Czech Television has screened a new hourlong movie about the tremendously neglected composer.
The music is fabulous and there’s some good archive stuff.
Unfortunately, they forgot to add a subtitles button. (Netflix, anyone?)
Watch here to improve your Czech.
We hear that Stephen Rose, former head of…
The Finnish music world is in mourning for…
Singers’ agents tell us of a tsunami of…
The city of Würzburg has been shaken by…
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How good! I adore him and his music!
https://basiaconfuoco.com/…/a-few-words-about-bohuslav…/
https://basiaconfuoco.com/2019/04/25/why-dont-we-see-martinus-greek-passion-more-often/
Martinu is an absolutely terrific composer including chamber, symphonic, opera, and more. It is a shame that his work isn’t better understood.
Here’s the music used in the film, according to the end credits. The numbers are from the Halbreich catalog:
Toccata 311
Piece for Violin and Piano 13
Nipponari 68
Half Time 142
(Instrumental by Manuel Favre)
Spalicek/Spalick suite 214/214A/214B
(Goodbye – Chet Baker)
Julietta/Julietta Suite 253/253B
Double Concerto 271
Field Mass 279
3rd symphony 299
Sinfonia Giocosa 282
Concerto Grosso 263
Memorial to Lidice 296
Spalicek 214
5th Symphony 310
Arabeskes 201
Epic of Gilgamesh 351
Pieces for Violin and Piano 190
Rhapsody-Concerto 337
My introduction to Martinu’s music occurred roughly 65 years ago, when I was still at university. Leonard Rose and a pianist whose name I cannot now remember came to town and gave a recital that included Martinu’s recently published 3rd cello sonata. To Mr. Rose’s evident delight, the audience loved it and applauded lustily.
Since then, I do not recall ever having had the opportunity to hear a single live performance of Martinu’s music. Fortunately, he has been very well served on recordings, and it was through them that I got to know and love much of the rest of it. His chamber music in particular has been one of the great joys and consolations of my old age.
I bought my first Martinu CD partly in jest because “I love Dvorak and Smetana so all Czech composers must be geniuses…” Well, the music is no joke! He is indeed another Czech genius.
Incidentally… Supraphon have the coolest logo in classical music. I need a T shirt, preferably white on black or grey on grey!
Consumate String Writing
While in school, I performed Martinu’s 2nd Cello Sonata, which features string
writing of the highest level. It’s as if the left hand is fitting into a very familiar and much-loved glove. A Czech
colleague of mine at the time conveyed the opinion that Martinu understood string playing better than ANY composer.
I’ve never had any reason to doubt this.
Following my student days, after 38 seasons in a professional orchestra, I (unfortunately) played Martinu on only two occasions: both times the lovely Rhapsody Concerto for viola and orchestra.
Burt Bacharach studied composition with Martinu while at student at Mannes in the 1950s.
Yes, and he also studied with Darius Milhaud and with Henry Cowell. But Bacharach said that Martinu was the biggest influence.
I have only heard his music once in a concert hall. And that was 30 years ago when the Czech Philharmonic toured the US. It’s too bad.