Stepping in late to a production tailor-made for Anna Netrebko, our NYCR critic reckons the Canadian soprano was spot-on. The more so since she was singing opposite Netrebko’s ex.
Photo: Ken Howard
…a warm, buttery soprano that could be caressing or cajoling and her expressive, flexible phrasing complemented a delightful physical vivacity that makes her a valuable artist to fill the Met’s light lyric Fach.
Read on here.