Consolation for Klaus Mäkelä after Vienna Phil debut
OrchestrasThe over-booked Finn had a hard time at his Vienna Philharmonic debut this weekend with Mahler’s sixth Symphony. The experienced critic for Der Standard, Stefan Ender, found the performance ‘incredibly loud’, resulting in ‘a levelling out of most of the subtleties and ambiguities’.
Ender concluded: ‘It is surprising that the Philharmonic Orchestra, which is so keen on its interpretative traditions, unconditionally submitted to the one-dimensional verve of the 28-year-old debutant.’
Susanne Zobl wrote in Kurier: ‘When you have long since left the Musikverein and can still hear the sound after a subway ride, then it is clear that something happened at this concert.‘
Walter Weiderinder has an interesting conclusion in Die Presse: …’ what happened musically? Mäkelä has a penchant for Mahler’s relentless drama, but also for colour, for the often garish, gruesome effects: in the scherzo, for example, when the horns howl like gloating hounds of hell. The ironic, terse reminiscences of limping minuets of yesteryear were no less successful for the strings and woodwinds – spiced up by the bassoon with an exquisite pinch of humour. Practically the entire brass section was impeccable, with the horns leading the way in both solos and tutti. Unfortunately, the tuba was temporarily lacking in depth.
Our 2am team reports that after the concert. the debutant went to dinner at the Hotel Imperial with visiting family and friends, including his current girlfriend, the Norwegian orchestra violinist Amanda Håoy Horn.
(Our original Instagram image has been removed at family’s request)
photo: Wiener Philharmoniker / Benedikt Dinkhauser
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