Godot’s waiting for Erwartung

Godot’s waiting for Erwartung

Opera

norman lebrecht

April 11, 2024

I have just seen a dazzling production in Madrid of Arnold Schoenberg’s suicide monodrama Erwartung. Rather than being depressing it was elevated to a superior analytical plane by being paired with Francis Poulenc’s La voix humaine, which is also about a betrayed woman contemplating self-destruction.

The two one-handers were conjoined by an intimate comic monologue in Spanish by the celebrated Almodovar actress Rossy de Palma. The Teatro Real was totally sold out and the experience (which I shall write about elsewhere) was transcendental.

Meanwhile, I hear that the opera in Wuppertal has put on a different companion piece to Erwartung. It is Ethel Smyth’s long-forgotten 1902 opera The Forest, which the FAZ finds ‘scenically memorable and musically brilliant’.

OK, readers. Can anyone come up with better pairings for Erwartung?

pictured: Malin Byström as the woman in Madrid’s Erwartung

Comments

  • Mathieu says:

    This pairing was already done by Jessye Norman. It works beautifully.

    https://www.youtube.com/watch?v=tzAKD1EcjdA

  • Pedro says:

    Elektra

  • professional musician says:

    Fantastic combination…I could also image Erwartung paired with Senza Sangue by the late Peter Eötvös or Bartok´s Bluebeard´s Castle

  • Stephen J Barber says:

    Erwartung goes well with Bluebeard’s Castle, as was done at Covent Garden in 2001.

  • drummerman says:

    I recall the Met doing “Erwartung” with “Bluebeard’s Castle’ and I’m 99% certain that I was there.

  • Alvaro Gallegos says:

    Morton Feldman’s “Neither” (libretto by Samuel Beckett)

  • Bulgakov says:

    Bluebeard’s Castle. Robert Lepage’s production for Canadian Opera Company – which I think traveled to EIF – was just stunning.

  • Pianofortissimo says:

    Billy: ‘I have a theory: Godot was not waiting for Erwartung. Godot did not appear because he was the mad woman’s murdered lover.’

  • Brian Morgan says:

    “Bluebeard’s Castle.”

  • Micaela Bonetti says:

    Peter Maxwell Davies:
    “Eight Songs for a Mad King”

  • Chordia says:

    Why not together with ‘Von heute auf morgen’ and ‘Die glückliche Hand’, his other short operas. I saw all three at the Leipzig Opera in 2008–an amazing evening.

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