Salzburg puts on ‘an opera without singers’

Salzburg puts on ‘an opera without singers’

Orchestras

norman lebrecht

December 03, 2024

This may save a lot of rehearsal time.

From today’s programme release:

When the Swiss composer Michael Jarrell came across Kassandra, a 1983 novella by the East German author Christa Wolf, his initial idea was to adapt it as a chamber opera with several roles. However, impressed by the complexity and intensity of the text, he eventually realized that he needed to concentrate on the “utter solitude of a woman awaiting death”, and that it would be “absurd” to make her sing about it. The result is a monodrama that can be seen as an “opera without singers”, thereby dispensing with the last hallowed convention of the genre. For Cassandra only the past remains: “There is no longer any reason to sing.” Jarrell’s music evokes a sense of entangled timelines with its range of tonal colours and rhythmic patterns. Through his use of self-quotation and allusions to works by composers such as Schoenberg, Bartók, Berio and Kurtág, Jarrell creates a densely woven fabric of old and new, against which Cassandra’s final reminiscences well up with haunting intensity. Bas Wiegers conducts Ensemble Modern; Dagmar Manzel narrates. The concert performance of the monodrama for narrator and instrumental ensemble with electronics takes place at the Main Auditorium of the Mozarteum Foundation on 23 July.

Comments

  • Guest Conductor says:

    I imagine this is to opera what 4’33” was to piano music.

  • Monty Earleman says:

    The best kind!!

  • Philipp Lord Chandos says:

    Closing the Festival with Mahler 9 says it all.

  • Peter Maddocks says:

    An opera with no singers? Wow, perfect for ENO.

  • Robert says:

    The best parts of Wagner are where no one is singing.

  • PRKFV says:

    On paper this sounds terrible. However, Jarrell is an excellent composer and absolutely deserves the benefit of the doubt.

  • TruthHurts says:

    Sounds good to me!

  • A.L. says:

    Within the context of how poorly most opera singers (try to) sing nowadays, “there is no longer any reason to sing” should translate to music to most ears.

  • John Borstlap says:

    I don’t know much about opera and the few times I had to attend one due to my work, the singing always irritated me, I could not hear the music. So THIS thing seems made for me!

    Sally

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