Maestros and their motor cars (26): Mario Lanza owned a Caddy
Daily Comfort ZoneA 1950 Cadillac Series 62 Convertible, to be specific.
A 1950 Cadillac Series 62 Convertible, to be specific.
From my monthly essay in the new issue…
The orchestra board has just announced that Matías…
WIN: Matias Tarnopolsky played hardball in compensation negotiations…
The Philadelphia Orchestra are putting a brave face…
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When did the “Great Caruso” (in name only, not in the voice) become a maestro?
No kidding. Despite mentors no less distinguished than Koussevitzky telling him he was a generational voice, he let himself get seduced by Hollywood. So in the end, he was a singer — a good one who might have become a great one — and a movie star. Hardly a Maestro.
A singer is a musician.
A musician who has great talent and skill is a maestro.
Therefore, a singer who has great talent and skill is a maestro. Q.E.D.
Mario Lanza, in my humble opinion, had a great voice and skill to put over an aria or song, and he had squillo.
I miss my father’s 1973 white Cadillac Sedan Deville, with red interior, and a 472 – cubic inch V8 engine. That baby felt powerful, smooth, and quiet on the road. Sweet, not including the return of only 10 mpg!
That is a hardtop coupe, not a convertible.