Munich renames orchestra academy after Hermann Levi

Munich renames orchestra academy after Hermann Levi

News

norman lebrecht

July 18, 2021

Discreet lobbying by the outgoing music director Kirill Petrenko has prompted Bavarian State Opera to make belated amends to the man who conducted the first Parsial.

The statement says:
In memory of Hermann Levi, the Orchestra Academy of the Bavarian State Opera will be renamed the Hermann Levi Academy of the Bavarian State Orchestra during the memorial concert on July 23, under the musical direction of Kirill Petrenko . Because of his Jewish origins, recognition for Levi’s work has been downplayed and his memory neglected since the 1930s. With the renaming of the orchestra academy, this omission is to be remedied and the work of Hermann Levi is to be given due importance again.

Comments

  • Petros Linardos says:

    Maybe Kirill Petrenko is good at talking where it matters, even if he has no gift for platitudes at interviews and public statements.

  • Barry Guerrero says:

    Nice!

  • Steven says:

    Wonderful news.

  • David says:

    What is “the first Parsial”, as opposed to e.g. “the first Parsifal”? Asking for a friend …

    • clarrieu says:

      Next wagnerian revival: the “Lying Dutchman”…

    • M2N2K says:

      Tell your “friend” that on SD one should read not just between the lines but between words and even between letters too.

    • M2N2K says:

      Tell your “friend” that on SD one should always read not just between the lines but between the words and even between the letters too.

    • M2N2K says:

      You may also tell your “friend” that sometimes on SD one does not see for a rather long time whether a comment went through or not, and so the person writes another similar one just to be sure, only to discover much later than the two comments both finally appear published in full, making it look like someone insisted on saying the same thing twice, even though that was not the idea at all.

  • The Staatsoper states: “Because of his Jewish origins, recognition for Levi’s work has been downplayed and his memory neglected since the 1930s.”

    This would seem to be an admission that he has also been neglected in postwar Germany because he is Jewish.

  • Gaffney Feskoe says:

    This is good news and thanks go to Maestro Petrenko for his lobbying efforts. Levi was a supporter of Bruckner too.

    • Saxon says:

      Levi is the longest serving Music Director of the Bavarian State Opera after Franz Lachner.

      Lachner is really the first GMD in Munich and arguably made Munich the most important city in Germany for music in the 1850s and 1860s. Wagner’s music was difficult to perform for most mid-19th century orchestras, but Lachner ensured it was performed in Munich and played a big part in supporting Wagner’s early career. Wagner had him sacked from Munich in 1864 when the 18 year-old Ludwig came to the Bavarian throne.

      Von Bulow then became, effectively, music director in Munich, in 1864; but Wagner got his wife pregnant and then eloped with her. Hermann Levi was appointed “to sort out the mess”.

      Out of curiousity, has Munich ever acknowledged Lachner? He was undoubtedly treated more shabbily than Levi was.

  • John Borstlap says:

    A late but welcome correction.

    That Wagner was forced to accept Levi for his ‘most Christian of works’ must have been a very sour experience. But it showed that the work was not in the least diminished by ‘Jewishness’. There is no record of what Wagner really thought of Levi’s conducting, we only know that he was happy with the performances.

  • Edgar Self says:

    The fact that Wagner entrusted the premiere of “Parsifal” to Hermann Levi , and that it turned out well, speaks for itself. They were on the friendliest personal terms. Levi had the run of Haus Wahnfried, playing hide and seek with Wagner’s children. The chief difficulty was finding chests big enough for the large Levi to hide in.

  • Benno von Archimboldi says:

    This is a good, righteous move (no sarcasm).

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