I was saving this music for the afterlife

Luigi Nonono says:

I find it very dubious that Mozart would have transcribed these concerti for harp, but for piano and string quartet, yes. Harpists are often very sloppy about transcriptions, and may conceal or label transcriptions as originals, due to appropriate concerns about the quality of the transcription. Langlamet can play fast, but that is not a musical quality. She also played a Schubert Impromptu on the harp, with very sloppy pedaling and a fairly complete lack of articulation. What most listeners and harpists don’t realize is that it is just as much of a musical instrument as a keyboard, and capable of not the same but parallel kinds of articulation, qualities of touch and tone color, as well as the obvious idiomatic sounds. The European harpists have been making a cult of inappropriate transcriptions rather than exploring the depth of a broad repertoire little known, which includes many works for harp and string quartet beyond the masterpiece of Caplet’s Conte Fantastique. Mozart can work well on the harp, but its not usually his piano music. Now for something really interesting, listen to Salieri’s Variations on La Follia. Now there’s a masterpiece Mozart could not have written, ever.