Andre Previn, a publisher’s dream

Andre Previn, a publisher’s dream

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norman lebrecht

February 28, 2019

From Music Sales Ltd:

André Previn, the legendary conductor, composer, and pianist, passed away peacefully on February 28, 2019 at his Manhattan home, shortly before his 90th birthday.

During his incomparable career he won 4 Oscars and 13 nominations; 10 Grammy® Awards, 44 Nominations and the Grammy® Lifetime Achievement Award; was named honorary Knight Commander of the Order of the British Empire by Queen Elizabeth II; and awarded the Austrian and German Cross of Merit, the Glenn Gould Prize, and the Kennedy Center Lifetime Achievement Award amongst countless additional accolades.

Throughout his seven-decade career, Previn performed with and composed for greats from classical, opera, jazz, and standards including Anne-Sophie Mutter, Leontyne Price, Renée Fleming, Yo-Yo Ma, Oscar Peterson, Doris Day, and appeared on the Morecambe and Wise show. He conducted the world’s major orchestras both in concert and on recording, and frequently collaborated with the Boston Symphony Orchestra, New York Philharmonic, and Vienna Philharmonic. He held chief artistic positions with the London Symphony Orchestra, Houston Symphony Orchestra, Los Angeles Philharmonic, Pittsburgh Symphony Orchestra, and Royal Philharmonic Orchestra. In 2009 Previn was appointed Principal Guest Conductor of the NHK Symphony Orchestra.

In the recent years, he occupied his brilliant mind mostly with composing and worked tirelessly on new commissions until only a few days before his passing. Several of his new works will be heard for the first time in the coming season.

David Fetherolf, close friend and editor at Previn’s publisher, G. Schirmer, Inc. comments: ‘One of the greatest pleasures of my professional life has been working with André Previn. We reveled in our shared humor and love of music, and our meetings went far beyond the usual bounds of the editor/composer relationship into the deeply affectionate and personal, and I know I am not alone in feeling his loss acutely.

André was, of course, a giant. He was a multiform musical polyglot who was always studying and listening to everything and anything he could. His boundless curiosity never waned and he wanted to talk about it all.

The accolades and awards were never as important to him as was the music; both his own and others’. And, when he finished a piece, that was it; he didn’t revise, he just moved on to the next one, figuring if he didn’t like the one he just wrote, so be it. He didn’t have to hear it again. He truly was a singular sensation.’

Chris Butler, Director of Global Rights Development says: ‘André Previn was simply unique. He had an exceptional gift for communication at all levels and distinguished himself over a more than seventy year career as an arranger, composer, conductor, performer, and entertainer. His range of achievements has been rightly celebrated and acknowledged the world over, and we feel honoured to have been his publisher.’

 

André Previn
Composer, conductor, and pianist André Previn left his native Germany in 1938 to live in Paris and subsequently to settle in Los Angeles in 1940. His early career orchestrating film scores at MGM led quickly to conducting engagements of symphonic repertoire and on to an international career as Music Director of orchestras in London, Los Angeles, Oslo, and Pittsburgh. In the 1980s, he concentrated increasingly on composition for the concert hall and opera. His own richly lyrical style underscores his love of the late Romantic and early twentieth-century masterpieces of which his interpretations as conductor are internationally renowned.

Previn’s first opera, A Streetcar Named Desire, which he set to a libretto based on Tennessee Williams’ play, had its premiere at the San Francisco Opera in 1998 with Renée Fleming in the role of Blanche DuBois. It continues to enjoy numerous performances worldwide. Previn’s 1998 recording of the work with the San Francisco Opera Orchestra won the Grand Prix du Disque. Houston Grand Opera premiered Previn’s second opera, Brief Encounter, in May 2009.

Every Good Boy Deserves Favour, written for the London Symphony Orchestra in collaboration with playwright Tom Stoppard, remains popular everywhere. Music for Boston was premiered in 2012 at Tanglewood, and was commissioned to honour the festival’s 75th anniversary. Other highlights from his recent orchestral works include a Double Concerto for Violin and Violoncello written for Jaime Laredo and Sharon Robinson, premiered by the Cincinnati Symphony Orchestra in 2014, and performed since by orchestras across North America and Europe. Previn continued to expand his orchestral lyricism with Can Spring Be Far Behind? which premiered at Eastern Music Festival in July of 2016. His highly anticipated Concerto for Orchestra will be premiered during the 2020/21 season in celebration of the Kalamazoo Symphony Orchestra’s centenary.

Following the creation of several violin concertos and sonatas, Previn’s long-standing collaboration with violinist Anne-Sophie Mutter continued with his Nonet for Two String Quartets and Contrabass, which premiered in 2015 as part of the Edinburgh International Festival. Previn also wrote for Vladamir Ashkenazy, Yo-Yo Ma, Renée Fleming, Janet Baker, Sylvia McNair, Lynn Harrell, and Barbara Bonney.

He received numerous awards and honors for his outstanding musical accomplishments, including both the Austrian and German Cross of Merit, and the Glenn Gould Prize. He was the recipient of Lifetime Achievement Awards from the Kennedy Center, the London Symphony Orchestra, Gramophone, and Classic FM. In 2010 he received a Grammy Lifetime Achievement Award from The Recording Academy. His recordings have received several Grammy awards, including for his own Sonata for Violin, “Vineyard” performed by Gil Shaham, and Violin Concerto “Anne-Sophie” featuring Anne-Sophie Mutter with the Boston Symphony Orchestra. In 1999, he was honoured as Musical America’s ‘Musician of the Year’ and was appointed KBE, an honourary knighthood, by Her Majesty Queen Elizabeth II in 1996.

Comments

  • Been Here Before says:

    Rest in Peace! I have heard him only once, when he made his debut with the Orchestra della Scala in 2013 conducting Brahms’ Symphonies No.3 & 4. He was already in his eighties and had to be helped to the podium, however, when the music started, although conducting from a chair, he was immersed and passionate as a man half his age. The love and respect by the musicians of the orchestra was apparent. Farewell Maestro, you will be greatly missed!

  • Sue Sonata Form says:

    I’ve often wondered what Previn was doing these days. He lived to be almost 90. Many wives and a great career. A life well lived. Vale Maestro Previn.

  • Harrumph says:

    A sad day.

  • Larry says:

    A wonderful, unique artist who epitomized the term “cross over” in the very best sense. He was a superb pianist – his version of the Gershwin Concerto in F (with the London Symphony) is THE BEST ever. He recorded the Gershwin three times, I think – get the LSO version. And to learn about his remarkable career in Hollywood, which started while he was still in high school (!!), check out his memoir: “No Minor Chords.” Funny as hell.

    Truly an amazing talent. RIP: Andre.

  • Viola da Bracchio says:

    An exemplary emissary for music, not only classical. Everything he touched turned to gold. A fine life, which brought appreciation to millions.

  • Anyone know how the Previn family succeeded in getting into the US when so many others were being turned away?

  • Bruce says:

    AND (there’s always an “and” with Previn)

    Let’s not forget, if we ever knew, about “Honey and Rue,” the beautiful song cycle he wrote for Kathleen Battle, with texts by Toni Morrison.

    https://www.youtube.com/watch?v=6jbKknbqu7E&list=PL0vnrf81Reice5O47xxmZVF-IbOA1J71e

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