Germans terminate Finnish conductor
mainThe city of Konstanz has decided to drop chief conductor Ari Rasilainen at the end of his first term next year.
Rasilainen, 60, has made his career mostly in Germany. He is also professor in Würzburg.
The city of Konstanz has decided to drop chief conductor Ari Rasilainen at the end of his first term next year.
Rasilainen, 60, has made his career mostly in Germany. He is also professor in Würzburg.
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Well his website says he is “one of the most outstanding conductors of his generation” – so he should be OK !
Perhaps. But after getting fired from this gig, his career might well be finnished.
He was not exactly fired, because they are letting him finnish off.
It’s rare to see this kind of thing especially with a director from Finland.
Honestly, I don’t think there’s anything all that unusual here, if viewed as an example of what happens when an orchestra and a chief conductor don’t get on (anymore).
– Rasilainen signaled his desire to extend his initial contract early on.
– The musicians of the Südwestdeutsche Philhamonie voted and the result was a 50/50 split; 50% voted ‘No’ and 50% voted ‘Yes’ (it should be noted that the ‘Yes’ votes were a combination of votes in favour of extending the contract for another 5 years and votes in favour of only 2 additional years)
– The general manager, who also has one vote, was left to break the tie and due to the lack of a “distinctly positive vote in favour of” Rasilainen, she cast her vote as ‘No’, as she felt a chief conductor should be selected/confirmed by a clear majority of musicians.
More in this Südkurier article (in German):
https://www.suedkurier.de/ueberregional/kultur/Warum-sich-der-Chefdirigent-der-Suedwestdeutschen-Philharmonie-uebergangen-fuehlt;art10399,10427207
For the non-German speakers/readers (in brief)…
The article mentions that Rasilainen now feels left out and ignored, because he wasn’t consulted after the vote, although he had sought a clarifying dialogue.
The general manager says that Rasilainen never sought a dialogue with her or the orchestra committee directly, because the responsible orchestra manager who schedules these things would have let her know.
The responsible orchestra manager says that, while he advised Rasilainen to seek a clarifying dialogue with the orchestra’s committee and the general manager, Rasilainen never asked him to directly schedule such a meeting, and so he had assumed that Rasilainen would arrange things himself.
All of them were together on tour after the final vote outcome was known to all involved, but they all shift blame for not having used that opportunity to talk about the issues at hand. And round and round it goes….
Further, the article has some local gossip to make the storm in the Konstanz-teacup complete…mainly, alleged unhappiness amongst a number of musicians that Rasilainen was never in town or around outside of the rehearsals and concerts he lead, Rasilainen complaining about frequently having had to work with an unusually high amount of substitutes filling out the orchestra’s ranks, alleging that a number of the orchestra’s proper members “ransomed* themselves off” for the concerts he conducted (*purposely found guest outside of the orchestra for concerts lead by him, while reimbursing the Südwestdeutsche Philhamonie for the cost of the substitute it hired to cover their absence).
The general manager meanwhile claims that Rasilainen is wrong in accusing musicians of purposely snubbing him by pointing out that balancing the various duty schedules is a complex affair, some musicians being financially dependent on supplementing their salaries by taking on well-paying guest work and not wanting to deny some of the members the chance of being part of “prominent musical projects” ie. “if someone has the chance to go on tour with Simon Rattle”. She further claims that the refusal to renew the contract is not a reflection on Rasilainen’s artistic competencies but due to the fact that retirement is imminent for a sizeable portion of the orchestra and that it will be conducive to seek out new artistic direction with such an impending generational shift (giving younger members of the orchestra and new, incoming musicians a chance to be part of the decision, instead of being saddled with a chief conductor that was chosen in no small part by outgoing and retiring members).
…purposely found guest *work* outside of the orchestra…
Above all, the provincial city of Konstanz needs a concert hall.
The situation has been frustrating musicians and their audience for decades.
Always tempting to take the train to nearby Tonhalle Zürich.
The phrase ‘Germans terminate’ is an unfortunate one, imo.
Konstanz is loosing an experienced conductor who is famous for recording all of the Atterberg symphonies.
The relatively new managing director who had a difficult start herself has now messed everything up.
Wonder which conductor will like to go to Konstanz under these circumstances?
Suggest getting rid of the managing director, as well.
His CPO recordings of the Sallinen symphonies are especially noteworthy too.
I’ve got both his Sallinen and Atterberg cycles. Plus CDs of Hausegger, Natanael Berg, and his Sinding cycle. I think it’s great that he records music like that. I would love to hear works like that in live concerts some time.
His Atterberg recordings are incredible interpretations of incredible music. Here’s to hoping he conducts that music around the world during the rest of his career.
Yes, really great stuff.
Something for Mahler-John-Vaughan-Williams-aficionados…
https://www.youtube.com/watch?v=LDpH6mLg6Vg