The dominant British mezzo-soprano has written a reflection for Jessica Duchen’s site on the likely effect of Brexit on opera singers. It’s essential reading.
A few years ago, I stood in at a moment’s notice for Mahler’s Second Symphony in Leipzig for the opening of the famous Gewandhaus orchestra’s Mahler festival. My agent phoned me to say that the great maestro Riccardo Chailly had asked for me to come immediately to Leipzig and replace the ailing singer. It was a really big honour which had me checking flights within a minute, but if paperwork and visa issues had been a problem then like many American singers, I wouldn’t even have been considered, because visas cover specific jobs that need prior notification. At least they do when we work in America. In hindsight, to have missed out on this opportunity would have been a great loss to my career. I have returned many times and it has helped build my reputation in Germany and everywhere else in Europe since this concert was globally live-streamed and recorded for DVD….
The vile experience of queuing at 8am on the pavement in all weathers outside the American Embassy for a work permit every time I get a contract in the US (every application costs me and the arts organisation hiring me hundreds of pounds) is not something anyone would choose to do, in order to work in Europe….
Read on here.