Daniel Barenboim, 82 today
NewsThe indefatigable musician is resting at home in Berlin after an exhausting West-East Diwan tour.
He cannot live without making music.
Here, he discusses music as stimulus, or oblivion.
We wish Daniel many happy returns.
The end of this clip, where Mr. Barenboim discusses the metaphor of giving — “giving oneself to music as one gives oneself to another human being,” as well as concentration being nothing but “a form of giving” of oneself — truly demonstrates his unique caliber as a musician. In a time when most giving has become transactional, when the very possibility of concentration is being undermined by our ever-increasing dependency on devices which are greatly responsible for the erosion of our capacity for attention, and when everything must be regimented by a strictly utilitarian form of rationality, these notions may sound rather foreign to many. In a sense, to ask the very question “how to listen to music” betrays having already veered on the wrong track: one could simply say, there is no “how” to listen — just listening should be more than enough, given enough time and persistence. But such sheer listening may prove to be a challenge, not merely because we seem to have lost somehow the capacity to listen in general, but also because listening in turn implies another capacity, that of truly giving oneself to something else — in other words, putting one’s individuality aside for a while and becoming open to the possibility of being transformed. Music, just like all the other arts, has no utility and no external end other than itself. It cannot, and should not, be approached by a “method” which would then allegedly allow us to “understand” what it “means.” Rather, it is an experience one undergoes — one that transports us away from the world of sheer practicality. Such departure, paradoxically, is precisely where we might encounter our truest selves and be finally able to focus on what truly matters.
Beautifully written. It wonderfully complements what Barenboim was trying to express. Paradoxically, the downvotes show how these people were unable to “listen” to you/Barenboim. Consequently, and unfortunately, they also probably do not enjoy music as deeply as you.
The sad thing is, among the 80+ year old living conductors, NONE is of legendary status comparable to Karajan, Bernstein, Kleiber of the past. They are all getting ‘prizes’ simply due to old age.
I’m seriously starting to think that Barenboim is indestructible. Happy Birthday, Daniel.
Happy Birthday Maestro!
He’s great, but this narrative of “so-and-so can’t LIVE without making music” is a giant load of BS and hardly worthy of you, Norman. What about the talented student who doesn’t end up with a career, despite having sacrificed everything trying? Do they then slit their wrists? Generally, no, they get a job, like almost everyone else.
What DB can’t live without is, of course (& like all high level classical artists) money and the validation of his / their narcissism. Sometimes narcissists are great artists, too, it happens. But come on. When I look at artists who lean into this, like Khatia B for instance who can’t seem to do anything without a fainting spell, a low cut top and a film crew peeking around the corner, I really marvel at the freaking audacity of it all. To play that role so openly when so many have it so hard is to me the very antithesis of true artistry. And I say that with a huge respect for the business and in full acknolwedgement of the artist to charge the market rate. Still.
Why can’t you listen a bit closer? Or work on your comprehension skills? In this clip, he’s talking about how enriching “listening” to music can be. Nowhere does he suggest that one has to make a living as a professional musician to appreciate music. The real narcissist here seems to be you, who has no intention of listening to anyone but yourself.
No wishes of many happy returns? Maybe at 82, you can do what you want and nobody cares. In the end, oblivion calls us all.
it does help he is has
earned a lot of money.
Barenboim is correct. i. have mobility issues. because
iam at home most of the time my CD collection keeps me going . i enjoy
everyday. also my collection
is getting bigger.
West-Eastern Divan, not West-East Diwan
Whatever you think of his music making, an incredible musician.
His latest recording of Franck’s Symphony is appalling.