You couldn’t make it up. It’s on the record:
h/t: Steve Wehmhoff
|The Complete John Cage Edition – Vol. 28: The Works for Piano 5Soliloquy (1944) (3:09)|
Three Easy Pieces (1933)
Four Walls (1944)
Haydée Schvartz, piano
FOUR WALLS is a powerful and pivotal work in Cage’s oeuvre. This large-scale piece was written as a “dance-drama” with text and dance by his long-time collaborator Merce Cunningham. It was performed only once in 1944 in a production with actors (which included a young Julie Harris) and other dancers, and was not heard again until it was revived some 30 years later.
It was written using only the white keys of the piano.
Four Walls shows Cage’s seminal ideas on silence, repetition and gradual change, as well as influences of Eastern philosophy and music-its use of repetition foreshadows later minimalist music.
At Cunningham’s request, Cage also devised a shorter “solo” piece extrapolated from Four Walls, which Cunningham performed several times in his early recitals. Entitled SOLILOQUY, it is also presented here.
The Three Easy Pieces are early, tonal Cage. The three movements-Round, Duo, and an “infinite” Canon-are written in an almost continuous 2-part contrapuntal style.
Liner notes are by Cage’s long-time friend and publisher, Don Gillespie.
She is joined here by Jack Bruce (voice); composer, singer, bassist and multi-instrumentalist of the legendary rock group Cream. His eclectic approach to music in his solo recordings and bands mixes rock, blues (performing with John Mayall) and jazz (with Tony Williams Lifetime, John McLaughlin, Billy Cobham and Larry Coryell), with forays into the avant-garde (with ECM artists Michael Mantler and Carla Bley).