Muti goes out with a Russian blast

Muti goes out with a Russian blast

News

norman lebrecht

March 29, 2022

In his 13th and final season as music director of the Chicago Symphony, announced today, Riccardo Muti will conduct symphonies by Tchaikovsky, Rachmaninov and Prokofiev, as well as Musorgsky’s Pictures at an Exhibition.

His farewell concert will be Beethoven’s Missa Solemnis.

Muti will turn 81 in July.

Comments

  • Alank says:

    Another gratuitous and misleading snark against Muti. Beethoven is his farewell concert and the other works mentioned have always been central to his repertoire. Are you implying that performing these works in his final season is some sort of hidden salute to Putin? I was in graduate school in Philadelphia in 1981 and admired how Muti reinvigorated that great Orchestra as has Yannick done in recent years. I enjoyed Ormandy in his final years and in retrospect appreciate his work more now than in those days, but the Orchestra needed a change and Muti was a fine choice. His Verdi Requiem still lingers in the ear after 40 years!

    • The Chicago Governor says:

      I don’t know about the hidden salute, but he certainly loves the honors he has received from Putin (Order of Friendship) and organizations linked to Putin (RAA). He keeps them very close to the chest, he is not returning them.

      Though, as we predicted on March 20 on this site, he has ordered his own official website to remove the references to Putin’s award from his official website. He decided to take it down right after I pointed that out, weeks after the war had started, and weeks after his Chicago anti-Putin hypocritical statements.

      Hiding the awards, not returning them? Ma quale cosa eh???

      Signor Muti, do the right thing, and return your Putin prizes!

      For someone who cherishes Putin’s honors so much, it is a fitting final season.

      • Alan says:

        What must it be like to be filled with such bile. Maybe Muti should join the Ukranian army. Maybe then he can win your approval, which he clearly so desperately craves.

        Grow up.

      • steve says:

        So…you have revealed yourself to also be “CSOA Insider” AKA one (insane) person commenting under multiple personas LMFAO

        • MD says:

          steve, the psychological damages that this unfortunate individual suffered as a byproduct of Muti’s tenure in Chicago would require a reincarnation of Freud to be properly understood

      • Chicago Governperson says:

        Putin is doing everybody a favour. His special military operation is a ‘war’ to end all future wars in Europe.

      • Muti-Fan says:

        “He decided to take it down right after I pointed that out,”
        Wow, the power you have. You say something and it happens. You think you have influence over anything? Think again. Muti was the best thing to happen to the CSO.

    • J Barcelo says:

      Why would anyone vote Thumbs Down? Alank is quite accurate. Muti’s Tchaikovsky symphony set on EMI is superb – one of the best. The little Prokofieff he recorded is top-drawer. I heard him do the 3rd in Philly and it was a tremendous performance. I’ve never heard any of his Rachmaninoff. It’s going to be very hard to replace him; Maestro Myth or not, he’s clearly better than most.

      • NYMike says:

        While not wanting to jump in on this Muti/Putin debate, I’ll attest to his Prokofiev Romeo & Juliet Suites 1 and 2 with Philly as among the very best.

    • Innominato says:

      Putin was a close bunga bunga buddy of Berlusconi. Berlusconi and Muti were friends. You do the math.

      Berlusconi was the only one who fought to save Muti from inglorious LaScala firing. That’s what good friends do.

    • MB says:

      Think of Verdi’s genius. In spite of Muti, his Requiem still lingers in your ear after 40 years.

    • Philip G. Koch says:

      Your knowledge and expertise is formidable. You must be a musician yourself. Or a music historian. I didn’t know anything of what you just said. And I have been admiring Ricardo Mutti my entire life.

  • waw says:

    Let’s hope his Missa Solemnis will have matured much more by then since his debut of it last summer in Saltzburg. (The local critics were less than enthused.)

    Ironically, for once, what he did with Vienna first has become a real rehearsal for what what he will do later in Chicago. (Good thing to have at your disposal the Vienna Philharmonic as your rehearsal band, ha ha ha.)

  • Lothario Hunter says:

    Odd.

    They didn’t announce any Northern Trust-sponsored Friday or Thursday afternoon Muti “happy hours”; or any “extended week-end working brunches”.

    Are Alexander and Osborn dropping the hammer?

    Not holding my breath.

  • waw says:

    Hrusa has been entrusted with the Mahler 9.

    That’s an indication they are seriously considering him.

    • Sam says:

      It is still a position for Thielemann to lose. He has such an established record that even if he delivered a ho-hum Bruckner 8, he’d still be a top contender.

      On the other hand, even if Hrusa delivered a stunning Mahler 9, given his lighter CV and profile compared to even candidates of his own generation, he’d still be a dark horse candidate.

      • Timothy says:

        From yesterday’s Chicago Tribune:

        “ Among the guest conductors coming who could conceivably take on the current residency commitment required by the music director role: Staatskapelle Dresden principal conductor Christian Thielemann (conducting Anton Bruckner’s Symphony No. 8, Oct. 20-25), Ravinia conductor/curator and ORF Vienna Radio Symphony Orchestra chief conductor Marin Alsop (with the Lorelai Ensemble in a CSO co-commission by Julia Wolfe, Jan. 6-7), outgoing Minnesota Orchestra director Osmo Vänskä (in a choral-orchestral program including Carl Orff’s “Carmina Burana” and Jessie Montgomery’s “Banner,” March 16-18), and Czech conductor Jakub Hrůša (closing out guest podium stints with Gustav Mahler’s Symphony No. 9, June 8-10).”

        They arrived there 1 week after Norman.

        Norman rules!

    • Muti-Fan says:

      Hrusa will scratch the surface of the Mahler, if that. Not enough experience.

  • mary says:

    Comparing Muti’s last season in Chicago to Salonen’s first season in San Francisco is like comparing the middle of the 20th Century to the middle of the 21st Century, so retrograde is Muti, so forward looking is Salonen.

    • Greg Bottini says:

      Thanks, mary!
      We’re looking forward to some interesting programming here in San Francisco!
      – regards, Greg

    • Bone says:

      I’m going to go to sleep tonight thinking about this comment and probably wake up just as confused.
      The Muti hate is so strong around here. Granted, I haven’t liked much since his New Philharmonia work, but y’all make him sound like Marin Alsop-level inept.

    • music lover says:

      Spot on!!!!!!!!

  • Matter of Fact says:

    For Muti, going out with a blast apparently means going out with the same repertoire he has been conducting 10,000 times for 50 consecutive years, ad nauseam.

    I forecast deep red in the CSO balance sheet for the 13th year, except the COViD year Muti did not show (that wasn’t by chance)

  • MB says:

    If you are incurably inept at conducting Beethoven, what do you do?

    Just have Ludwig as your farewell concert.

    Makes total sense.

  • Chicagoan says:

    The end of the Muti era in Chicago can’t come a moment too soon for me.

  • Roger T says:

    A blast? Rather an implosion

  • Rob says:

    Muti did two great things, and they were both in Philadelphia. That Mahler 1 recording (still the best ahead of Bernstein, Walter etc etc) and Elgar’s In The South, which is on YouTube as a live radio broadcast.

  • leo grinhauz says:

    Meh, Muti will be forgotten in no time. Russian composers also. But that will take a bit longer.
    Silly people.
    Poor Norman will be the only one left giving a shit.
    Thanks, Norm!

  • PG Vienna says:

    Muti has always been a fantastic proposent and interpreter of Russian music. Why should he not conduct them in his final concerts in Chicago , just because Putin is a Russian criminal?

  • Tony says:

    i only ever heard Muti live once. He was conducting the Philharmonia in the Royal Festival Hall. There was a strange incident. Two bars into the Schubert 8th, there was a loud bang and Muti was showered with broken glass. One of the platform lights had exploded. Without any fuss, he restarted th work and made a splendid job of it. A true artist.

    What is he going to do when he leaves the CSO, does anybody know?

    • MacroV says:

      Whatever he wants, I imagine.

      • CSOA Insider says:

        He will stick around, plaguing Chicago as “music director emeritus” (I am not joking), until the new music director steps in and finally kicks him out for good.

        Probably in the 2024/25 season.

        But a) not having gotten a new md contract is a major defeat for Muti, who has tried in every way and b) his power will be dramatically diminished.

        Believe me, he’s not pleased with this outcome and will still try to undo it. Behind the scenes, and the pleasantries, scores of people loathe him.

        • CleferClefer says:

          People loathe him? Because of his autocratic behavior off the podium? Or because of his music-making? As for being autocratic, you could say it about most celebrities. As for the music making, the crowds likely still adore him.

    • Chuck says:

      Come back frequently I hope. He’s conducting this later today (along with a new work by former CSO Mead Composer-in-Residence Missy Mazzoli and Mahler’s Rückert-Lieder sung by Elīna Garanča):https://www.youtube.com/watch?v=tHl_I6wWVrU I am really looking forward to it.

  • Philip G. Koch says:

    Still vital and handsome at 81 years old. And such a fine musician. Very impressive

  • Chicagorat says:

    This season will turn out to be one of the worst of the 13, if not the absolute worst.

  • James Barlow says:

    Muti is overrated. Like the city itself, the CSO has been in steep decline.

    • Chicagoan says:

      OK, James. Why don’t you tell us where you live if it’s all sunshine and sparkles and orchestral playing that doesn’t sound anemic?

  • Maciej says:

    Bravo Maestro!!!

  • Antwerp Smerle says:

    Watch the first 10 minutes (or preferably all) of this video and tell me if you think we will ever again hear Verdi conducting of this calibre. You may be put off by his flamboyance but when it helps to produce a performance as electrifying as this, who cares?

    https://youtu.be/QlpCwsxeEGg

  • Kat says:

    Still miss him. I wanted him to stay here in Philly forever. Such a talented Maestro….plus he gave the Philadelphia Orchestra sex appeal… other orchestra cities fangoers were jealous

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