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Orchestras
CBSO cries out for marketing
The following ad has just been posted by…
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News
The decline and fall of classical music at the New York Times
A couple of years before Covid, the NY…
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Orchestras
NY Times fails two US orchestras
Two recent arts features illuminate the limitations of…
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Opera
Behind the Netrebko breakup
A couple of weeks ago, Yusif Eyvazov changed…
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Some more good numbers
A day behind the Salzburg statistics, Glyndebourne has…
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The Russians are coming … and the Chinese
Box-office returns from the current Salzburg festival show…
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At last, a premier assessment
The Australian has just taken note of the…
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Not in an Age and a half
The Age in Melbourne has just posted a…
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Taking issue with Downes’ Syndrome
Stephen Hough has slightly jumped the gun on…
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Not in an Age
The Age of Melbourne used to be one…
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Sad news from Australia
The country’s most successful pianist, Geoffrey Tozer, has…
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Why can't we mention the G-word?
Several colleagues in British media have expressed surprise at…
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What will happen before the music stops?
Clearing the summer clutter of CDs off the…
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What's a good doctor like you doing on the opera stage?
The Lebrecht Interview with tenor Ian Bostridge goes…
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Vladimir Ashkenazy: My Life in the KGB
He is one of the best-selling classical artists…
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Another silenced voice
Leo Smit, a Dutch-Jewish composer murdered by the…
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Some forgotten musical victims
The names and works of the Czech composers…
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The Kaiser's not waltzing
Coming up tonight on The Lebrecht Interview on…
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Goodnight to the dodos
There are few heroes in classical music publishing,…
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Hilary's next
Coming up tonight on BBC Radio 3, and…
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Another view of Mahler's Ninth
Fiona Maddocks, the thinking person’s critic of choice,…
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Night thoughts on Mahler's Ninth
Watching Bernard Haitink at the BBC Proms last…
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Uncategorized
Student abuse in music – someone speaks out, at last
The new Lebrecht Interview series starts tonight on…
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Average age 32: the classical audience in Paris
I have written two columns this year about the French…
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