bei Berlin, Orgel, Klavier, Waldhorn
Anne-Marei Holter, Viola, Jenaer Philharmonie
Nicolai Belli Trompete Köln
Andreas Kirpal, Klavier, Gräfelfing
Markus Gantenberg, Kontrabass & E-Bass, Kõln
Kristjan Randalu, Pianist
Raphaël Walter, Violoncello, Symphonieorchester Osnabrück
Hilary Jeffery, Posaune / Trompete, Berlin
Steffi Holzwarth, Cello, Aalen
Harald Paul, Violine
Yvonne Joa, Musik- und Feldenkraispädagogin, Hannover
Felicitas Jacobsen, Gesang, Gesangspädagogik, Kinderchor, Bielefeld
Hayo Keckeis, Stimme, Wilhermsdorf
Christiane Gurung, Violine, Bochumer Symphoniker
Babette Dieterich, freiberufliche Sängerin, Gesangslehrerin, Performerin, Autorin, Stuttgart
Jörg Hochapfel, freischaffender Musiker / Komponist, Berlin
Mathis Grossmann, Schlagzeug
Olivia Solner, Sängerin, Nürnberg
Uta Riedel, Musikschullehrerin, Blockflöte, Cembalo, Klavierbegleiterin, Hannover
Fridtjof Sturm, Norddeutsche Philharmonie Rostock, stellvertr. Solocellist
Helm van Hahm, Gitarre, Münster
Beatrix Scholze, Oboe, Schwerin
Nataša Mari, Querflöte, Freiburg
Tobias Haunhorst, Pianist
Alexandra Weyandt-Oberst, Violine, Deutsche Staatsphilharmonie Rheinland-Pfalz, Ludwigshafen
Caroline Siegmund, Chorleiterin, Geigen- und Bratschenlehrerin; Rostock
Ruth Dobernecker, Kirchenmusikerin, Brühl
Thomas Grollmus, Gitarre/ Mandoline, Münster
Dietmar Fuhr, Kontrabass, Waldsee
Elena Soltan,Violine, München
Sebastian Kutscher, Musikschullehrer, Gitarrist, Kronwieden
Melanie Haupt, Kabarettistin, Komponistin, Ukulele, Berlin
Johannes Büttner, Klavier, Tiefes Blech, Ensembleleitung, Schubertlieder, Freiburg
Bruno Osinski, Tubist der Jenaer Philharmonie, Jena
Jule Unterspann, Sängerin, Schlagwerkerin, Chorin Brandenburg
Ralf Ludwig, Klarinettist WDR Sinfonieorchester Köln
Judith Renard, Harfe, Jena
Raphael Winterbloom, Gitarre, E-Bass, Gesang, Toningenieur & Produzent, Berlin
Célia Schann, Violine und Gesang, STEGREIF.orchester, Solokünstlerin, Berlin
Jörg Assmann, Geige – Die Deutsche Kammerphilharmonie Bremen
Beatrix Köhle, freischaffende Oboistin, Nürnberg
Christine Trinks, Barockensemble Stella Maris, Berlin
Petra Kuhn, Orchestermusikerin Violine, Würzburg
Verona Rapp, Viola, Trondheim, Norwegen
Antonis Anissegos, Klavier/Komposition, Berlin
Barbara Wanner, Violine, Hilchenbach/Hagen
Thomas Haberlah, Klavier
Lea Strecker, Barockviola, Berlin
Mario Krause, Fagottist, Philharmonisches Orchester Hagen
Florian Fries, Klavier, Søby
Thomas Wanner, Posaune, Hilchenbach
Iwona Gadzala, Violine, Bochum, Bochumer Symphoniker
Prof. Hans-Jörg Wegner, Querflöte, Hochschullehrer und konzertierender Künstler
Veronika Stross, freischaffende Bratschistin, München
Nicolas Rihs, Musiker, Fagottist und Musiklehrer an der Musikakademie Basel
Andreas Wagner, Saxophon, Köln
Henriette Lätsch, Solo-Cellistin, Jenaer Philharmonie, Jena
Christiane Gagelmann, Violine
Johannes Platz, Violine, Viola, Köln
Maria Busqué, Pianistin, Cembalistin, Klavierpädagogin, Berlin
Martin Möhler, Klarinette, Nürnberg
Johannes Billich, Pianist, Komponist, Fürth
Tara Bouman, (Bass)Klarinette und Yoga, Erftstadt
Veit Wiesler, Klavier, Weimar
Hans Söllner, Liedermacher, Bad Reichenhall
Hannes Frischat, Violine, Studiomusiker, Lehrte
Markus Antler, Sänger, Hausen am Meißner
Beate Palier, Geige, München
Clara Bergius, Violine, Münchner Philharmoniker, Ettlingen
Julia Neigel, Sängerin, Textdichterin, Komponistin, Ludwigshafen am Rhein
Simon Jakob Drees, Violine und Stimme / Improvisation und Obertongesang, Berlin
Irene Lachner, Viola, Heilbronn
Evelyn Hauck, Sängerin, Dielheim
Eva Mayerhofer, Gesang, Köln
Carolin Nagel, Violoncello, Hasbergen
Karsten Nagel, Violoncello, Hasbergen
Daria Tschaikowskaja, Pianistin, Klavierdozentin
Eckehard Kupke, Solokontrafagottist, Gewandhausorchester Leipzig
Wolfgang Perkuhn, Klarinette, Jenaer Philharmonie, Orlamünde
David Warwick Piano/Keyboards/Vocals
Achim Köhler, Kontrabass, Bochumer Symphoniker
Lucas Leidinger, Pianist/Komponist, Köln
Jakob Seeber, Schlagzeug/Musikproduktion, Köln
Sabine Schnieder, Fagott, Bramsche
Maria Schalk, Violine, Fürth
Maren Ries, Köln, Violine
Tsega Tebege, freischaffende Sängerin im Jazz/ Soul Bereich, Köln
Nina Maleika, Sängerin/ Moderatorin/ Musikpädagogin, Hamburg
Lars Bügel, Gitarre, Köln
Susanne Benedikte Meyer, Zink-Trompete-Gesang, Detmold
Joachim Bettermann, Klavier, Köln
Anne Lamprecht, Klavier
Almut Kühne, Sängerin, Berlin
Gregor Siegmund, Gitarre, Rostock
Carola Möhler, Klavier, Schwerin
Isabel Schau, Violine, Kassel
Thomas Hofereiter – Kirchenmusiker
Edmund Elsässer, Piano
Joe Wulf, Posaune, Stadtkyll
Ingeborg Scheerer, Violine, Professorin, Concerto con Anima, Pleyel Quartett Köln
Jens Gagelmann, Pauke/Schlagwerk, Waldenburg
Alexander Scherf, Cello
Erdmuthe Kriener, Gesang
Uli Masuth, Klavier, Weimar
Valerie Sattler, Cello, Nürnberger Symphoniker
Elke Funk-Hoever, Cellistin bei den Münchner Philharmonikern
Tanja Grandmontagne, Pianistin, Geschäftsführerin Jazztage Dresden
Kerstin Behnke, Dirigentin, Prof. Hochschule für Musik FRANZ LISZT, Weimar
Almut Schlicker, Barockvioline, Berlin
Yasmin Hadisubratra, Klavier, Berlin
Sara Hubrich, Violine/Viola, Köln/Lütjenburg
Christoph Münch, Jazzpianist, Hannover
Ute Siegmund, Sopran, Dresden
Marcus Wachsmann, DJ, Nürnberg
Jörg Möhler, Fagott, Schwerin
Ursula Eisert, Harfenistin
Axel Nagel, Gitarre, Schwäbisch Gmünd
Stephan Börsig Trompete, Musikschullehrer, Oppenau
Janosch Korell, Bassist/Komponist, Würzburg
Katharina Eckert, Violine, Hagen
Rudolf Peter, Konzertsolist, Landau
Michael Lorenz, Gitarre, Mannheim
Brindusa Ernst, Viola, Aschheim
Hans Ernst, Klarinette, Aschheim
Alexa Rodrian Sängerin, Lyrikerin und Komponistin, Berlin
Jens Fischer Rodrian, Musiker, Lyriker, freier Publizist, Berlin
Anne von Hoff, Violine, Rostock
Eren Solak, Klavier/Gesang/Elektronik, Berlin
Thomas Schettki, klassische Gitarre, Gelsenkirchen
Christine Stemmler, Klarinettistin, Essen
Lola Soulier, Oboistin, Musikwissenschaftlerin, Köln
Sabiene Jahn, Sängerin, Synchronsprecherin, Veranstalterin, Leutesdorf
Ulrike Schäfer, Solocellistin, Gürzenich-Orchester Köln
Susanne Regel, Oboistin, Hochschullehrerin, Instrumentalsolistin, Köln
Norbert Walter, Schleswig Holsteinisches Landestheater Sinfonieorchester
Franciska Braun, Sopran, Weimar
Ulrike Klees, Mentaltrainerin
Jana Kaiser, Sängerin, Cadolzburg bei Nürnberg
Anita Mishoukova, Konzertmeisterin, Violindoz. Anton Rubinstein Akad.emie, Düsseldorf
Dirk-Peter Kölsch, freischaffender Schlagzeuger und Komponist, Enkirch
Martin Haunhorst Konzertmeister Bergische Symphoniker
Fiona Rüggeberg, Musikerin, Komponistin, Marienheide
Gesine Müller, Violine, Norddeutsche Philharmonie Rostock
Aki Hoffmann, Klavier, Hochschuldozent, Bern Schweiz
Dorit Schäffler, Bass-, Alt-, Bb-Klarinette, Tapdance Köln
Astrid Kohnen, Harfenistin, Philharmonisches Orchester Würzburg
Franziska Augustin, Musikpädagogin, EMP, Blockflötistin KR, Hengstbacherhof
Thorsten Angermann, Klarinettist und Musikschullehrer, Uelzen
Werner Lauscher, Kontrabass / E Bass, Aachen
Robert Cummings, Schlagzeuger/Studiobetreiber Hot Milk Studio, Berlin
Kea Wolter, Violine, Nürnberg
Mirek Pyschny, Schlagzeug, Köln
Karoline Hofmann, Viola, Neustadt an der Aisch
Thomas Rauber, Trompete, Oberwolfach
Marcus Honegger, Flensburg, Violine
Jan Heinke, Stahlcello, Obertongesang, Dresden
Richard Koch, international tätiger Jazz – Trompeter, Berlin
Sven Hoffmann, Saxophon/Flöte/Klarinette, Lüdinghausen
Daniel Schröteler, Schlagzeug, Berlin
Heinz Gawrikow, konzertierender Musiker und Instrumentallehrer, Fürth
Anja Schaller, freischaffende Geigerin, Musikschullehrerin, Fürth
Joana Weyland, Violine, Regensburg
Maren Rabien, Kontrabassistin, Bonn
Leona Berlin, Vocals, Berlin
Michael Antoni, Sänger, Berlin
Andreas Zöllner, Gitarre, Radeberg
Artur Muschaweck, Kirchenmusiker an St. Martin Nürnberg, Orgel, Klavier, Gesang
Larissa Gromotka, Viola, Staatsphilharmonie Nürnberg
Bernie Schwanitz, freischaffender Trompeter, Musikschullehrer , Köln
Hans Hoch, Violoncello
Wolfgang von Kessinger
Mats Eser, Percussion, Rumisberg
Hedwig Gruber, Viola, Staatsorchester Stuttgart
Silvia Savary, Harfe
Lui Koray Hoffmeyer-Zlotnik, Rapper, Falkensee
Vitaliy Zolotov – Gitarrist, Köln
Dorothea Tausch, Singer, Songwriter, Vocal Coach – Lindlar
Martin Möhler, Bassklarinette, Staatsphilharmonie Nürnberg
Bernd Hartnagel, Saxophonist und Lehrer, Inhaber von Musicbrig, Köln
Patrick Andersson, Schlagzeug, Meerbusch
Maximilian Hochwimmer, Hornist im Bayerisches Staatsorchester München
Alison Blunt, violin, Stuttgart
Mirja Rapp,Violine, München
Ingrid Rohrmoser, Violine, Viola, Falkensee
Martin Littfinski, Drum Set, Köln
Gergana Fasseva-Verna Schlagzeug Würzburg
Jürgen Plich, Pianist, Oberaudorf
Daniel Hufnagl, Trompeter, Dortmunder Philharmoniker
Nina Reddig, Geigerin, Velbert
Laura Frey, Viola da gamba, Kassel
Monika Herrmann, Barock/Cello Sopran, Hannover / Stendal
Lars Ragnar Karlin, Solopos. Danish National Symphony Orchestra, Copenhagen/Berlin
Alexander Morawitz, Komponist, Gesang, Klavier, Chorleiter, Dresden
Harald Genau, Musikschullehrer, freischaffender Schlagzeuger, Gütersloh
Tanja Haller, Stimme, Köln
Martin Rainer Leipoldt, Tenor & Instrumentalpädagoge, Weyhe
Prof. Elsbeth Moser, Bajan, Akkordeon, Hannover
Jörg Hannabach, Schlagzeug, Münchner Philharmoniker
Friederike Lehnert, Barockgeige, Rötha
Gabriele Stiehler, Violine /Viola, Erlangen
Andreea Alcalde Polo, Bratschistin Sinfonieorchester Südwestrundfunk Stuttgart
Marion Andersons, Saxophonistin, Nürnberg
Johanna Borchert Pianisten, Kopenhagen
Frank Schauer, Schlagzeug, Hannover
Jean-Philippe Wadle Kontrabass/E-Bass Ingelheim
Stephanie Weber, leidenschaftliche Amateur Klarinettistin, Berlin
Simon Kuhn, Würzburg Freischaffender Bratschist, Sänger
Martin Meixner, Hammond Organ, Stuttgart
Albrecht Maurer, Violine, Viola, Köln
Kerstin de Witt, Blockflöte, Köln
Samuel Rohrer, Schlagzeug, Berlin
Marcel Wasserfuhr, Schlagzeug, Bergisch Gladbach
David Andruss, Klavier, Nüsttal
Karl-Heinz Vogel, Gitarre, Waldenburg
Yann Song King, Alleinunterhalter, Dresden
Ruth Bohn, Violine, freiberuflich, Fürstenfeldbruck
Jane Schork, Sängerin, Schwaigern
Hannes Kreuziger, Klavier, Stahnsdorf
Alexander Lifland, Violine, Beethoven Orchester Bonn
Christiane Lukas, Geige, München
Volker Braun, Jazzpiano, Robert-Schumann-Philharmonie Chemnitz
Julia Hagemann, Singer-Songwriterin, Musikkabarett, Emsbüren
Lutz Holzapfel, Musikproduzent/Komponist/ Label, Woodapple Music, Berlin
Andy Lindner, Schlagzeug, Jazzkantine, Hannover
Harry Buchmiller, Schlagzeug, Orchester Stand up, Kempten
Afshin Ghavami, Gitarre, Tinto, Bochum
Dr. Agnes Imhoff, Gesang, München
Arne Paul Neumann, Bass, Steel-/Slide-/Bartongitarre, Berlin
Christian Nagel, Klavier, Freiburg
Regina Wilke, Cello, Stimme, Rheinzabern
Ulrich Ziegler, Bratsche, Nationaltheaterorchester Mannheim
Erhard Schwartz, Tuba, Ophicleide, Serpent, Bonn
Robin Engelen, Dirigent, Hochschulprofessor, Würzburg
Ute Engel, Oboe, Ruppertshofen
Angela-Charlott Linckelmann, Klavier, Reutlingen
Regina Barthel, Saxophon, Ensemble Duo Viva la Musica, Bad Essen
Christoph Keck, Schlagzeug, Rostock
Ulla Hoffmann, Kontrabass, Viola da Gamba, Dresden
Dietrich Eichmann, Komponist, Pianist, Coswig
Leonhard Schwarz, Klarinette, Mainz
Martina Reitmann, Horn, Deutsche Radiiohilharmonie, Saarbrücken
Danik Wulf, Tonmeister, Bad Münstereifel
Ai Kohatsu, Horn,
Nadja Schmalenberg, Sängerin, Moers
Ralf Hanisch, Schlagzeug, Sersheim
Georg Roters, Viola, Violine, Piano
Jenny Endersby, Sängerin, Songwriterin, Köln
Christian Haber, Klavier, Freiburg
Paul Straessle, Solo-Pauke, Südwestdeutsche Philharmonie, Koblenz
Frank Grünler, Bratsche, Berlin
Claas Harders, Viola da gamba, Bremen
Nadine Uhl, Violine, Konstanz
Pinchas Adt, Violine, Goldmund Quartett
Michael Pfannschmidt, Kontrabass, Philharmonisches Orchester Bremerhaven
Peter Schnur, Klavier, Keyboards, Bass, Hamm am Rhein
Detlef Werther, Trompete Klavier, Lützen
Heinrich Czech, Gesang, Gitarre, Keyboard, Pirna
Ellen Klinghammer, Klavier, Gesang, Waldems
Gerhard Sperling, Gitarre, Gesang, Köln
Silke Pfeifer, Klavier, Ostfildern
Andreas Federlin, Klavier, Kontrabass, Violone, München
Beate Starken, Violoncello, Siegburg
Alexander Grötzner, Kirchenmusiker, Orgel, Saxophon, Enger
Ute Hartwich, Barocktrompete, Trompete
Björn Berger, Saxophon, Flöte, Klarinette, Hamburg
Franz Stüber, Saxophon / Gesang, Vokalensemble Enona, Mainz
Hartmut Barth-Engelbart, Gitarre, Posaune, Vocals, Gründau
Achim Ringle, Violine, Mannheim
Mihai Grigoriu, Klavier, Komposition, Klavierlehrer, Freiburg
Oliver Pepinat, Jazzpiano, Berlin
Klaus Schedl, Komponist, München
Christiane Ebeling, Klavier, Hamburg
Ralph Valenteano, Gitarre, Bass, Vocals, Keyboards, Wiesbaden
Thomas Büchel, Gitarre, Electronics, Kopenhagen
Linus Roth, Violine, München
Wolfgang Schliemann, Perkussion, Schlagzeug, Wiesbaden
David Maximilian Rothe, Sänger, Dresden
Catharina Münnich, Blockflöte, Klavier, Zink, Kamp-Bornhofen
Markus Gannott, Violine, Thüringer Symphoniker, Rudolstadt
Juergen Wehrse, Posaune, Nendorf
Dietrich Modersohn, Orgel, Cembalo, Klavier, Jena
Vera Schikora, Sopran, Hamburg
Sylvia Richard-Färber, Gesang, Bluesharp, Songwriterin, Oberhausen
Joachim Laukemper, Bassposaune Deutsche Radiophilharmonie Saarbrücken
Patrick Schäfer, Posaune, Gitarre, Gesang, Stühlingen
Lisa Buckland, Sängerin, Barockoboistin, Blockflötistin, Bregenz
Marie-Josefin Melchior, Violine, Tonmeisterin, Breitbrunn a.A.
Claudia Zocher, Violine, Musikpädagogik, Steinefrenz
Dunja Robotti, Pianistin, Berchtesgaden
Ralf Droesemayer, Musikproduzent, DJ, Mo’ Horizons, Hannover
Konstanze Maxsein, Gesang, Klavier, Geige, Hamburg
Sebastian D. Schaffer, Gesang / Violoncello, Detmold
Bernadette Schachschal, Flöte, Niedersächsisches Staatsorchester Hannover
Mark Ella, Gitarrist, Veranstalter, Musiklehrer, Bremerhaven
Kozue Sato, Flötistin, Ensemble Barockin’, Ingolstadt
Vera Krause, Sopran, Basel
Ferenc Kölcze, Violine, Ensemble Rubin, München
David Tzschentke, DJ, Berlin
Christoph Heidemann, Violine, Hannover
Joachim Poschmann, Klavier , Schlagzeug, Warendorf
Vivien Hoffman, Violine, Berlin
Thomas Bayer, Schlagzeug, Neumarkt i.d. OPf.
Ulrike Schlöder, Violine, Reutlingen
Antonia Lorenz-Birk, Solo-Klarinette, Oldenburgisches Staatsorchester
Christina Zenk, Klavier, Siegen
Stephen Ristau, Diogenes Quartettioloncello, München
Ulrich Ziegler, Bratsche, Nationaltheater Mannheim
Rüdiger Schröder , Schlagzeuger, Sänger & DJ, Cuxhaven
Samuel Gille, Oboe, Magdeburgische Philharmonie
Julia Kindermann, Violine, Hünstetten
Benjamin Aaron Herre, Barockbratsche, Freiburg
Helen Ispirian, Sängerin, OrgaVoce, Berlin
Christoph Wittmann, Tenor, Mannheim
Teresa Jansen, Bratsche, Stuttgart
Daniel Wirtz, Gesang / Gitarre, Frankfurt a.M.
Benjamin Wellenbeck, Schlagzeug, Berlin
Joachim Laukemper, Baßposaune, Deutsche Radio Philharmonie, Otterberg
Isabelle Razawi, Gesang, Mönchengladbach
Daniel Sanleandro Fernández, Schlagzeug, Perkussion, Musikproduktion, Gelsenkirchen
Sona Talian, Klavier, Komposition, Frankfurt a.M.
Michael Walter, E-Bass, Kontrabass, Schönaich
Matthias Schneider-Hollek, Komponist / Elektronik, Stuttgart
Franziska Blasel, Cello, Düsseldorf
Philine Kanter, Klavier, Berlin
Claudia Corona, Pianistin, Freiburg
Michael Moriz, Musiktheorie, Orgel, Klavier, Stutensee
Moritz Ulrich, Schlagzeug, Freiburg
René Moreno, Gesang, Gitarre, Frankfurt am Main
Bernd Ebener, Orgel, Klavier, Gesang, Monochorde u.v.m., Greifswald
Christoph Michl, Klavier, Hannover
Joan Maria Ciolacu, Violine, Chorleiter, Obersasbach
Detlef Kornath, Gesang, Gitarre, Bass, K-RYSMAH u.a. Neunkirchen-Seelscheid
Mateo Martinez Zuviria, Gesang / Gitarre, Geilnau
Astrid Oswald, Cembalo, Fichtelberg
Mitsch Kohn, Piano, Intuitivmusiker, Komponist, Intuitive medicine music, Göttingen
Jutta König, Gesang, Gitarre, KÖNIG, Neukirch
Rüdiger Maul, Percussion, Schlagzeug, Apfeldorf
Matthias Huth, Jazzklavier, Weimar
Tine De Brock, Singen, Pro Ecclessia, Kortrijk
Martina Blume, Gesang, Chorleiterin, Barsinghausen
Kay Keßler, Posaune, Trompete, Instrumentenbau, Duisburg
Liu Nestler, Blockflöte, Klavier, Eckental
Detlef Wehking, Violine, Salonorchester ungestüm, Bad Zwischenahn
Martina Bischof, Viola, SONOS Quartett, Musikakademie Basel
Rainer Wind, Bass, Hürth
Catriona Blanke, Gitarre, Harfe, Akkordeon, Ravensburg
Andre Krengel, Gitarre, Andre Krengel Acoustic Embassy, Düsseldorf
Stefan Carl em Huisken, Akkordeon, Gitarre, Bombarde, Gesang, Norden
Philipp Straske, Gitarre, Hamburg
Birgitta Altermann, Klavier, Theater Wilde Mischung, Berlin
Alexander Zanabili, Schlagzeug und Perkussion, Tonwerk, Mannheim
Philipp von Morgen, Violoncello, Klavier, München
Doreen Rother, Komposition, Horn, Gesang, ethnische Instr., künstlerisch und pädagogisch freischaffend, Neuhof/Blankensee
Ortrud Heskamp, Stimme, Chor, Gregorianik, Violine, Klavier, Düsseldorf
Anka Draugelates, Sängerin, Improvisationskünstlerin, Regensburg
Hans Mohrmann, Klarinette, Beethoven-Orchester-Bonn
Marie-Luise Lehnert, Bratsche, Geige, Klavier, Thüringer Symphoniker, Rudolstadt
Jens Wawrock, Gesang, Gitarre, Bacharach
Thomas Bittlmayer, Notensetzer, Schwifting
Ulrike Hille, Viola, Violine, Klavier, Ubstadt-Weiher
Norbert Arbeiter, Gitarre, Keyboard, Dorsten
Ralf Schuh, Bodhrán und Perkussion, „The Jighunters“ und „Spillyck“, Leverkusen
Michael Peuser, Posaune, Freiberufler, Stuttgart
Peter Lühr, Gitarre, Gesang, Lühr Solo, Lühr und Band, Kiel
Thorsten Harder, Cello, Hohenzieritz
Michael Peuser, Posaune, Stuttgart
Wolf Bergelt, Orgel, Klavier, Cembalo, Berlin
Vincent Zelmer, Stimme, Handpan, Gong, Heidenroth
Angelika Luz, Gesang, HMDK Stuttgart
Karoline Schulz, Komponistin, Flötistin, Musikpädagogin, Dresden
Christiane Dehmer, Piano, Gesang, Synth, Würzburg
Klaus Lindner, Komponist, Klavier, Chorleitung, Berlin
Jane Zahn, Stimme, Gitarre, Rheinsberg
Andrea Fessmann, Chorleiterin, Sängerin, Veranstalterin, München/Iffeldorf
Rainer Wenzel, Gitarre, Knopfakkordeon, Uttenreuth
Florian Stubenvoll, Klarinette, ensemble-vinorosso
Jana Fischer, Gesangspädagogin und Sängerin, Frankfurt/Oder
Michael Mantel, Klavier, Kassel
Kristian Nyquist, Cembalo, Fortepiano, Mannheim
Dörte Blase, Gesang, HMTMH / Lehre, Hannover
Andrea Krüger-Brüning, Gesang, Klavier, Hamburg
Thomas Bracht, Klavier, Traben Trarbach
Christian Specht, Oboe, Symphoniker Hamburg
Wiebke Bohnsack, Flöte, Symphoniker Hamburg
Alexandra Pugh, Gesang, Thelevi und Komposition, Mainz
Heike Janicke, Violine, Dresdner Philharmonie
Dorota Dobosz, Klavier, Chorleitung, Göttingen
Steffi Thomas, Geige/Bratsche, Heubach
Prof. Tilmann Wick, Violoncello, Hannover
Anne-Careen Engel, Querflöte, indischer Gesang, Hamburg
Mark Farago, Pianist, Organist, Grimma
Petra Meseck, Klavier, Weimar
Michael Denhoff, Komponist & Cellist, Hochschullehrer, Bonn
Britta Schuster, Gesang, Aalen
Angela Pastor, Violine, Stuttgart
Thomas Schwaiger, Komponist, Pianist, Organist, Greifenberg
Elisabeth Starke, Barockvioline, Dresden
Henrike Spoerhase, Blockflöte, Two en Bloc, Leipzig
Christine Fischer-Eisenbrand, 1.Konzertmeisterin, Bochumer Symphoniker
Thomas Felder, Gitarre, Gesang, Reutlingen
Akki Schulz, Kontrabass, Gerbstedt
Friedemann Werzlau, Schlagzeug/Pauke, Kammerakademie Potsdam
Christoph Mikula, Stimme, Klavier, Cello, Münstertal
Alex Uhl, Kontrabass, E – Bass, Reutlingen
Martin Pohl-Hesse, Komponist, Klavier, Dortmund
Uwe Münch, Dirigent, Frickingen
Fatima Saturnino, Gitarre Gesang, Dortmund
Barbara Kolben, Bratsche, Orchesterverein Stuttgart
Doren Dinglinger, Violine, Münchner Rundfunkorchester
Jana Bauer, Mandoline, Gitarre, Saalfeld
Wolfgang Lenk, Gesang, Gitarre, die Prinzen, Leipzig
Marco Henkenjohann, Bass, Kleve
Franziska Urton, Geige, Irish Fiddle, Viola, Bochum
Paula Kibildis, Violine, Köln
Juliane Kissner, Saxophon, Klarinette, Querflöte, Berlin
Lothar Theissmann, Faszination Gitarre, Hessen
Tabea Brode, Gitarre/Laute/historische Zupfinstrumente, Dresden
Michelle Keller, Cello, Barockcello, Hebertshausen
Rasmus Schumacher, Gesang, Gitarre, Violine, Erftstadt
Matthias Wolf, Klavier, Percussion, Frankfurt
Lutz Griebel, Gesang, Gitarre, Klavier, Wuppertal
Sylvia Condon Vial, Sängerin, Witzenhauseb
Magdalena Łapaj-Jagow, Saxophon, Köln
Anna-Lena Zenner, Viola, Staatstheater Nürnberg
Andrea Haubold, Querflöte, Komische Oper Berlin
Sigrun Martha Pleißner, Violine, Stella Maris, Berlin
Katharina Schmitz, Violine, Münchner Philharmoniker
Karin Huttary, Afrikanische Trommeln/ Perkussion, Karlsruhe
Julika Birke, Sängerin / Stimmcoach, Heidelberg
Hary de Wille, Gesang, Gitarre, Hary de Ville Trio, Schopfheim
Christian JungKlavier, Gesang, Alligators of Swing, Trautskirchen
Imke Albert, Viola, Reeßum
Katrin Ferenz, Chorleiterin, Gesang
Fair enough. But with over 5MM, and counting, dead worldwide, think of what the toll would be if there had been no vaccines.
Translated:
“We demand the freedom to get seriously ill, and to disrupt the medical system with our numbers, so that other, uncoronised people who need hospitalization – including in life threatening conditions – cannot be helped and may die, because we think that individual freedom is more important than responsibility for the world.”
It is the extreme point of view that one is entirely disconnected from the environment and other people, i.e. from the world, that one never has any responsibility than for one’s own, and that one lives in a small bubble of self-delusion. Entirely logical that someone conceived by Stockhausen leads the mob.
We like to think of musicians as cultured and educated types – sadly this lot are neither …
Perhaps they can form a giant anti-vax orchestra, the Dogma Philharmonie, and entertain themselves in private?
If this is your logic, then ban cigarettes, alcohol, certain foods that make people sick, prescription drugs that destroy peoples livers and kidneys, etc etc. I am pro vaccine btw. I just think this approach you take is non productive and will never induce intelligent conversation with anyone.
You can’t pass alcoholism to someone else by just being in the same room with him. That is a non-trivial difference…
Unfortunately for these lunatics, the highest court in Germany, the Federal Constitutional Court, issued a verdict this very week upholding all previous measurements and restrictions. It is safe to assume that a vaccination law will be covered by our constitution as well. And it will come; the incoming coalition is committed to get a vaccination law passed. It has broad public support, and now the highest legal support as well.
Meanswhile, what a nice list of people to avoid at all costs.
“what a nice list of people to avoid at all costs.”
My thoughts exactly.
Please let us know how you have an intelligent conversation with someone about vaccines who believes that they contain microchips, who denies the lethality of the virus, who believes that a new variant (detected worldwide) is the invention of a political party, who insists that they cause rather than prevent viral mutations, who insist that it causes sterility and who think that the scientist/physician leading the effort is equivalent to mengele? A very truncated list in the interest of time/space.
Well, Nigel Farage interviewed D. Trump, Esq. on GBTV or whatever it is called last night…
And?
DT and intelligent conversation are mutually exclusive. The man always has been and always will be the f***ing moron that Secretary Tillerson indicated after trying in vain to explain to him why NATO was of value to the US and not merely a tenant ripe for plundering.
It’s not about individual freedom. It’s about them wanting to play in front of full houses anywhere and any time. To save their jobs. I can understand their frustrations, but this pious posturing is utterly callous as well as ignorant, and as they will be overruled all I have to say to them is — tough. It has been hard on everyone.
I don’t get the logic of your post. If they want “to play in front of full houses” they should get vaccinated, and so should the audiences.
But the list is specifically about NOT getting vaccinated, and that is a pretty poor way of saving one’s job.
But yeah, “it’s not about individual freedom”. It’s about individual stupidity and conspiracy theories.
Unfortunately, these crazy people… they all escaped from Darwinism…
Do most of us appreciate Markus and also the noise and ruckus that came from his father?? I think not…
I bet you love Arvo Pärt !
I do!
Say you were to host a dinner party.
You have some guests over that are not musicians.
They find out that you are a musician and ask you “Oh what kind of music to you like?”
You have them sit down minutes.
A) You play them some music from Arvo Pärt .
B) You play them some “music” from Stockhausen
They go home.
Next time you invite them over (A or B) they are likely to accept.
Or (A or B) they are likely to decline your next invitation.
Anyways, furthermore, if you have any young kids try making them listen to Stockhausen for a few minutes and listen to what will say.
Reassure the kid(s) that this is great music too.
I don’t get it. I love Stockhausen any day, it makes me relax & forget the world with its strains and stresses. When I play my recording of Gruppen, I no longer feel lonely at home!
Sally
The new music “Pandemic” from Stockhausen took it’s toll at the time (and still continues today but most people are vaccinated from it)..
However, likewise the Covid situation is much worse.
Anyways, needless radicalism…Like Father like Son…
. . . it is toll . . . no unnerstan
A good long list. It is their right to publish it.
“Niemand hat das Recht, uns Menschen davon abzuhalten, miteinander und füreinander zu musizieren oder Menschen von kulturellen Veranstaltungen auszuschließen.”
Great, then you guys don’t mind if I join you with my Vuvuzela crew next time. Oh, maybe you DO mind. But as you stated, you DON’T HAVE THE RIGHT to exclude us.
Still not getting it? No? Thought so.
People who refuse to be vaccinated should be confined to their own homes,simple. COVID vacs should have been mandatory from day one.
In Andorra all civilians were forced by law to get vaccinated and on some days one could see people being chased by a doctor with a needle in his hand. The same in Monaco where, in hotels, people were lifted from their bed early in the morning by a medical team armed with syringes ready for attack.
A nice list of Germany’s “who’s noboby”
The tiny silver lining of the coronie is that it flashes people out, they reveal themselves in their true colors. A pandemic as a moral sword.
I sense an opera coming called….. Die Idioten
Each European government needs to respond to this letter, and to explain itself.
The challenge is valid.
Question: does the European Parliament mean anything at all?
“The challenge is valid.”
Sure! 😀 Erm, valid does mean stupid, right?
They’re basically saying: You don’t have to pay for our concerts (price discrimination, booooo! 😉 ), and feel free to bring your own instruments (freedom, yay!).
“But nooooo, that’s not what they meant!” I know that. But that’s what they’re saying. Either you have the right to exclude people, or you don’t. I have the feeling they remember that right when people demand entry without having paid for a ticket.
Non-vaxing is utter selfishness while getting vaxed means you are protecting yourself and other.
About two months ago I was diagnosed with a condition which requires surgery. The date was booked at a hospital for 07 December. If you haven’t seen my name on this site lately it’s because I had to arrange and have a series of tests including chest x-ray, full blood panel, the always disgusting colonoscopy, EKG, etc. within two weeks of my pre-operation evaluation which was last Tuesday. In fact I had two EKGs in the same week, as when I went to have the colonoscopy they wanted me to have one at their clinic (they would not accept a fax of the one I had done a few days before at my doctor’s office).
I have also been scurrying around to find a way to get a government-sanctioned PCR test within 48 hours of the operation. Since the government’s “Teststraße” project has, so far, tested me but not sent me results, I made two appointments for tests at different venues on Sunday and, if results didn’t arrive in time, a €49 “quick test” at my apothecary on Monday.
I also had to arrange to have someone pick me up from the hospital, with no time-window available. My doctor’s office arranged for a sort of ambulance organisation to do this.
Early this morning the hospital phoned: my operation has been cancelled because some COVIDiot needs my bed (chances are greater than 90% that the patient is unvaccinated).
I asked to arrange another date for the operation. Nope. They will call me, maybe in a month, maybe later, and I’ll have to have all the wonderful tests again.
I spent hours today cancelling all the PCR tests, the ambulance service, notifying doctors, etc.
I had the double vaccination + booster, take a (non-official) PCR test at least once a week (always negative), and always carry an emergency FFP2 mask with me in case the strap on the one I’m wearing breaks, or I am in some kind of close situation with someone who needs a mask.
So: to the 517 signatories of this declaration – Please tell me about MY RIGHTS to get necessary medical care for a condition which occurs naturally in older humans (it nothing to do with alcohol, obesity, smoking, drugs, any virus, etc.).
I really can’t write what I am thinking.
For what it’s worth, you have my sincere sympathy.
Your story should be read by all no-vax people, but I doubt they would understand the social implications of their behaviours.
Best of luck with your exams and surgery.
What an utterly, terrible, shocking story.
It clearly brings the problem to the point in a most drastic way.
These crazy antivaxers are only concerned about their wish to play for live audiences, and don’t care a damn about what they are causing with their stupidity.
Let me join in sympathy (and outrage) for and at what you have had to endure, and wish you a quick and satisfactory conclusion to these difficulties.
The list reads like the great un(der)employed.
This Querdenkertum is just as disturbing as father Stockhausen’s music.
Thank God there are biotechnical solutions to the pandemic
Do these 517 individuals really want to sit this out?
https://www.medrxiv.org/content/10.1101/2021.09.28.21264262v2
Since the viral charge in both vaxed and unvaxed is similar
And that most cases of omicron have been diagnosed among fully vaxed people and that vaccine pressure selection is a significant mutagenic driver many
The signatories have a point and do not deserve insult
From the same paper
While vaccination remains the best protection against becoming infected and severe disease [12], the data gathered in this study during the surge of the Delta variant strongly support the notion that neither vaccine status nor the presence or absence of symptoms should influence the recommendation and implementation of good public health practices, including mask wearing, testing, social distancing, and other measures, designed to mitigate the spread of SARS-CoV-2.
You just read the headline, didn‘t you. “How did you know?”, you ask? I didn’t just read the headline.
Complete BS; no such thing as vaccine pressure selection, neutralizing Abs remove virus from the circulation, and mutants arise when viruses transcribe their genetic material. The more virus, the more transcription, the more mutations, the more variants.
Mandatory tin foil hats for everybody! Haven’t you heard about 5G? Given time, the non-vaxers will disappear by Darwinian justice… and don’t get me started about “alternative treatments” like homeopathy or anything else new-age that cannot be scientifically proven. People want to believe in something, especially if it’s mysterious. People are not as stupid as you think. They are far more stupid.
I have read all 517 names and have heard of only one of these musicians.
I must be rather undereducated.
I also only recognize one of these musicians, but I also live in the New York City area, so geographical distance factors in. I had a date with the one that I recognize about 30 years ago, and came away with the impression that she was incredibly self centered, and a bit irrational to boot…..
Whatta buncha dummkopfs!
“dummkopfs”
https://grammar.collinsdictionary.com/de/deutsch-grammatik-lernen/forming-plurals
#3. You’re welcome.
May there be many more lists such as this in other countries!!!!! Will make it far easier to know which colleagues to avoid. Seriously, do these folks not understand what Pandemic means? This is not like neglecting to get the flu vaccine. Literally these people are putting all of the performing arts in jeopardy with their selfishness. Absurd.
Perhaps education could work?
https://www.thelancet.com/journals/lanepe/article/PIIS2666-7762(21)00258-1/fulltext?s=08#%20
“Perhaps education could work?”
Let’s see:
“Prof. Dr. Günter Kampf”
Publications:
“Rubikon (24.06.2020)”
“NachDenkSeiten (13.08.2021)”
Hahahaha… Next stop: Russia Today!
The Lancet
There was no lockdown or discrimination pre 2020 for flu or pneumonia that kills millions each year. I smell hypocrisy.
I’m with these amazing muscians, one hundred per cent. You have my support.
Fact check: the health systems of countries around the world have coped with those diseases bis dato. In the current fourth wave, people are dying in ambulances whilst waiting for admission to hospitals. Cancer patients are having operations cancelled.
It is wholeheartedly recommended to read something about what an epidemic or pandemic actually is.
I think your numbers (millions deaths every year) are greately exagerated (but I may be wrong. Please provide a source). From a very quick search I found:
1889 Russian flu pandemic: Resulted in about 1 million flu deaths.
1918 Spanish flu pandemic: Responsible for at least 50 million flu deaths, including about 675,000 in the U.S. The flu infected about a third of the world’s population.
1957 Asian flu pandemic: Tallied some 1.1 million flu deaths,
including about 116,000 in the U.S.
1968 Hong Kong flu pandemic: Led to 1 million flu deaths, with 100,000 in the U.S.
2009 H1N1 flu pandemic: Between 8,870 and 18,300 deaths in the United States, and up to 575,000 deaths worldwide, were seen during the first year.
These are the worst recorded cases in (relatively recent) history.
Covid killed > 5 millions people so far.
Roll of Honour
Dishonour!
This is a sad list of confused musicians. Personal freedom to take the vaccine or not; to believe in science or not should be respected. However everyone should have the personal freedom to attend events safely or to perform on stage in a safe environment. If you don’t believe in science or worried about the vaccines at least stay home during this horrible pandemic and don’t impose yourself on the society.