Unheard William Kapell concerto
mainWith Casals conducting…. One for the ages
Comments
MOST READ TODAY:
-
Orchestras
Just in: Indiana suspends chair of brass
Statement from Abra Bush, dean of the Jacobs…
-
News
10 percent drop out of Queen Elisabeth competition
The Queen Elisabeth Competition for violinists begins on…
-
Orchestras
Artistic director resigns at St Paul Chamber Orchestra
The violinist Kyu-Young Kim has resigned after eight…
-
Orchestras
Steven Isserlis: ‘There’s a lot of me, me, me playing which I cannot stand’
The cellist has let rip in an interview…
Kapell was the most brilliant of all American pianists.
This beautiful performance of the Mozart K.453 is more evidence to support that claim.
And Casals was one of the greatest Mozart conductors of his era.
This recording is bliss from start to finish.
Nothing against Kapell but if there’s a greater piece of American piano playing than Cliburn’s live Rachmaninoff second sonata from 1960 I’ve never heard it. Cliburn burned out early and a lot of his recordings aren’t impressive, but that performance alone puts him among the greats of the century.
I admire Cliburn as well, Adista (and that sonata recording too), and I’ve always been sad that his career fizzled out so relatively quickly.
But listen if you can to Kapell’s live Rachmaninoff Paganini Rhapsody with Rodzinski and the NY Phil recorded in 1945. That kind of playing blows EVERYBODY else out of the water. (WK’s commercially issued version with Reiner is also not chopped liver.)
Kapell is truly one of the greats – what a fine discovery!
Mercurial playing by Kapell from the 1953 Prades Festival in the last year of his short life. He also played a Beethovan sonata with Grumiaux, Mozaart’s E-flat piano quartet. and ten Schubert Lieder with Maria Stader, all reecorded on Music & Arts.
Many thanks for posting it, Norman; I’d never heard the entire concerto, which wasn’t released commercially at the time, perhaps because of flaws and disruptions at the start of the rondo. Kapell here and there sounds as if he’d like a slightly brisker tempo (not in the rondo). It’s as interesting a performance as those of Bernstein, Edwin Fischer, Rubinstein, and Marc-Andre Hamelin.
Terrific! Many thanks for this, Norman.
St Laurent Studio YSL T-879
https://www.norpete.com/c1744.html
This is sublime. Thank you so much.
I didn’t see any other Mozart recordings by Kapell on Arkivmusic.
What an outstanding ‘discovery’. My favorite Mozart concerto in a historical must have performance. Thanks Norman.
68 years after his death at 31, Kapell continues to fascinate as new discoveries appear. Last year Ward Marston published Schumann/s quintet, and RCA has issued a cache of Australian radio and concert recordings. Petros, there are two movements of Mozart’s 11th concerto with Monteux and I think a sonata.
A rich flowering of American pianism from Kapell and Abbey Simon went on to give us Cliburn, Byron Janis, Fleisher, Graffman, John Browning, and the lesser-known Eugene List, Dalies Frantz, and Ozan Maarsh, whom I saw play, among many others.
It was also a time of great teachers: Adele Marcus, Serkin, Olga Samaroff, and Rosina Lhevinne.
Add Jerome Lowenthal, Eugene Istomin and Julius Katchen to your distinguished list. Lowenthal and Graffman may be the last surviving members of this great generation.
Excellent additions to the list, Pietros. I admire Istomin’s Bach and Jerome Lowenthal for Taneyev’s piano quintet and Tchaikovsky’s second concerto. Byron Janis is living at 93, and Katchen’s Brahms still warmly admired.
Distant Prommer, how good to see your name and comment here, another survivor from Amazon’s classical music forum. I hope you will not be disappointed in this year’s Proms concerts.
As Mozart’s 17th is your favourite, I also hope you’know Edwin Fischer’s historic recording of it. — Edgar Self (Piso Mojado)
To hear Kapell is infinitely better sound try the live recording of the Brahms 1st with Mitropoulos/NYPO https://www.youtube.com/watch?v=IeFJ3z3oBs4. If only DM and the NYPO produced more performances like this one; they were either superb together or dreadful.