Asmik Grigorian can do no wrong
mainThere was a 12-minute ovation at La Scala for Korngold’s Die tote Stadt, much of it directed at the Armenian-Lithuanian comet in the soprano skies.
Alan Gilbert conducted.
There was a 12-minute ovation at La Scala for Korngold’s Die tote Stadt, much of it directed at the Armenian-Lithuanian comet in the soprano skies.
Alan Gilbert conducted.
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I attended the premiere: she was simply overwhelming!!!
Great news!!
The lead tenor role of Paul is a notoriously heavy sing, too – I hope they saved a clap or two for him as well? 😉
She is indeed a phenomenon! Don’t miss her given the chance!
We can’t get her at the Met though………….
She is fabulous, but we are burying the lede. Die tote Stadt was just put on for the first time ever at La Scala! The Korngold revival is real and it is here to stay. A forgotten curiosity, he is assuming what I believe is his rightful place among the great composers of the 20th century
+1,000
I wouldn’t be surprised if the 12-minute ovation was as much for Korngold’s endlessly fascinating score as it was for the musical performance.
Yes, and at my alma mater of Bard here in upstate NY, Leon has mounted Heliane. Wow, Leon’s been there since I was an undergrad, and that was a long time ago. https://www.youtube.com/watch?v=SsmT9AujAPk
Botstein also presented Franz Schreker’s “Der Ferne Klang” at Bard (2010) — another fine opera from the same time period.
https://www.nytimes.com/2010/08/03/arts/music/03klang.html
“Leon has mounted Heliane.”
I love this old-time operaspeak!
Some thoughts about Korngold and Die Tote Stadt (in English):
https://basiaconfuoco.com/2018/12/20/worshipped-ignored-forgotten-about-erich-wolfgang-korngold-and-die-tote-stadt/
I saw Asmik Grigorian as Marie in Wozzeck in Amsterdam. She is absolutely a phenomenon.
https://basiaconfuoco.com/2016/08/19/wozzeck-zaterdagmatinee/