The Indiana University Jacobs School of Music has fortified its piano team with the appointment of Norman Krieger as professor of music (piano).

Krieger, a noted concert pianist, has been plucked in a close-season transfer from USC Thornton School of Music in Los Angeles, where he taught for 19 years.

The orchestra has posted a $1.5m deficit and its new president Malia Tourangeau says it is running low on donors. The musicians’ contract expires next week.

There’s a looming $10m hole in the pension fund and the Heinz Hall lacks basic cabling for HD streaming.

Everything needs an upgrade. Report here.

A memoir from Chicago Symphony principal timpani, David Herbert:

One of the most profound and devastating days in my musical life was in 1990, an otherwise beautiful Friday morning before a welcome “Spring Break” week at the St. Louis Conservatory of Music.  This day would anger and motivate me in ways that were previously unimaginable.  The newly-appointed President of the Conservatory called for a sudden school assembly meeting in our concert hall to inform the student body and faculty that there would no longer be a Conservatory of Music in St. Louis and that we would be allowed to finish out the rest of the academic year with our private teachers and remain in our regularly scheduled (and paid for) academic classes…. But that would be it.  He said that the Conservatory Model was “ECONOMICALLY UNFEASIBLE” and that the school was “LOSING MONEY AT AN ALARMING RATE.”  At that moment, I was heartbroken and devastated.  I loved my teachers and was planning to stay another year at The Conservatory.  I was just starting to gain employment as a substitute musician with the St. Louis Symphony under Maestro Leonard Slatkin’s direction, and I also had launched a small teaching job at a local music store to help make ends meet.  This was not too bad for a young musician trying to pay his own way through a very demanding undergraduate degree course! Things had just started to look up when the news hit all of us like a ton of bricks…

Read on here. There are lessons to be learned…

The incoming music director of the New York Philharmonic – already the top-paid maestro in America at $5m last year in Dallas – has a fulltime second job with the Hong Kong Philharmonic, which he recently extended.

But that leaves his summers free.

Er, no more. He has signed up to lead the Gstaad Conducting Academy, which pays in Swiss francs. Two years to start with a renewal option.