Mitsuko, Murray and piano world mourn a mighty influence
mainThe pianist Luis Batlle, a key figure for five decades at Marlboro Music School and Festival and mentor to such noted pianists as Jonathan Biss, Yefim Bronfman, Murray Perahia and Peter Serkin, died today, May 25, at his home in Marlboro of complications from Parkinson’s Disease. Luis was 85.
Mitsuko Uchida, Marlboro’s Artistic Director, said: ‘Luis was a ‘Mensch’ with integrity and honesty. He carried his intellectual and highly cultured background lightly. I loved the simplicity in his music-making. It was in 1974 that we first met in Marlboro and we were friends ever since.
Luis was the one who phoned me in 1993 to ask whether I was prepared to join Andras Schiff and Richard Goode as an ‘Interim Artitsitc Advisor’ for Marlboro. He explained that ‘they think you like me, that’s why I am phoning you.’ My answer was that I might be truly interested in being involved with Marlboro, but I may not be a suitable choice. I am a committed chamber musician, but my life is that of a soloist.’ His answer was, ‘It is not your business, it is our business to think about that.’ This was typical of Luis, and I said yes. Here I am, still at it. Marlboro without Luis will be a sad place. We will all miss him.’
Born in Montevideo on October 19, 1930, he was a member of one of Uruguay’s leading political families – his brother Jorge Batlle Ibanez (2000-2005) and his father Luis Conrado Battle Berres (1947-1951) served as Presidents of the country, as did a great uncle, Jose Batlle y Ordonez (1899, 1903-07, 1911-15) who instituted a series of progressive reforms that shaped the modern day republic.
As a child, his health was frail and because he enjoyed music and singing, his mother, who came from a musical family, borrowed a piano from an uncle to give young Luis’ life a focus. His brother Jorge described that event – “one day, he sat down at the piano and never got up.” Batlle recalled memorable musical experiences growing up in Montevideo -“hearing Beniamino Gigli at age sixty and still in his prime. He was incredible in Il Trovatore and Carmen.” The young pianist also experienced touring Italian opera companies and was very taken by the performances of the great Austrian conductor Erich Kleiber. There experiences heightened his desire to make music his life.
In Montevideo, he studied with Victoria Schenini and Wilhelm Kolischer, a pianist from Poland closely associated with Anton Rubenstein. In1951, he won an award from the Chopin Foundation that allowed for three years of advanced studies in Paris with Yves Nat and later, with Rudolf Serkin in Philadelphia. He, subsequently, served as Director of the Kolischer Conservatory in Montevideo.
He has concertized around the world, including performances with such artists as Salvatore Accardo, Shmuel Ashkenasi, Pina Carmirelli, Miriam Fried, Jaime Laredo, Benita Valente and Harold Wright. He was a juror for the Tchaikovsky Competition in Moscow in 1974 and the Bach Competition in Washington, DC in 1976. In March 1985, Batlle played at the inauguration of Uruguay’s first democratically elected president since the military coup of 1973.
As part of the celebration of Marlboro College’s 40th anniversary, he performed all 32 Beethoven sonatas in eight concerts in conjunction with a course on Beethoven’s life.
Mensch was the first word I came up with too. The year continues to be a terrible one for losses to our profession .
He was the smartest, sweetest, and funniest human being I ever met. Sadly I lost touch with him. Farwell Luis, you were an idiot but only in the classical Greek sense of someone utterly unique and truly wonderful. A lovely man, a mensch, a musician’s musician and a teacher to all who met you. Farewell friend!
Me congratulo de leer tan sentidos comentarios acerca del Maestro.
Digamos que fui “un poco” alumna suya.
Él me distinguió con su reconocimiento.
Reconocimiento de que tenía condiciones que pocos tienen, y él lo vio.
No lo olvidé nunca y me apena no haber prestado atención a eso.
Leer todo ésto, es un poco como verlo a él.
Gracias, muchas gracias.
Perdón, lo tomé por alguien muy vinculado al Marlboro College.
La verdad no sabía si respondía a M. Uchida o a quién.
De todos modos, se me ocurre invitarlo a visitar mi cuenta de tweter, en la que hay un tweet fijado y otros más que no supe seguir el hilo conductor.
Son una protesta rabiosa, por el contumaz ocultamiento de la figura del Mtro. Batlle en Google y wikipedia, mantenido por muchos años.
Con “mi campaña”, logré que hace pocos días lo “rehabilitaran”, (hay responsables claros y directos) no sé por cuánto tiempo.
También en Youtube empezaron a “aparecer” cosas al buscar con su nombre.
Los tuiteros tienen un criterio incomprensible para dar retuit, por lo que no he logrado gran cosa.
Mi cuenta es @Susanaenero2016. Disculpe mi atrevimiento, pero nada me parece demasiado, ante ésta imperdonable condena al silencio y al olvido en que han tenido al Mtro. Luis Batlle Ibáñez.
Saludos
I would like to pay hommage to Luis Batlle, a great musician and marvelous human being. He was so generous that when he knew that Larrañaga Theatre in Salto (Uruguay) where he had played several times, had problems to buy a new piano, he donated his own Steinway grand piano. On behalf of our community we send to his family, friends and musical community in Vermont our gratitude, solidarity and deep concern
Pelayo Díaz-Muguerza
Salto, Uruguay
Luis was one of those people who thought that the moral status of a human being came before everything else. He was to me a great teacher in a broad sense, not only of music but of intellectual honesty. Thank you Luis for all you gave us.
I taught with Luis at Marlboro College for many years. He was truly a remarkable man and musician and a well beloved friend and colleague.
I feel so privileged to have known Luis – such a wonderful human being! He could talk on any subject and was a kind and generous person. Luis and his wife Geraldine created a lovely sense of family that embraced all who entered their home.