Conductor asks his orchestra to sing at BBC Proms
UncategorizedMessage from Ivan Fischer:
Dear Friends, on this present tour I asked the Budapest Festival Orchestra to start a new life – to sing regularly. At the end of the Proms and elsewhere on tour we performed Abendständchen by Brahms as an encore only after three days of practice.
Why? Because people should sing! Mothers should sing to their babies, children should sing in children’s choirs and adults should rediscover this wonderful communication tool. So we should set an example and start to show that it is possible to overcome fears and inhibitions.
If you want to hear our very first attempt, please scroll to the end of the symphony, ca 45 minutes on this link:
http://www.bbc.co.uk/programmes/b04f8tqd
Bravo! I agree with Ivan Fischer totally. When players in my ensembles find difficulty in finding how to phrase a melody I ask them to sing it. I have been surprised several times by players who responded that they do not sing because they are instrumentalists. This idea needs discussion… It is, of course, a nonsense: everyone should sing, if only in the shower. Singing is a basic human function!
Singing is the foundation of all music. Ivan Fischer is so right. If we lose the singing, we lose the music.
If you cannot hear how the phrase should sound in your head, how can you play it??
The orchestra in this encore sang very well :))
Singing is the essence of all music… however this does remind me of Itzhak Perlman’s hilarious account of a singing lesson, culminating in his teacher’s remark “why can’t you sing like you play the violin?”
It was certainly a surprise at the Proms, but very welcome!
I saw a similar encore once in a song recital of Brahms’s Liebeslieder Waltzes. For the encore, the soprano and mezzo took to the keyboard, whilst their two male pianists sang 🙂
Rings a bell, this. I remember Fischer getting the National Youth Orch. to do the same thing at the Proms back in the late 1990s: after a sizzling Bartok Concerto for Orchestra, he got them to sing Orlando Gibbons’s The Silver Swan as an encore. And very well too, if memory serves.
Conductor Alain Trudel had the National Youth Orchestra of Canada sing two encores at the 2012 Toronto Summer Music Festival. They too did very well, performing:
– John Dowland’s Madrigal “Come Again”
https://www.youtube.com/watch?v=J8lHNkEemN4 and
– Pierre Certon’s Madrigal “Je ne l’ose dire”
https://www.youtube.com/watch?v=dpxSJLx_kMY
Dear Iván Fischer, I was there at the Proms., with three other musician friends, to hear yours’ and the Budapest Festival Orchestra’s lovely performances on both Monday and Tuesday nights! We have all been studying together at the Zoltán Kodály Pedagogical Institute in Kecskemét, and we believe in singing! It was wonderful to hear those beautiful voices! Thank you for being determined to make this happen! You inspired us to do the same! At the end of our chamber concert in Framlingham Church on Saturday evening, we sang a 4part Hebrew canon, and our audience eventually joined in – hesitantly, but they joined in – and some of them wept, because singing can reach our hearts in a way that no other activities can! I wrote our new words, and I hope that they will go into the world and help people to grow and change for the better, carried by the beauty of their musical setting! Keep on singing! All good wishes, Margaret Green M.A. Kodály Pedagogy 2014