Wolfram Christ, principal viola in Berlin for 20 years, has been gathering conducting dates for the past decade.
Now, he’s got an agent.
Conducting’s becoming a bit like brain surgery. After you’ve seen a few good ones, you think anyone can do it.
From the last Lebrecht Album of the Week…
We’ve been given to understand that tonight’s Lebrecht…
Pablo Casals conducts a gloriously old-fashioned 1971 performance…
The Chinese-Australian pair of comedy fiddlers have called…
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Why such malice, Mr Lebrecht? Have you seen him conduct? Was it terrible?
Mr Christ is a fine musician: both an exceptionally gifted soloist and a superb team player (something one certainly can’t say about all musicians). Watch the Lucerne Festival DVDs!
Playing the viola for decades should give him a unique knowledge and understanding of the inner workings of a score and how to balance its individual strands.
I certainly have learned a lot more about orchestration, blend and balance from playing 3rd and 4rth trumpet than from all those years on 1st, since it is in the middle register where all the instruments can come together and create unique blends of sounds. It is also here where a lot of the sound character of an orchestra’s or conductor’s typical sound (Giulini anyone) can take its foundation. I certainly wish Mr Christ the best.
PS: Mr Lebrecht, how about an interview series/documentary/… about how a conductor’s own instrument informs his conducting?
He’s probably much better than your typical young American conductor, who failed at their instrument, got a Master’s in conducting, and happens to have the right look.
You are so spot on! Having the “right look” seems to be the biggest qualification nowadays. Musicianship and knowing the repertoire don’t count for much.
Wolfram Christ is a very fine musician and is not new as a conductor; that he is able in that profession should be no news since at least one fantastic recording has been issued last year:
http://www.amazon.de/Hamburger-Symphonien-182-Christ-Wolfram/dp/B00H8VUUV8/ref=sr_1_1?ie=UTF8&qid=1423049211&sr=8-1&keywords=carl+philipp+emanuel+bach+stuttgarter
Archaeopteryx, I just want to say that you have chosen an excellent moniker!!! I love this fossil, and just recently saw the Berlin specimen at the Naturkundemuseum!
Thank you very much indeed! The Berlin representative is also very close to my heart… 😉
Wolfram Christ is certainly not just “anyone”.
Here is Wolfram Christ conducting.
https://www.youtube.com/watch?v=KNA3ACkfdJM
Wolfram Christ was a superb soloist in Maazel’s BPO recording of Harold in Italie and, more recently, made a fine disc of symphonies by CPE Bach. If anyone can encourage fine music-making from the podium, after a long professional career in arguably the finest orchestra in the world, I’m sure Mr Christ can.
Incidentally, I bumped into Mr Christ and family in the street last summer, and far from acting like a ‘call-me-God’ brain surgeon, he seemed quite astonished that he should be recognised – in Nottingham!….. NL often (rightly) castigates arrogance on this website; let’s hope musical excellence and personal modesty does not become a target too.
Mr. Christ left the Berlin Philharmonic about 15 years ago, if I’m not mistaken. Pretty early “reitrement” given that he’s now only about 60. But he’s very experienced at making music at very high levels, and I’d expect he would make a terrific conductor.
I very much doubt that Mr Christ thinks that anyone can conduct.
I would expect a seasoned orchestral musician to know far more about the inner workings of an orchestra than the typical whiz kid who went to conservatoire to learn conducting. The latter may be able to conduct The Rite of Spring brilliantly in front of the hi-fi, but the former will have the music in his/her body and soul.
Conducting with his eyes closed. Hmmmm. I wonder where he got that?
One uses to say that a bad violinist will become a violist and a bad violist will be a conductor.
Would it be logical to presume that a good violist will be a great conductor ??
R.Q.
An orchestra player turned conductor should in most cases at least have a profound understanding how an orchestra functions. It never ceases to amaze me how many pure bred conductors are unable or unwilling to grasp this, sometimes even after lifelong and commercially successful careers.
Let’s not forget that Bernard Haitink was the RCO’s principal viola before becoming a conductor.