Lou Grant’s composer has died
mainPatrick Williams, composer for the newsroom soap Lou Grant and the The Mary Tyler Moore Show, has died at 79.
If you were around newspapers in the late 1970s, this should ring some bells.
Patrick Williams, composer for the newsroom soap Lou Grant and the The Mary Tyler Moore Show, has died at 79.
If you were around newspapers in the late 1970s, this should ring some bells.
The US violinist has announced she is still…
We gather that Juilliard has summarily fired a…
The Atlanta gadfly music critic Mark Gresham reviewed…
The Teatro Colón in Buenos Aires has appointed…
Session expired
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.
Cheesy quasi-funk flavored pop. That has always inspired *real* journalism.
You do Patrick Williams a great disservice here.
Quite apart from his 200 movie credits (and his more famous TV music was probably for Streets of San Francisco, Columbo and The Bob Newhart Show), his arrangements for Sinatra were superb and he won two Grammys for his jazz work (and one for his concert work). He was also Oscar and Pulitzer Prize nominated. And he was a tireless supporter of young talent, teaching in many colleges over the years and was an important part of the Henry Mancini Institute, which gave young orchestra players valuable experience and grants for study.
Williams was a much-loved member of the music community in LA and beyond and he will be much missed by us all.
Bravo! You said it well. He was a terrific talent, Norman’s snide headline notwithstanding.
He sent me a message only two weeks ago! Very talented composer and arranger. I love his score to “Make me a perfect murder”, an episode of Columbo.
Very sad.
We played a Pat Williams tune in the DeAnza College Jazz Band in 1975, “Mr. Smoke”. It was a good big-band number.
Williams, along with many of his contemporaries in television scoring such as Billy Goldenberg and Gil Melle, comprised an often brilliant but sadly neglected school of music. Jaded or elitist ears may dismiss it but it was and still is smart, impeccably crafted (not to mention infectious as hell) stuff.
B Goldenburg is still with us. He wrote the atmospheric and memorable score to Spielberg’s Duel (1971), of course.
He’s the son of legendary percussionist/teacher “Mo” Goldenberg
http://www.pas.org/about/hall-of-fame/morris-goldenberg