Why not do Lohengrin backwards?
mainThe US-Israeli director Yuval Sharon tells the LA Times that he’d like to do the four acts of La Bohème in reverse order:
It will work really well, from devastation to the beginning. Some people might even think it’s the way it’s supposed to happen. …You can put it on the moon or anywhere else and it’s still the same old Bohème. But how do you get to the core of this piece if not by radically transforming our ability to listen to this piece and thereby open a door to a way that we’ve never thought about it before? So if we end in Act 1, with them singing offstage with these high C’s, what a wonderful way to end an opera.
Sharon is about to stage Lohengrin at Bayreuth.
Or should we expect Nirgnehol?
That has much a better ring to it.
This is just a rehash of John Boyton Priestley’s “Time and the Conways” where this device was introduced.
There is also “The Night Watch,” a novel by Sarah Waters, that works the same way: it starts with a cast of characters in the aftermaths of various interconnected love affairs, and works its way backwards in a how-did-we-get-here fashion.
I kind of like this idea, for La Boheme at least. My one concern (not a singer so I don’t know how big a concern it would be) is, will Rodolfo and Mimi have the stamina to be able to float that high C from offstage at the very end of the show? If not, that might provide a different type of tragic end to the evening 😛
Elsa’s Recession from the Cathedral
He should send his idea to the Bavarian State Opera as they will surely rubber stamp and implement it. Barring that, how about staging it in Yval’s own car garage in LA? The postmodernists and disruptors will go above and beyond themselves in ecstasy.
WTF any longer.
There is an excellent non-fiction book called Stuart: A Life Backwards by Alexander Masters. The biography charts the life of Masters’s friend Stuart, beginning with their meeting in adulthood and working backwards to Stuart’s childhood in an attempt to explain his pathway into criminality, addiction, homelessness (and, astonishingly, parenthood), and ultimately an untimely accidental death. It’s one of those books that would probably make the world a better place if everybody were to read it. Saliently, the story makes the most sense, and is all the more powerful, by being told backwards.
For people who got bored with the usual classical fare, they can always explore the reversal of time:
http://www.youtube.com/watch?v=rIHFLrjzgbA
BBC Radio 3 used to do this sort of thing as a quiz on their morning show. That was in the days before they started seriously dumbing down
His Cunning Little Vixen production with the Cleveland Orchestra was fabulous!
Try getting your tongue round that title backwards.
yksuortsyB yksil ydohirP
😉
Betrayal!
At least it would solve the conundrum of keeping his name secret when it’s printed on the ticket.
I have always taken the Murger subtitle “Scenes de la vie Boheme” literally and assumed the opera is more vignettes than narrative. Like a collection of tone poems (Vlast, or Lemminkäinen for example) with a traditional ordering, as opposed to a symphony.
This sounds like a charming experiement.
Perhaps Sharon is influenced by the way Hebrew is written: from right to left?
Hindemith “Hin und zurück”
Right, and written in 1927!
Just wait until the first night and the reviews of Lohengrin. I doubt he will get any big chance to direct anytime soon…
Indeed, reeks of Hermanis’ dreadful Berlin Tosca
https://www.google.com/search?q=bayreuth+lohengrin+2018&client=safari&rls=en&source=lnms&tbm=isch&sa=X&ved=0ahUKEwj2sa2EhrHcAhVPYVAKHdn3AWEQ_AUIDCgD&biw=1221&bih=671
https://www.morgenpost.de/kultur/berlin-kultur/article132903907/Staatsoper-zeigt-Puccinis-Tosca-als-Comicstrip.html
and Bach was doing backwards before backwards was cool…
https://youtu.be/xUHQ2ybTejU
And Rachmaninoff did flexible and meaninful inversion, at a time when strict inversion and retrograde were a long established practice.
https://www.youtube.com/watch?v=ml7nOcti1J8
So mimi comes back from the dead but still sick, then gets cured and reunites with her love, they go to visit the market while Musetta leaves Marcello and gets back to her old man, and after some love arias Mimi’s fire is back again and goes back home, while the four guys end without any inspiration and all alone.
Right…. Lovely.
Like the Seinfeld episode ‘Betrayal’ (influenced by a Pinter play) where the scenes are in reverse order
The film ‘Memento’
Whoever decided that following directions from the composer and the librettist and staging the opera in the time period intended is ” boring”. Great operas have withstood the test of time and do not need interference, reworking or reversing by the nobodies who forget that they have a job
because these masterpieces were created in the first place. This is an example of artistic freedom becoming anarchy.
Of course, artistic community is too cowardly to rebel for fear of being labelled backwards or reactionary and the public are held hostage to this garbage . If you want to attend a live opera you must suffer through a retarded spectacle that does nothing to serve the text or music.
Indeed.
I’m waiting for a production of Carmen with all the visuals of Lohengrin. Or the other way around. To ‘deepen’ the theatrical experience and ‘bring it up to contemporary times’.
Stage directors should not have the authority to interfere with the score, the composer knew what the intention was. It’s bad enough when the visuals are crazy. Leave the music alone. Of course, those Regisseurs couldn’t do this if the conductors refused to collaborate… (Gues conductors have little say, but the GMD’s could resist a bit more…)