Death of a French-American conductor

Death of a French-American conductor

RIP

norman lebrecht

February 18, 2024

The death has been shared of Paul Vermel, a Frenchman who found his metier in the US. He died on Wednesday, five days before his 100th birthday.

Vermel was music director of several US orchestras, but his most widespread influence was at the Aspen Festival where he heads the conducting programme for 14 years.

Here’s the official obit:
Paul Vermel, conductor, orchestra builder, teacher, mentor, husband, father and friend, passed away on February 14th at the age of 99, just 5 days before his 100th birthday.

Paul was born in Paris, France, on February 19, 1924, the second child of Naoum Vermel and Marguerite Amirian Vermel. His older sister, Marianne, was born in Russia in 1921, and the family escaped to France after the Russian Revolution. He lived with his family in Paris, with summers in Deauville on the Normandy coast, until the outbreak of World War II. When the Germans invaded France the family stayed in Deauville for a year. After the fall of Paris the family moved to the ”free” area of Vichy, until all of France was occupied by the Germans. They then moved back to Paris, where it was easier to hide from the German soldiers. One of his greatest memories was the day that American and French forces, led by General Charles DeGaulle, entered Paris and marched up the Champs Elysee.

Before WW II he studied conducting, organ, harmony, and theory in his native Paris – studying conducting with André Cluytens and Paul Kletzki, and organ with André Fleury. In 1949 he left France to study at The Juilliard School in New York City, as a student of Jean Morel. He served on the Juilliard faculty in both the orchestral and opera departments. He became an American citizen in 1954 and was honored at the White House, at a reception in the Rose Garden, by President Dwight Eisenhower, for his achievements in music.
During his 10 years in New York Paul was music director and conductor of the Hudson Valley Symphony, the Doctor’s Orchestral Society, and the Brooklyn Community Orchestra, and taught at Brooklyn College. For eight years he was music director of the summer opera and musical theater program at Green Mansions in the Berkshires. He made his Broadway debut as assistant conductor of Gian-Carlo Menotti’s Saint of Bleecker Street. While living in New York he was an usher at Carnegie Hall, where he met his first wife, Ann Nelson Vermel, with whom he was married for 13 years. They had one daughter, Valerie, who now lives in Maine.

Leaving New York, Paul Vermel moved to California to become music director and conductor of the Fresno Philharmonic. He also taught at California State University, was music director of the Fresno Youth Orchestra, and conducted opera extensively. Moving back to the east coast in 1966, he served as director of the Music in Maine Project (a Title III program) and one year later was tapped to lead the Portland Symphony Orchestra. He was Music Director of the PSO from 1967 to 1975, a time of significant musical growth. During his tenure a series of Family Concerts was begun and the first out-of-town (run-out concerts) were given, starting in Augusta, and eventually including several towns in New Hampshire, and cities throughout Maine. And the PSO received a National Endowment for the Arts grant that supported a tour of the Canadian Provinces. Summer Concerts returned to the orchestra’s schedule, and Youth Concerts were expanded and improved.

Paul Vermel also conducted the Portland Community Orchestra, which was supported by the PSO. He was awarded an honorary Doctor of Fine Arts degree from Nasson College in 1975. As Music Director of the PSO, he helped to found the Portland String Quartet, whose players – violinists Stephen Kecskemethy and Ronald Lantz, violist Julia Adams, and cellist Paul Ross – he hired as the string principals of the orchestra. And one of his greatest pleasures in living in Portland was that he could study scores and prepare rehearsals in the morning, and ski in the afternoon.

For twenty years, beginning in 1974, Paul Vermel was professor of music at the University of Illinois at Urbana-Champaign, and conductor of both the University Symphony and the Champaign-Urbana Symphony. While at U of I he conducted many operas with Illinois Opera Theatre, and took the University Symphony Orchestra on tour throughout the state. He was a frequent All-State and District Festival conductor. And at the U of I he met Carolyn Paulin, a doctoral student in choral music, whom he married in 1978.

After Paul’s retirement from the U of I, he and Carolyn lived in the Chicago area from 1994 to 2014, where he continued to conduct and teach privately. He served as Music Director of the Northwest Symphony Orchestra from 1994 to 2013, and North Suburban Symphony from 1996 to 2007.

His guest conducting experience included performances with the Pittsburgh Symphony, the Baltimore Symphony, the National Symphony of Washington, D.C., the Rhode Island Philharmonic, the New Jersey Symphony, L’Orchestre Symphonique de Quebec, and numerous regional, community and All-State orchestras. An active teacher since his Juilliard days, Paul Vermel headed the orchestral conducting program at the Aspen Music Festival and School for 14 years, and taught at the Conductors Institute at the University of South Carolina for 23 years. Many of his students are achieving success on the podiums of orchestras in the United States and Europe.

Among Paul’s many awards and honors are: the Koussevitsky Memorial Award for the outstanding conductor at the Tanglewood Festival, the American Symphony Orchestra League Recognition Award, a Ford Foundation grant for advanced study and, in conjunction with the national Orchestras-On-Tour Program, the Bell Telephone Award for outstanding achievement in and contribution to the arts. He was honored with the ASCAP Award for adventuresome programming of contemporary music. In January of 2009 he received the Max Rudolf Award from the Conductors Guild, given biennially in recognition of outstanding achievement as a conductor and pedagogue, and significant service to the profession in the realms of scholarship and ensemble building.

Paul Vermel brought to the podium over 70 years of expertise. His final appearance as a conductor was on the Portland Symphony Orchestra’s Gala 90th Anniversary Concert, in which all four living conductors led the orchestra. Paul opened the program, conducting Beethoven’s Overture to Egmont – from memory – at the age of 91.

Paul and Carolyn returned to Maine in the summer of 2014, and enjoyed living in Scarborough, going to the Symphony and the Portland Museum of Art, and to many concerts. He is survived by his wife of 46 years, Carolyn Paulin, and his daughter Valerie Taylor, both living at home. Other survivors include his niece Veronique Meroni and her husband Michel Meroni, of Marseilles, France, and his nephew Alan Lantz and his wife Sophie, of Paris, France, and several grand nieces and nephews. He was predeceased by his mother and father, Marguerite and Naoum Vermel, and his sister and brother-in-law, Marianne and Georges Lantz.

Comments

  • CRAIG RUTENBERG says:

    Paul, Maestro Vermel, to this day still, remains a strong and important force from my much younger life.

    As a student in Urbana, 1974-76, I had the good luck to study under and work with him in the Opera Department, then under the direction of David Lloyd (the American one, not yours!)

    From Paul Vermel, I learned masses about score reading and reduction at the piano as well as conducting technique and keeping calm in the middle of chaos.

    Bohème, The Rake’s Progress and Porgy and Bess. That was one hell of a great school year!

    When he and Carolyn would show up, in later years, backstage after a recital in the Midwest, it was always a rare treat to see them once again.

    My deepest sympathy to the family and my everlasting gratitude to Maestro Vermel.

  • Carolyn Paulin says:

    Thank you for posting this. Paul was my teacher, husband a friend for 48 years.

  • Michael Korstick says:

    He was a true French gentleman, and I’m sure everybody who ever worked with him felt that way about him (only those few unfortunate enough not to meet his exacting standards might disagree with me here). I played my first Beethoven Third Concerto with him in Aspen, and I’ll never forget running into him in at the liquor store the day before the performance when I was buying a bottle of Veuve Clicqot. He winked at me approvingly and said in his inimitable way: “Now, you von’t drrrink all of zees at once, vill you?” After the performance he wrote into my orchestral score (which I’m still using) “In fond remembrance of your ‘first’ with orchestra and with best wishes for many more performances with better orchestras! Aspen, 7-20-78,
    Paul Vermel”.
    Prophecy fulfilled. May he rest in peace!

  • Peter Simmons says:

    My name is Peter Simmons and I have Mr. Paul Vermel to thank for my Wonderful career in the Music World. I was a 14 year old, 1st year Bassoonist that was allowed to play with the Brooklyn Community Orchestra, at Brooklyn College, (1958 -1959). Mr. Vermel was so kind and gracious to me even though the older musicians seemed to disregard my presence. I totally understand now: Imagine having to put up with a flegling bassoonist in your ranks? I was totally immersed with the sound of Beethoven’s 3rd Symphony, which Paul was conducting! I NEVER heard or Felt anything like this in my short life. I knew that Paul was my Inspiration and Indeed, I followed this feeling! I ended up at Juilliard and had an enormously, incredible career in my most Wonderful World of Music!! I remember when the Orchestra was rehearsing, my very First concert, Tchaikovsky’s 5th Symphony and the solo Bassoonist had an interesting Syncop melody in the Waltz movement and I thought I was doing just great, at 15, now. Maestro Paul, sat with me during the break and asked if I thought the particular passage was a problem, and as the innocent, loving, beginning Bassoonist that I was, I answered: No, Sir! Well, Paul was so gracious that he gently asked to assist me with my playing of the part: No anger, No besmirchment, just Joy and Love!! I am now 81 and 1/2 and Mr. Vermel was so important in my life. He helped guide me into the World of Music and the Splendid Life that I have and that I had bestowed on me. How I MISSED telling Paul all of my life’s rewards due to HIM!!! I only wish that Paul can hear my Thanks and Gratitude for all that he gave me, Sincerely and more, Peter Simmons

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  • Jay Shulman says:

    I played in the Portland Symphony in 1970 under Paul Vermel’s direction.
    He did much for ‘Music in Maine,’ and we corresponded in later years. R.I.P.

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