Conductor wears blindfold to protest weird Bohème

Conductor wears blindfold to protest weird Bohème

News

norman lebrecht

July 16, 2023

Scherzo website has a picture from the 69th Puccini Festival in Torre del Lago, where the French stage director Christophe Gayral had updated the setting of La Bohème to 1968, the year of the Paris student uprisings.

The music director Alberto Veronesi made his feelings known by leading the the performance in blindfold.

He got more boos for this than the director.

More here.

Comments

  • Genius Repairman says:

    Perhaps he would have had more support if he had instead conducted with both hands tied behind his back.

  • sly says:

    What a moron! If you find it this appalling, just quit.

  • Ragnar Danneskjoeld says:

    Textbook definition of “childish”.

  • MusicSnob says:

    I’m curious to know how well he conducted. I respect that he may know the score by memory, but still there is a need to have eye contact with the performers…

    What strange times we live in.

  • Tony says:

    Plenty of conductors that conduct like they’re blindfolded. At least this guy has an excuse.

  • Anton Bruckner says:

    Clearly an imbecile. Indeed, he seems to be involved with Fascist party now in power in Italy.

  • Jim says:

    Should have just quit if he didn’t like it rather than sabotage the performance.

    • Micaela Bonetti says:

      He didn’t sabotage the performance.
      Actually reviews were positive about musical aspects.

  • Zarathusa says:

    He should have worn earplugs too!

  • John Soutter says:

    Sight-reading?

  • Sammy says:

    I applaud that!!! Some of these new productions are so gross but conductors, who obviously need to make a living too, put up with this with a fake smile. It’s time to have our opinions heard.

    • NotToneDeaf says:

      The time to do that is pre-production and in the rehearsal room. Imagine a director sitting in the front row with his/her fingers in his/her ears because he/she didn’t like your tempi or dynamics.

  • PG Vienna says:

    He was right !

  • Paul Dawson says:

    Interesting set of upvotes and downvotes here. I agree with the booing. The blindfold shows a lack of respect for the artform, the opera itself, the performers and the audience.

    I hope that a shortage of future invitations to conduct will make him live to regret this conduct.

  • AndrewB says:

    Coordination between the orchestra pit and the singers on stage is essential for the opera to succeed. The paying audience has a right to expect that and this gesture might have compromised the performance.
    Also it could bring about insecurity among the cast and make their job harder.
    The conductor has a right to his point of view on the production, but if he really couldn’t go along with the concept , withdrawing from the show might have been the better choice.
    The audience will decide whether to applaud or not and word of mouth is very effective to help folks decide whether to attend later performances.

  • Micaela Bonetti says:

    Complimenti, Maestro Veronesi.

  • Edoardo says:

    He has now been fired. But for the wrong reason. It should have been fired for what he does to music, not for wearing a blindfold…

  • IP says:

    Why use blindfolds when we have CDs? Bjorling, Di Stefano, de los Angeles, Freni, Scotto. . . A blindfold may be helpful with the “production”, but then one might need earplugs because of modern singers who don’t have a clue how to put meaning and feeling into their vocal line.

  • Harry Collier says:

    Good for him. I’ve always maintained that opera is best enjoyed on disc, or radio, or in an opera house with one’s eyes shut. Why “update” the stage action whilst keeping the same old music? La Bohème is very specifically 19th century France. Prima la musica; poi le parole.

  • MMcG says:

    After all the reasoned and informed commentary, I’m still waiting for a review of the evening’s performance as a sort of postscript!

    On a tangent here: In my mind’s eye I imagine a performance of a Wagner opera in a simply horrid staging (think Bayreuth Ring). And instead of boos, the camera pans the auditorium to show that most of the audience had worn blindfolds throughout the performance. Now THAT would be a powerful statement.

  • NotToneDeaf says:

    Did this conductor pay attention during pre-production? Where was he at the rehearsals? This opera (ANY opera), requires enormous communication between pit and singers – particularly with those difficult Act II chorus parts (including children). I can’t imagine anyone on stage felt confident under these circumstances. What a selfish idiot.

  • Alex says:

    Before this last pathetic exhibition, the joke among musicians in Italy was that there are only two conductors in the world about whom everybody agrees: Carlos Kleiber, because everybody thinks he was wonderful, and Alberto Veronesi, because everybody thinks he is terrible. Having listened to both, I heartily agree.

  • Peter Bronder says:

    Perhaps he wanted to be like Karajan…..

  • MOST READ TODAY: