Salzburg announces a Mahler-Schoenberg opera. Sort of.
OperaThe festival published next summer’s plans this morning. The eye-catcher is an attempt by Peter Sellars to combine Schoenberg’s monodrama Erwartung with the finale of Mahler’s Das Lied von der Erde, both written in 1909.
Sellars is calling it ‘One morning turns into an eternity’. Esa-Pekka Salonen will conduct.
Here’s the official version:
Gustav Mahler and Arnold Schoenberg, both iconic figures of early 20th-century music, were bound by a mutual sense of admiration and respect. They built a bridge between romanticism and modernism thanks to their respective transformative visions. Performing their works in the same evening brings these two major artistic perspectives into dialogue with one another and invites us to listen to complementary answers to existential or intimate questions. In 1909, Arnold Schoenberg wrote the monodrama Erwartung for soprano and orchestra. Composed around the same time as Erwartung, “Der Abschied” (The Farewell) closes Das Lied von der Erde (The Song of the Earth), one of Gustav Mahler’s most introspective and moving works. Peter Sellars, who most recently staged La clemenza di Tito, Idomeneo and The Gambler in Salzburg, directs. At the helm of the Vienna Philharmonic, Esa-Pekka Salonen is a partner of equal genius – together, they staged Olivier Messiaen’s Saint François d’Assise in 1992. Ausrine Stundyte and Wiebke Lehmkuhl take on the vocal parts. The premiere takes place at the Felsenreitschule von 27 July, followed by four further performances through 18 August.
photo: Mahler portrait, inscribed to Schoenberg
Least attractive program in many, many years. Don’t even know were to start. Opera offer is so lacking imagination. Even the Philharmoniker concerts are so underwhelming and with the “boringer” of the conductors they work with. Few international orchestras, only one Berlin Philharmonic concert instead of the traditional two. And much more to criticize.
Aix is faaaaaaaar ahead of Salzburg.
Well, it got your attention at least.
I’m afraid this is going to turn into a cringefest, as is often the case when Sellars is involved. Also, Salonen is not very good at conducting Mahler and nothing special in Schoenberg either. Besides this double bill, if I’ve read the programme correctly, the Vienna Philharmonic will only play two other operas: Maria Stuarda and Macbeth. Isn’t the workload a bit low for them this year?
Apart from this Schoenberg/Mahler and the narrated work, it looks like they are offering 7 more operas at the Salzburg Festival:
Sciarrino – Macbeth,
Händel – Giulio Cesare in Egitto,
Vivaldi / Ovid – Hotel Metamorphosis,
Donizetti – Maria Stuarda
Mozart – Mitridate, re di Ponto,
Eötvös – Drei Schwestern,
Verdi – Macbeth,
Mozart – Zaide oder Der Weg des Lichts,
Giordano – Andrea Chénier,
and Rameau – Castor et Pollux
Maybe not all of those are with the Vienna Philharmonic, but ever since I can remember, they have always had guest orchestras performing operas there too.
Wow. If you’re seeking an upbeat evening at a summer music “festival”……
Salonen and Sellars paired “Erwartung” with Ravel’s Mother Goose in San Francisco last June – https://www.sfcv.org/articles/review/ravel-and-schoenberg-are-intoxicating-pairing-sf-symphony
Great music, no doubt about it. However, when I hear that name (‘ Peter Sellars’) I associate to what Trump said about ‘woke’.