‘Let’s kick that racist Schenker out of musicology’

‘Let’s kick that racist Schenker out of musicology’

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norman lebrecht

July 31, 2020

The analytical methodology of the Viennese scholar Heinrich Schenker (1868-1935) has dominated academic musicology for so long that it is hardly possible to open a Beethoven score without thinking of his theories. Schenker, a decendant of Talmudists, is a powerful mind, always good to challenge. But the storm that has grippped US musicology this month has very little to do with his ideas.

It started with a lecture by the inflammatory Philip Ewell, a New York campaigner for ‘decolonising’ the music curriculum. Ewell gave a talk titled ‘Music Theory’s White Racial Frame‘ at the Society for Music Theory (SMT) Annual Meeting in November 2019 and debate has exploded since then with 100 pages of responses to Ewell’s lecture in the Journal of Schenkerian Studies.

All this would be worth little more than a raised eyebrow were it not for the odious undercurrents. Schenker was unarguably a supremacist when discussing European music. He was also xenophobe. These views are integral to the history and evolutuon of musicology and have been thoroughly exposed in many serious investigations such as….

There was nothing new in Ewell’s attempted assassination, but his tone struck a different chord, provoking one of the journal’s editors, Timothy Jackson of the University of North Texas, to accuse Ewell of having an antisemitic agenda. ‘Ewell’s denunciation of Schenker and Schenkerians may be seen as part and parcel of the much broader current of Black anti-Semitism… including the pattern of violence against Jews, the obnoxious lyrics of some hip hop songs, etc.’

Ewell’s supporters rallied with this letter of support to the SMT: … The journal’s violation of academic standards of peer review, its singling out of Prof. Ewell while denying him a chance to respond, and the language of many of its essays constitute anti-Black racism. These actions provide further evidence of the structural force of white supremacy in our discipline. While this episode is the most recent, and perhaps the most illustrative, the treatment Prof. Ewell received from the Journal of Schenkerian Studies is only the latest instance of systemic racism that marginalized Society members have faced for many years.

We applaud the recent statement of the Executive Board of the Society for Music Theory. To aid the Executive Board in their aim to “determine further actions,” we the undersigned advocate for the following:

  1. A public statement from the President, authorized by the Executive Board and in accordance with the Policy on Public Statements, that SMT acknowledges the following three points: (a) that American music theory is historically rooted in white supremacy, the racist idea that whites are superior to nonwhites, (b) that these white supremacist roots have resulted in racist policies that have benefitted whites and whiteness while disadvantaging nonwhites and nonwhiteness, and (c) that these racist policies have resulted in injustices suffered by BIPOC at all stages of their careers. Further, we call upon the President, with the authorization of the Executive Board, to apologize to all BIPOC who have suffered such injustices, without equivocation.

Not since Stalin’s time have we seen such an orgy of self-criticism. I append the list of signatories from all over the world, practically the entire discipline of music theory, signing like sheep to self-slaughter. Here goes:

Rosa Abrahams, Ursinus College

Ruard Absaroka, University of Salzburg

Stefanie Acevedo, University of Dayton

Byron Adams, UC Riverside

George Adams, University of Chicago

Kyle Adams, Jacobs School of Music, Indiana University

Aisha Ahmad-Post, Colorado Springs, CO

Brian Alegant, Oberlin College Conservatory

Makulumy Alexander-Hills, Columbia University

Michael Allemana, University of Chicago

Emily Ruth Allen, Florida State University

Penrose Allphin, University of Massachusetts, Amherst

Andreas R. Amado, University of Texas Rio Grande Valley

Matt Ambrosio, Lawrence University

Drake Andersen, Vassar College

Clovis de Andre, Faculdade Cantareira (S√£o Paulo, Brazil)

Christopher Antila, RILM (Répertoire International de Littérature Musicale)

Spencer Arias, Michigan State University

Sean Atkinson, Texas Christian University

Robin Attas, Queen’s University

Jacqueline Avila, University of Tennessee

William R. Ayers, University of Central Florida

Andrew Aziz, San Diego State University

Ben Baker, Eastman School of Music

David John Baker, London, UK

Michael Baker, University of Kentucky

Sara Bakker, Utah State University

Twila Bakker, Edmonton, Alberta

Ellen Bakulina, University of North Texas

Lara Safinaz Balikci, McGill University

Marcos Balter, University of California, San Diego

Alyssa Barna, University of Minnesota

Jessica Barnett, SUNY Fredonia

Matthew Barnson, SUNY Stony Brook

Daniel Barolsky, Beloit College

Christopher Bartlette, Binghamton University

Samantha Bassler, New York University, Steinhardt Dept of Music and Performing Arts Professions

Eliot Bates, The Graduate Center, CUNY

Inessa Bazayev, Louisiana State University

Melinda Beasi, Easthampton, MA

Richard Beaudoin, Dartmouth College

Jennifer Beavers, University of Texas at San Antonio

Adam Behan, University of Cambridge

Owen Belcher, University of Missouri Kansas City

Matthew Bell, Tallahassee, FL

Vincent Pérez Benítez, Penn State University

Lauren Bennati, University of Wisconsin-Milwaukee

Michael Bennett, Graduate student, Stony Brook University

William Bennett, Harvard University

Zachary Bernstein, Eastman School of Music, University of Rochester

David Carson Berry, University of Cincinnati, College-Conservatory of Music

Michael Berry, University of Washington

Nilanjana Bhattacharjya, Arizona State University

Nicole Biamonte, McGill University

Ian Biddle, Newcastle University, UK

Benjamin Bierman, John Jay College, CUNY

Stefanie Bilidas, University of Texas at Austin

Sebastian Bisciglia, University of Toronto

Wendelin Bitzan, Robert Schumann Hochschule Düsseldorf, Germany

Nicolas Bizub, University of Cincinnati College-Conservatory of Music

Damian Blättler, Rice University

Andrew Blake, Eastman School of Music, University of Rochester

Chandler Blount, Florida State University

Michael S. Boerner, Stony Brook University

Breighan Boeskool, Granger, IN

Jacob Bohan, Charlotte, North Carolina

Christine Boone, University of North Carolina Asheville

David Borgo, UC San Diego

Mauro Botelho, Davidson College

Beau Bothwell, Kalamazoo College

Janet Bourne, University of California, Santa Barbara

Sara Bowden, Northwestern University

Lynette Bowring, Yale University

Douglas Boyce, George Washington University

Clifton Boyd, Yale University

Michael Boyd, Chatham University

Antares Boyle, Portland State University

Matthew Boyle, University of Alabama

Andre Bregegere, William Paterson University

David Bretherton, University of Southampton

Amelia Brey, The Juilliard School

Seth Brodsky, University of Chicago

Christopher Brody, University of Louisville

Per Broman, Bowling Green State University

Erin M. Brooks, State University of New York-Potsdam

Eliza Brown, DePauw University

Jenine Brown, Peabody Conservatory of the Johns Hopkins Univ.

Matthew Brown, Eastman School of Music

Michael Bruschi, Yale University

Michael Buchler, Florida State University

Carl Burdick, University of Cincinnati

Samantha Burgess, Ohio State University

Geoffrey Burleson, Hunter College-CUNY

L. Poundie Burstein, CUNY

Patricia Burt, University of Delaware

Mark J. Butler, Northwestern University

David Byrne, University of Manitoba

Thomas Cabaniss, The Juilliard School, New York, NY

Ian Calhoun, University of North Texas

Andrea Calilhanna, Western Sydney University, MARCS Institute for Brain, Behaviour and Development

Michael Callahan, Michigan State University

Lee Cannon-Brown, Harvard University

Ellon D Carpenter, Arizona State University, Emerita

Daphne GA Carr, NYU FAS Music

Carolyn Carrier, Philadelphia, PA

James Carroll, Springfield, MA

Rebecca Carroll, Rutgers University

Daniel Carsello, Temple University

Antonio Cascelli, Maynooth University

James P Cassaro, University of Pittsburgh

Zosha Di Castri, Columbia University

Devin Chaloux, New Hampshire

Samuel Chan, New York University

Varun Chandrasekhar, The University of Minnesota

Dustin Chau, University of Chicago

Damian Cheek, University of Arkansas – Fort Smith

Timothy K. Chenette, Utah State University

William Cheng, Dartmouth College

Adrian P. Childs, University of Georgia

Matt Chiu, Eastman School of Music

Hiroaki Cho, Brown University

Andrew Chung, University of North Texas

Amy Cimini, UC San Diego

Alice Clark, Loyola University New Orleans

Timothy Clarkson, Sydney Conservatorium of Music, Sydney University DMA candidate

Seth Cluett, Columbia University

Jacob A. Cohen, Oberlin College

Christa Cole, Indiana University

Carla Colletti, Webster University

Adam Collins, University of Montana

Henri Colombat, McGill University

John Combs, Florida State University

Jade Conlee, Yale University

Corrina Connor, Victoria University of Wellington, New Zealand

Karen M. Cook, University of Hartford

Robert C. Cook, Louisville CO (University of Iowa, emeritus)

Margaret Cormier, McGill University

Evan Cortens, Mount Royal University

Nicole Cosme, Yale University

Alyssa Cottle, Harvard University

Benjamin Court, UCLA

Alexander Cowan, Harvard University

Arnie Cox, Oberlin College & Conservatory

Maxe Crandall, Stanford University

Stephen A. Crist, Emory University

Alejandro Cueto, University of Texas at Austin

Nick Curry, Harvard Law School

David Damschroder, University of Minnesota

Joe Davies, University of Oxford

Angharad Davis, Yale University

Stacey Davis, University of Texas at San Antonio

Hannah Davis-Abraham, University of Toronto

Laina Dawes, Columbia University

Greg Decker, Bowling Green State University (Ohio)

Kyle DeCoste, Columbia University

Rob Deemer, State University of New York at Fredonia

Galen DeGraf, Columbia University

Tomoko Deguchi, Winthrop University

Jay Derderian, Composer – Portland, Oregon

Johanna Devaney, Brooklyn College and CUNY Graduate Center

Dana DeVlieger, University of Delaware

David Dewar, University of Bristol, UK

Emily DeWoolfson, Temple University

Thomas Dickinson, South Carolina Governor’s School for the Arts and Humanities

Brittni Leigh Dixon, Florida State University

Benjamin Dobbs, Furman University

Julia Doe, Columbia University

James Donaldson, McGill University

Sahara Donna, University of North Texas

Luka Douridas, RILM (Répertoire International de Littérature Musicale)

Eric Drott, University of Texas at Austin

Aleksandra (Sasha) Drozzina, Toronto, ON

Daniel Nicolae Dubei, New York City, NY

Michéle Duguay, The Graduate Center, CUNY

Ben Duinker, University of Toronto

Philip Duker, University of Delaware

Melissa Dunphy, Rutgers University

Jonathan Dunsby, Eastman School of Music

Jacques Dupuis, Brandeis University

Michael Ebie, Michigan State University

Ryan Ebright, Bowling Green State University

Lindsey Eckenroth, Brooklyn College, CUNY

Ethan Edl, Yale University

Laura Emmery, Emory University

Neal Endicott, Michigan State University

Christopher Endrinal, Florida Gulf Coast University

Clare Sher Ling Eng, Belmont University

Nora Engebretsen, Bowling Green State University

Tom Erbe, UC San Diego

Walter Everett, University of Michigan

Sara Everson, Florida State University

Philip Ewell, Hunter College

Samuel Falotico, University of Colorado Boulder

David Falterman, Eastman School of Music, University of Rochester

Tobias Fasshauer, Berlin University of the Arts

Brent Ferguson, Washburn University and MidAmerica Nazarene University

Matthew Ferrandino, University of Kansas

Stanley Ralph Fink, Florida State University

Aaron Flagg, The Juilliard School

Amy Fleming, Baylor University

Nathan Fleshner, University of Tennessee

J. Wesley Flinn, University of Minnesota Morris

Rebecca Flore, University of Chicago

David Walter Floyd, Champaign, IL

Gretchen Foley, University of Nebraska-Lincoln

Mike Ford, Columbia University

Jane Forner, Columbia University

Karen Fournier, University of Michigan @ Ann Arbor

Aaron Andrew Fox, Dept. of Music, Columbia University

Elizabeth Fox, University of Toronto

Kelly Francis, Kennesaw State University

Kristin M. Franseen, Carleton University and University of Ottawa

Walter Frisch, Columbia University

Louise Fristensky, The University of North Texas

Johanna Frymoyer, University of Notre Dame

Anna Fulton, Grand Valley State University

Alison Furlong, Columbus, OH

Joshua Gailey, Seattle, WA

Rachel Gain, University of North Texas

Michael Gallope, University of Minnesota

Sarah Gates, Northwestern University

Leslie Gay, University of Tennessee, Knoxville

David Geary, Wake Forest University

William van Geest, University of Michigan

Ian Gerg, Southeastern Oklahoma State University

Sarah Gerk, Binghamton University

Emily Gertsch, University of Georgia

Elaine Fitz Gibbon, Harvard University

Jeffrey L. Gillespie, Butler University

Mylene Gioffredo, Universite de Metz

Jon-Tomas Godin, Brandon University

Keir GoGwilt, UC San Diego

Daniel Goldberg, University of Connecticut

Halina Goldberg, Indiana University Bloomington

Rachel May Golden, University of Tennessee

K. E. Goldschmitt, Wellesley College

Grace Gollmar, University of Texas at Austin

Stephen Gomez-Peck, The Graduate Center, CUNY

Juan Gonzalez, Alumni

Sumanth Gopinath, University of Minnesota Twin Cities

Stephen Gosden, University of North Florida

Gillian L. Gower, University of Denver/University of Edinburgh

Naomi Graber, University of Georgia

Thomas Gracy, Boston University

Benjamin Graf, University of North Texas

Aaron Grant, Missouri Western State University

Roger Mathew Grant, Wesleyan University

Julianne Grasso, University of Texas at Austin

Ashley A. Greathouse, PhD Candidate, University of Cincinnati

Andrew Green, University of Glasgow

Stefan Greenfield-Casas, Northwestern University

phillip greenlief, composer, improviser, teacher – oakland, ca

Jess Griggs, Austin, TX

Robert Gross, Board Certified Music Therapist, Denton, TX

Michelle L Grosser, University of Toronto

Bree Kathleen Guerra, University of Texas at Austin

Jeannie Ma. Guerrero, Rochester, NY

Massimo Guida, Toronto

Stephanie Gunst, independent scholar, Charlottesville, VA

Sara Haefeli, Ithaca College, Editor of the Journal of Music History Pedagogy

Zaki Hagins, Conservatorium Maastricht

Lauren Halsey, University of Washington

Elizabeth Hambleton, UCSB

Chelsey Hamm, Christopher Newport University

Scott Hanenberg, Virginia Tech

Mena Mark Hanna, Barenboim-Said Akademie, Berlin

Calder Hannan, Columbia University

Kristi Hardman, The Graduate Center, CUNY

J. Tanner Harrod, Graduate Student, University of Nebraska-Lincoln

Lauren Hartburg, Florida State University

Robert Hasegawa, McGill University

Amy Hatch, University of North Texas/University of Texas at Arlington

Stan Hawkins, University of Oslo and University of Agder, Norway

Midavi Hayden, Independent Artist-Scholar; Cincinnati, OH

Martin Hebel, University of Cincinnati College-Conservatory of Music

Garrett Hecker, Santa Fe College (Gainesville, FL)

Nicola Leonard Hein, Columbia University New York

David Heinsen, University of Texas at Austin

Bill Heinze, University of Minnesota

Matthias Heyman, University of Antwerp, Belgium

Andrew Hicks, Cornell University

Orit Hilewicz, Eastman School of Music

Ann Hiloski-Fowler, West Chester University of Pennsylvania

Hubert Ho, Northeastern University

Jocelyn Ho, UCLA

Kevin Holm-Hudson, University of Kentucky

Julian Bennett Holmes, Manhattan School of Music; Columbia University

Heather Holmquest, Nazareth College

Knut Holtstraeter, University of Freiburg, Germany

Tanya Honerman, University of Kansas

Erika Supria Honisch, Stony Brook University

Jason Hooper, University of Massachusetts Amherst

Fred Hosken, Northwestern University

Rachel Hottle, McGill University

Blake Howe, Louisiana State University

Alison Howell, Rutgers University

Amanda Hsieh, University of Toronto

Daniel Huang, University of Cincinnati College-Conservatory of Music

Stephen S. Hudson, University of Richmond

Bryn Hughes, The University of Lethbridge

Tim Hughes, The London College of Music

Kyle Hutchinson, NA

Liam Hynes-Tawa, Yale University

Sarah Iker, Massachusetts Institute of Technology

Mark Inchoco, University of California, Riverside

Tom Ingram, Winnipeg, MB

Lauren Irschick, Eastman School of Music

Eric Isaacson, Indiana University Jacobs School of Music

Velia Ivanova, Columbia University

Roman Ivanovitch, Indiana University

Jennifer Iverson, University of Chicago

Joseph Jakubowski, Harvard University

Donald James, Boston College

Mark Janello, Peabody Conservatory, Johns Hopkins University

Freya Jarman, University of Liverpool, UK

J. Daniel Jenkins, University of South Carolina

Stephanie Jensen-Moulton, Brooklyn College, CUNY

Emily John, Special Music School, NYC, Queens College – CUNY

James A. John, Professor of Music, Aaron Copland School of Music, Queens College-CUNY

Lindsay Johnson, University of Maryland, Baltimore County

Tom Johnson, contingent faculty

Erin Johnson-Williams, Durham University

Blair Johnston, Indiana University

Erin Johnston, The Graduate Center, CUNY

Evan Jones, Florida State University

Alexandrea Jonker, McGill University

Patricia Julien, University of Vermont

Sylvia Kahan, College of Staten Island and Graduate Center, CUNY

Elyse Kahler, University of Texas at Arlington

Noah Kahrs, Eastman School of Music

Peter Kaminsky, University of Connecticut – Storrs

Robert T. Kelley, Lander University

Laura L. Kelly, University of Texas at San Antonio

Colin Kennedy, Washington, DC

Matthew Kennedy, University of South Florida

Emily Kenyon, South Country Central School District

Marissa Kerbel, University of Cincinnati

Linda Kernohan, DMA Composition student, The Ohio State University; Adjunct Professor, Otterbein University

Daniel Ketter, Daniel Ketter

Dr. Ildar D. Khannanov, Peabody Institute, Johns Hopkins University

Wes Khurana, University of Toronto

Marianne Kielian-Gilbert, Indiana University

Jesse Kinne, Louisiana Tech University

Jesse Kiser, University at Buffalo

Michael L. Klein, Temple University

Joshua Klopfenstein, University of Chicago

Edward Klorman, McGill University

Andrew J Kluth, Case Western Reserve University

Douglas Knehans, College-Conservatory of Music, Cincinnati, OH

Andrew Knight-Hill, University of Greenwich, UK

Kristina Knowles, Arizona State University

Jon Kochavi, Swarthmore College

Tatiana Koike, Yale University

Robert Komaniecki, University of Iowa

Ryan Kosseff-Jones, Geneva, NY

Stephen M. Kovaciny, Madison, WI

Mariusz Kozak, Columbia University

Reiner Krämer, University of Northern Colorado

Joseph Kraus, Florida State University

Hanisha Kulothparan, Michigan State University

Jonathan Kulp, University of Louisiana at Lafayette

Anita Kumar, Georgia State University

Jaclyn Noel Kurtz, Cuyahoga Falls, Ohio

Eduardo Lopez-Dabdoub, Florida State University

Darren A. LaCour, Lindenwood University

Eric Lai, Baylor University

Hei-Yeung John Lai, University of British Columbia

steven laitz, the Juilliard School

George Tsz-Kwan Lam, Hong Kong Baptist University

Nathan Lam, Massachusetts Institute of Technology

Heather Laurel, Independent Scholar (Mannes/CUNY Alum)

Justin Lavacek, University of North Texas

Megan Lavengood, George Mason University

TJ Laws-Nicola, University of Kansas

Kara Yoo Leaman, Oberlin College & Conservatory

Dickie Lee, University of Georgia

Gavin Lee, Soochow University

Frank Lehman, Tufts University

Marc LeMay, Georgia State University

Jordan Lenchitz, Florida State University

Rebecca Lentjes, RILM Abstracts of Music Literature

Kendra Preston Leonard, Silent Film Sound and Music Archive

Stephen Lett, University of Saskatchewan

Anne Levitsky, Dixie State University

Tamara Levitz, UCLA

Benjamin R. Levy, University of California, Santa Barbara

Michael Lewanski, Depaul University, School of Music

Edwin Li, Harvard University

Siv B. Lie, University of Maryland

Stephen F. Lilly, Minneapolis, MN

Stephanie Lind, Queen’s University (Canada)

Peng Liu, University of Texas at Austin

Zachary Lloyd, Florida State University

Judy Lochhead, Stony Brook University

James A. Long, Oakland University

Megan Long, Oberlin College

Rebecca J. Long, University of Louisville

Gerardo (Gerry) Lopez, Michigan State University

Sarah Louden, New York University Steinhardt

Gabriel Lubell, Indiana University Jacobs School of Music

Ann E Lucas, Associate Professor of Music, Boston College

Olivia R. Lucas, Louisiana State University

Nicholas Luciano, Greensboro, NC

Rachel Lumsden, Florida State University

Justin Lundberg, Chicago

Siriana Lundgren, Harvard University

Vivian Luong, University of Saskatchewan

Matthew Lyons, University of Texas at Austin

Megan Lyons, University of Connecticut

Yiqing Ma, University of Michigan

James MacKay, Loyola University New Orleans

Barbara Dobbs Mackenzie, RILM, Brook Center, CUNY Graduate Center

Alejandro L. Madrid, Cornell University

Andrus Madsen, Newton Baroque

Erin K. Maher, Delaware Valley University

Su Yin Mak, The Chinese University of Hong Kong

Victoria Malawey, Macalester College (St. Paul, MN)

Anabel Maler, University of Iowa

Noriko Manabe, Temple University

Kate Mancey, Harvard University

Rachel Mann, University of Texas Rio Grande Valley

Dr. Nicole Marchesseau, McMaster University

Elizabeth Margulis, Princeton University

Sarah Marlowe, Eastman School of Music

Jennifer Martin, University of Wisconsin-Milwaukee

Caitlin Martinkus, Virginia Tech

David Marvel, University of Oklahoma

William Marvin, Eastman School of Music

Will Mason, Wheaton College

Steven D. Mathews, University of Cincinnati

Fred Everett Maus, Department of Music, University of Virginia

Paula Maust, University of Maryland, Baltimore County

Panayotis Mavromatis, New York University

Susan McClary, Case Western Reserve University

Ryan McClelland, University of Toronto

Michael McClimon, Philadelphia, PA

Sarah McConnell, University of Alaska Fairbanks

Stephen McFall, Indiana University

Claire McGinn, University of York

Eric McKee, Penn State University

Elizabeth McLain, Virginia Tech

Andrew Mead, Indiana University

Elizabeth Medina-Gray, Ithaca College

Sarah Mendes, University of Texas at Austin

Sadie Menicanin, University of Toronto

Lila Meretzky, Yale University

Garrett Michaelsen, University of Massachusetts Lowell

Jason Louis Mile, London, ON

Emily Milius, University of Oregon

Natalie Miller, Princeton University

McKensie Miller, Chapman University

Connor Milstead, St. Mary’s College of Maryland

Helen Julia Minors, Kingston University, London

Nathaniel Mitchell, Princeton University

Toru Momii, Columbia University

Dayna Mondelli, Independent Proofreader and Copyeditor

Peter Mondelli, University of North Texas

Eugene Montague, George Washington University

Steven Moon, University of Pittsburgh

Alexander Morgan, New York

Kacie Morgan, UCLA

Landon Morrison, Harvard University

Brian Moseley, SUNY Buffalo

Tahirih Motazedian, Vassar College

Andre Mount, Crane School of Music, SUNY Potsdam

Reinaldo Moya, Augsburg University, Minneapolis, Minnesota

Stephen Muir, University of Leeds, UK

Alana Murphy, CUNY Graduate Center/ RILM

Barbara Murphy, University of Tennessee-Knoxville

Estelle Murphy, Maynooth University, Ireland

Nancy Murphy, University of Houston

Scott Murphy, University of Kansas

Derek J. Myler, Eastman School of Music

Jessica Narum, Baldwin Wallace University

Meghan Naxer, Oregon State University

Jocelyn Neal, University of North Carolina at Chapel Hill

Dr. Lisa Neher, Portland, OR

Christoph Neidhöfer, McGill University

Trevor R. Nelson, Eastman School of Music–University of Rochester

Joshua Neumann, University of Florida

Bryce Newcomer, Xavier University

Neil Newton, Los Angeles, CA

Patrick Nickleson, Queen’s University

Demi Nicks, The Graduate Center, CUNY

Maggie Nicks, Florida State University

Jack Haig Nighan, Indiana University

Drew Nobile, University of Oregon

Shaugn O’Donnell, The City College, CUNY

William O’Hara, Gettysburg College

Russell O’Rourke, Columbia University

Jennifer Oates, Queens College, CUNY

Chelsea Oden, University of Oregon

Judith Ofcarcik, Fort Hays State University

Mitch Ohriner, University of Denver

Hideaki Onishi, Singapore

Dani Van Oort, University of North Texas

Jeremy Orosz, University of Memphis

David Orvek, Indiana University

Mariam Osman, Indiana University

Anna-Elena Pääkkölä, Åbo Akademi University, Finland

Kirsten Paige, Stanford University

Cora S. Palfy, Elon University

James Palmer, Vancouver, Canada

Hyeonjin Park, UCLA

Jinny Park, Indiana University

Sarah Parkin, London, UK

Laurel Parsons, University of Alberta

Daniel Partridge, Portland State University

Morgan Patrick, Northwestern University

Andrew Pau, Oberlin College & Conservatory

Robert D. Pearson, Emory University

William Pearson, DePauw University

Jacy Pedersen, University of Cincinnati

Julie Pedneault-Deslauriers, University of Ottawa

Crystal Peebles, Ithaca College

Nathan Pell, The Graduate Center, CUNY, and Mannes College

Rich Pellegrin, University of Florida

Anna C. Peloso, Indiana University, Jacobs School of Music

Naomi Perley, RILM

Becky Perry, Lawrence University

Jeffrey Perry, Louisiana State University

Lukas Perry, Eastman School of Music, University of Rochester

Miriam Piilonen, Northwestern University

John R. Pippen, Colorado State University

Cayenna Ponchione-Bailey, University of Oxford

Ève Poudrier, University of British Columbia

Andrew S. Powell, Independent Scholar (University of Kansas alum)

Sarah Pozderac-Chenevey, Independent scholar, Akron, OH

Roxane Prevost, University of Ottawa

Simon Prosser, The Graduate Center, CUNY

Joel Puckett, Peabody Conservatory, Johns Hopkins University

Katherine Pukinskis, Amherst College

Michael Puri, University of Virginia

Steven Rahn, University of Texas at Austin

Richard Randall, Carnegie Mellon University

Jacob Reed, University of Chicago

S. Alexander Reed, Associate Professor, Ithaca College

John S. Reef, Nazareth College

Sam Reenan, Eastman School of Music

Alex Rehding, Harvard University

Molly Reid, Appalachian State University

Anne-Marie Reynolds, Juilliard School

Christopher Reynolds, UC Davis

Mark Richardson, East Carolina University

Melanie Richter-Montpetit, University of Sussex

Deborah Rifkin, Ithaca College

Steven Rings, University of Chicago

Marianna Ritchey, University of Massachusetts, Amherst

Blake Ritchie, Rutgers University

S R I Rizvi, Sahibganj College Sahibganj Jharkhand India

Malia Jade Roberson, California State University, Channel Islands

Brian Robison, Northeastern University

Joti Rockwell, Pomona College

Stephen Rodgers, University of Oregon

Jillian C. Rogers, Indiana University

Lynne Rogers, Mannes School of Music at The New School

J. Griffith Rollefson, University College Cork

Jena Root, Youngstown State University (Ohio)

Adam Rosado, Iona College

Joshua Rosner, McGill University

Jade Roth, McGill University

Charles Roush, University of Texas Rio Grande Valley

Katrina Roush, University of Texas Rio Grande Valley

Toby W. Rush, University of Dayton

Declan Ryan, DePaul University School of Music

Eron F. S., Eastman School of Music

Olga Sanchez-Kisielewska, University of Chicago

Siavash Sabetrohani, University of Chicago

Alex Sallade, The Ohio State University

Mark Sallmen, University of Toronto

Frank Samarotto, Indiana University Bloomington

Lanier Sammons, California State University, Monterey Bay

Alexander Sanchez-Behar, Texas A&M University-Kingsville

Giorgio Sanguinetti, University of Rome \Tor Vergata\””

Matthew Leslie Santana, UC San Diego

Matthew C. Saunders, Lakeland Community College (Kirtland, Ohio)

Isaac Schankler, Cal Poly Pomona

Alexandria Schneider, University of Kansas

Katherine Schofield, King’s College London

Matthew D. M. Schullman, University of Oklahoma (Norman)

Scott Schumann, Central Michigan University

Emily Schwitzgebel, Northwestern University

Jo Collinson Scott, Reader in Music, University of the West of Scotland

Travis Scott, Xavier University of Louisiana

Tyler M. Secor, University of Cincinnati College Conservatory of Music

Chris Segall, University of Cincinnati

Marianne Segall, Mississauga, Ontario Canada

Kate Sekula, University of Science and Arts of Education

Ian Sewell, Columbia University

Kayla Shaeffer, Florida State University

Jennifer Shafer, University of Delaware

Daniel Shanahan, The Ohio State University

August A. Sheehy, Stony Brook University

Braxton D. Shelley, Harvard University

Joel T. Shelton, Elon University

Lauren Shepherd, Columbia University

Rachel Short, Shenandoah Conservatory

Tessa Shune, Chapman University

Abigail D. Shupe, Colorado State University

Max Silva, University of Chicago

Rebecca Simpson-Litke, University of Manitoba

Peter Sloan, UC San Diego

Jeremy W. Smith, University of Louisville

Kelli Smith-Biwer, University of North Carolina – Chapel Hill

Sean R. Smither, The Juilliard School

Jennifer Snodgrass, Appalachian State University

Danielle Sofer, LGBTQ+ Music Study Group

Emma Soldaat, University of Toronto

Jason Solomon, Agnes Scott College

Jessica Sommer, Ball State University

Jonathan De Souza, University of Western Ontario

Stephen Spencer, The Graduate Center, CUNY

Mark Spicer, Hunter College and the Graduate Center, CUNY

Scott Spiegelberg, DePauw University

Martha Sprigge, University of California, Santa Barbara

Ron Squibbs, University of Connecticut

Jonathan Arthur Stallings, University of California San Diego

Anna Stephan-Robinson, West Liberty University

Bryan Stevens, University of North Texas

Daniel Stevens, University of Delaware

Joseph Stiefel, Indiana University

Philip Stoecker, Hofstra University

Nicholas Stoia, Duke University

Jordan Carmalt Stokes, West Chester University of Pennsylvania

Chris Stover, Griffith University

Eva-Maria van Straaten, Georg-August University Göttingen, Germany

Jeremy Strachan, Queen’s University

Joseph Straus, CUNY Graduate Center

Ofir Stroh, Blair School of Music

Cara Stroud, Michigan State University

Greg Stuart, University of South Carolina

Jacob David Sudol, Florida International University

Rina Sugawara, University of Chicago

James Sullivan, Michigan State University

Peter M. Susser, Columbia University

Kaitlyn Swaim, University of North Texas

Kevin Swinden, Wilfrid Laurier University

Kelly Symons, Ottawa

Victor Szabo, Hampden-Sydney College

Lina Sofia Tabak, CUNY Graduate Center

Carlos Pérez Tabares, University of Michigan

Daphne Tan, University of Toronto

Ivan Tan, Brown University

Nicholas Ivan Tapia, St. Mary’s University (Music Education)

Jeremy Tatar, McGill University

Benjamin Tausig, SUNY Stony Brook

Ryan Taycher, Roosevelt University

Blake Taylor, University of Connecticut

Charles Taylor, University of New Orleans

Emma Taylor, The Hartt School at the University of Hartford

Timothy D. Taylor, UCLA

Wilfrido Terrazas, University of California, San Diego

Loretta Terrigno, The Juilliard School

Bryan Terry, McGill University

Florian Thalmann, Kyoto University

Midge Thomas, Connecticut College

Sean Emmett Thompson, Graduate in Music Composition, San Francisco State University

Alexis Millares Thomson, University of Toronto

Emmi Tinajero, University of North Texas

Sylvie Tran, University of Michigan

Emily Lamb Truell, Indiana University

Tobias Tschiedl, McGill University

Cynthia Johnston Turner, University of Georgia

Isabel Tweraser, Florida State University

Kristian Twombly, Chair, St Cloud State University

Elizabeth Randell Upton, UCLA

Steven Vande Moortele, University of Toronto

Stephanie Venturino, Eastman School of Music

Vivek Virani, University of North Texas

Samantha Waddell, Michigan State University

Ben Wadsworth, Kennesaw State University

Steve Waksman, Smith College

Kristen Wallentinsen, Rutgers University

Levi Walls, University of North Texas

Jordan Walsh, University of Texas at Austin

Anna, Yu Wang, Harvard University

Aleisha Ward, National Library of New Zealand

Evan Ware, California State Polytechnic University, Pomona

Lindsay Warrenburg, Boston, MA

Hannah Waterman, Stony Brook University

Laura Watson, Maynooth University, Ireland

Miriam Brack Webber, Bemidji State University

Katelin Webster, The Ohio State University

Joelle Welling, University of Calgary

Robert Wells, University of Mary Washington

Allison Wente, Elon University

Marianne Wheeldon, University of Texas at Austin

Andrew Malilay White, University of Chicago

Christopher White, University of Massachusetts Amherst

Anya Wilkening, Columbia University

Ann Marie Willer, (formerly) University of North Texas

Dr. Natalie Williams, (formerly) North Park University

Jeff Williams, Harvard University

Justin Williams, University of Bristol (UK)

Matthew Williams, University at Buffalo

Ruthie Williamson, Indiana University Kelley School of Business

Julianna Willson, Eastman School of Music

Lauren Wilson, Eastman School of Music

Elizabeth L. Wollman, Baruch College, CUNY

Chelsea N Wright, University of Oregon

Robert B. Wrigley, The Graduate Center, CUNY

Alice Xue, CUNY

Jessica Findley Yang, University of Tennessee – Knoxville

Rachel Yoder, DigiPen Institute of Technology

Michelle Yom, CUNY Graduate Center

Jeff Yunek, Kennesaw State University

Jason Yust, Boston University

Anna Zayaruznaya, Yale University

Emily Zazulia, University of California, Berkeley

Lawrence Zbikowski, University of Chicago Department of Music

Rosalind Zhang, Toronto

Shelley Zhang, University of Pennsylvania

Xieyi (Abby) Zhang, Georgia State University

Julie Zhu, Stanford University

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