A message from Eugene Kohn, who has conducted Placido Domingo more than 800 times in 52 years.

EUGENE KOHN

I first met Plácido Domingo in 1967, and we have worked together closely since 1985. It’s been a pleasure and an honor to conduct him in over 800 opera and concert performances on five continents: a great singer and a kind, compassionate human being.

On stage, Domingo reveals his soul through an unmatched expressive tone capacity. Living through countless rehearsals together, study periods, travel, meals and parties, has proven to me the quality of this man’s patience, goodness, and lack of malice in his personal life. He would not hurt a fly.

Family, music, and football, seem divided almost equally as his top priorities, and quiet, non-programmed time is challenging to achieve in his busy daily life. Domingo is frequently surrounded by admirers, both male and female, hoping to get closer to his magnetism- and sometimes using extreme methods to achieve this.

Our operatic world provides easy opportunity for intimacy and romantic fantasy. Stage directors work demandingly with their vocal artists to ensure that an embrace, a bodily caress, or even a kiss on the mouth are effected with kinetic passion and believability. These moments can be focused on during staging rehearsals until they’re perfected, giving onlookers an opportunity to conjecture, to comment, and even to gossip about possibly false conclusions.

In all the decades that I’ve known Plácido Domingo, I have never seen him force attention on a colleague, never seen him “make deals” with anyone, and have never observed the type of behavior that some recent negative press articles stated he is being accused of by eight anonymous women. Until a week ago, the single non-anonymous accuser had him proudly featured on her website.

Maestro Domingo is a principled human being, full of love and generosity- both obvious and clear to all who truly know him, and to all those whose ears and soul are fed by the honesty and unique clarity of the vocal tone of his beloved voice.

Sincerely,

Eugene Kohn

917 xxx xxx3

August 15th, 2019

Christopher Hoare, IT and communications director at HarrisonParrott, has been convicted at Westminster Magistrates Court of defrauding the company of £362,000 between 2010 and 2019. He pleaded guilty to two counts of fraud and was told to expect a jail sentence.

Hoare, 50, bought IT equipment for the company and sold it on eBay.

More here.

HP looks after Barbara Hannigan, Vladimir Asheknazy, Paavo Jarvi, among others.

 

The attorney who will investigate anonymous sexual harassment allegations against Placido Domingo has been named.

She is Debra Wong Yang of Gibson, Dunn & Crutcher. Her career triumph today has been helping to clear Governor Chris Christie in the so-called Bridgegate scandal.

 

 

 

The pianist, 72, has cried off at Salzburg, London, Lucerne and Martin Engstroem’s dubious oligarch festival in Latvia.

His replacement in Salzburg, London and Lucerne is Emanuel Ax.

Jan Lisiecki will deputise in Riga.

The three-year Queensland Symphony contract of Alondra de la Parra will not be renewed at the end of this season.

That leaves four Australian orchestras out of six in search of a music director.

Andrew Davis has stepped down in Melbourne, David Robertson has given up in Sydney and Nicholas Carter is moving on from Adelaide.

Australia’s looking for four new captains.

 

The conductor has published an open letter in the Salzburger Nachrichten – behind paywall – detailing his conflict with the incoming Easter Festival director, Nikolaus Bachler.

Thielemann says he has planned Lohengrin for 2022 and Elektra for 2023, each with a stellar cast. Bachler has rejected his plans.

He is contracted as artistic director until 2022.

It’s deadlock.

Meanwhile, the main Salzburg Festival has leaked that it is planning Elektra next summer.