Dear Alma, The city has abandoned my orchestra
OrchestrasSome sound advice from our agony aunt:
Dear Alma
I’m a musician in an English orchestra whose subsidy has been abolished by the city council. It’s not an existential issue – just 5 percent of our budget – but after years of living on the breadline it feels like the executioner’s axe.
This is my city, and my city has forsaken us.
When I read that private donors in Cleveland have just given $4.6 million to the orchestra, I want to weep. We’d be lucky to get a new coffee machine from our patrons. There is no culture of philanthropy for orchestras in most of this country.
So what do I do? I can’t leave town. My kids are in school here and have good friends. My wife runs a small business. I could stay in the orchestra and endure inevitable decline or I could retrain for something else. I’m in my 40s. I’ve always fancied driving an ambulance.
What do you say, Alma?
One broken heart for sale
Dear One Broken Heart for Sale,
No two ways about it, this is a terrible situation. You have been in a vice, being slowly turned tighter, and then someone comes and slaps you across the face with a rotting fish. Already numb from years of scrimping, you are now in a serious bind. Nowhere to go and no options. But, you have a family and friends, and a decent attitude. Keep these close and you can find a way out of that squeaking vice.
There are two ways to look at this. Logically and emotionally. Let’s start with logic. And some hypothetical math.
You earn £50,000 a year from orchestra, your salary was cut by 5%, and now you earn £47,500. You need to make up that loss of £2,500. That’s £209 per month, or £52 a week. If you take one student, you can make up the loss. Take two, and get yourself that coffee machine you have been thinking about. With an hour or two more work a week, your family life can remain the same, and you might even enjoy the change. Heck, you might even like it so much that you take 20.83 students a week and entirely replace your orchestra income! Imagine the freedom, ability to work from home, variety, and happiness you can give to all of those families.
OBHFS, let’s take a look at the emotional side of the coin. You seem burned out. I am all for quitting things. I have never regretted it, and it has always lead to new and exciting things (if you can stomach the indeterminately long period of instability). You may need an entirely new career. You are young and haven’t given up the ship yet. It could be driving ambulance. Or something equally wacky. You might love your new life and live longer.
But just like playing an instrument, true freedom only happens when there is a foundation of complete control and planning. Retraining takes time and money. You may need to have saved two years of income in order to take the plunge. Research the ambulance career – go to the hospital and talk to some workers, find out the cost and length of training required, the pay, and if it is a job you will be guaranteed after you complete the training. I don’t mean to be a skeptic, but I can imagine that ambulance driver is a pretty brutal job, with erratic hours and a lot of emotional demands. And probably pays worse than the orchestra.
That being said, the idea of finding a new career is not altogether terrible. In fact it’s pretty darned fantastic. Look at me, just a musician, and I am having the time of my life reading and responding to letters from all of you. Way more fun than sitting on my tush all day making sure my mezzo pianos are exactly the same decibel level as my standpartner.
One Broken Heart, you’ve been dealt a rough hand. But, as any poker player knows, it’s the game not the hand. You’ve got to know when to hold ‘em and know when to fold ‘em. Just make sure you have enough chips at home before you fold.
Questions for Alma? Please put them in the comments section or send to DearAlmaQuery@gmail.com
I would guess the orchestra in question is the CBSO, and the tutti musician salary in orchestras outside of London is around £36,000 to £39,000. Plus most teachers charge around 36-40 pounds per hour outisde of London. With their salary off by more than 10000 pounds the poor musician reading their response is going to be even more disheartened! The leader won’t even make 50k a year!
The mathematical ratio that Alma suggests still works in that case. It’s exactly the same. It means adding one student at £37 for the hour to stay the same (%5 cut) or two to make it more comfortable.
I’m very sorry for your situation, which is awful and unfair. But the grass is always greener on the other side. Despite one large gift to one orchestra, philanthropy here is no longer focused on cultural organizations. Look, perhaps, to Germany with envy, but certainly not to the U.S.
Being an orchestral musician means you are at the whim of your salary. It’s not a bad idea to have an outside financial option if possible. Musical or otherwise.
I really feel for this musician and the rest of the orchestra and staff.
Although we do not live in the West Midlands we have supported the orchestra for many years/ They bring a lot to the city and promote Birmingham on their tours abroad. I realise that the city council has financial problems but they need to rethink this action and at least provide some support for them. After 104 years we do not want to see the demise of such a wonderful organisation.
I have written to the leader of the council to express my dismay and asked them to rethink their actions
Considering that your city is almost bankrupt and drowning in social problems, if you get a better job elsewhere it can be a plus for your family too, better and calmer city environment is priceless. It can of course be difficult to get such a job, the competition is fierce and other orchestras are cuting back on the budget, even in orchestra-paradise Germany. But you can always be observant and make sure you don’t miss the chance if it comes.
5% is small and not having a failing council have say in what is done could be a plus that reinvigorates the orchestra’s planning and management . There are plenty of things to trouble a classical musician these days, but this seems to me a strange thing to consider quitting over. Is it the real reason? Alma always likes to encourage career change so maybe take that with a pinch of salt. Driving an ambulance is a gruelling tough job that struggles to find enough people and may include working nights away from the wife and kids whereas a job playing in an orchestra is hard to get and you can plan around it. Be sure what you want to do. Maybe you could swing a sabbatical to try other things out?
If it’s “only 5%” then it represents a brilliant opportunity to reach out to other possible funding sources. It’s not easy but it can be done.
It’s a pity Alma doesn’t recommend talking to your union, or otherwise organising a collective response in protest to this decision. It might not work of course, but you don’t have to take this situation entirely on your own shoulders, as though you’re somehow uniquely to blame. Every single one of your colleagues will be in the same situation, and you are far stronger together than you could ever be on your own.
Am I wrong in sensing some confusion here?
The musician is surely talking about a loss of a municipal subsidy amounting to 5% of his orchestra’s budget, not a 5% reduction in his personal income.
His fear is of “inevitable decline” in the orchestra’s income in the future, with possible personal consequences (unemployment?), and is considering whether he should get out of the business completely.
London is not the city it was.And will not be. The reasons are obvious. There is no way cultural priorities were to remain the same. Not only England but the whole world suffers.
gfg: “Despite one large gift to one orchestra, philanthropy here is no longer focused on cultural organizations.”
—-
Partly true. However, at least when it comes to the particular case of Cleveland and its orchestra, the community in question isn’t exactly the hub of prosperity.
The American Midwest has been sort of rusting for decades, so applying economic doldrums as a big reason for the CBSO’s problems in the UK sort of flies in the face of the orchestra in metro Cleveland in the US.