$8,500 if you pass the audition.
And you get to conduct his opera, 1984.
Still interested? Read here.
Press release:
The OSM renews Kent Nagano’s contract until 2020
The OSM’s conductor since 2006, Maestro Nagano wishes
to continue raising the Orchestra’s profile
MONTREAL, November 11, 2013—The Orchestre symphonique de Montréal (OSM) is pleased to announce that Maestro Kent Nagano’s contract as the Orchestra’s music director has been extended until 2020. Since its association with Maestro Nagano, the OSM has consolidated its standing among leading North American orchestras and increased initiatives to get closer to its audience, while contributing to making the OSM a cultural institution that is well rooted in the community in Montreal, in Quebec and across Canada.
After serving as music advisor for two years, Maestro Nagano became the Orchestra’s music director in 2006. His first five-year term was renewed twice, most recently until 2016.
“Since Maestro Nagano has been with the OSM, he has not only measured up to his international reputation as an outstanding interpreter of the classical repertoire, he has also demonstrated his ability to bring people together around many key projects,” said Lucien Bouchard, chairman of the OSM’S board of directors. “He has contributed to raising the OSM’s profile while making a strong commitment to the community,” he added.
“Maestro Nagano is an outstanding musician who has played a prominent role in Montreal’s cultural and social life,” said Hélène Desmarais, deputy chair of the OSM’s board. “He has forged relationships with many artists in Quebec and across Canada, which have resulted in memorable artistic collaborations,” she said.
“We’re very pleased that our association with Maestro Nagano has been extended until 2020. This will enable us to build on the momentum of the recent years and move forward with new development projects that hold great promise for the OSM, the city of Montreal and Quebec”, said Marie-José Nadeau, vice-chair of the board of directors.
“Maestro Nagano’s vision, energy and passion have been decisive elements in the OSM’s success over the past 10 years. We’re delighted with the idea of continuing this excellent partnership and look to the future with great enthusiasm,” said Madeleine Careau, the Orchestra’s CEO.
“My attachment to Montreal and the close relationships I have developed with the OSM’s talented musicians over the years are among the reasons that prompted me to renew my commitment to the Orchestra. Montreal is a friendly city that abounds with creativity and a vibrant culture where European and North American cultures mesh perfectly. I’ve had the good fortune in recent years to be part of a great period in the Orchestra’s history. I hope to help create and develop other important projects during my extended tenure as music director, which will raise the OSM’s profile both in Montreal and beyond,” said Maestro Nagano.
A significant contribution
Since joining the OSM, Maestro Nagano has contributed to many of the Orchestra’s major projects, including Maison symphonique, its new home, which opened in 2011, and construction of the Grand Orgue Pierre‑Béique, which will have its inaugural concert in 2014. The OSM has become one of the foremost exponents of the rich Austro-German repertoire and the Orchestra has recorded extensively, drawing attention for several recordings of Beethoven, among others. In addition, the OSM has seen growth and significant renewal of its audiences (in 2013, the OSM had 1,300 subscribers under age 34).
Notable events
Under Maestro Nagano’s leadership, the OSM’s musicians have demonstrated the breadth of their talent, both in their performances of the great classics from the European tradition and in major events. For example, in 2009, the OSM’s celebrated its 75th anniversary with a big concert before an audience of 12,000 at the Bell Centre, at the same time as the Montreal Canadiens marked 100 years of hockey, to the sound of François Dompierre’s Les Glorieux, followed by Beethoven’s Ninth Symphony. The Orchestra’s tours have taken it to the four corners of the globe, from Japan and South Korea to Europe and across Canada, including Nunavik, where musicians from the OSM performed Stravinsky’s Soldier’s Tale in 2008.
Premieres and commissions
Over the years, the OSM has commissioned a number of original works by Quebec composers. These include Simon Leclerc’s Concerto pour animateur de radio et orchestre and Écoutez mon histoireand a work by Denis Gougeon, inspired by Quebec folklore and featuring folk musician Yves Lambert. In 2011, Maestro Nagano and the OSM worked with storyteller Fred Pellerin to create a musical Christmas tale that was aired on Radio-Canada.
The Metropolitan Opera Guild has been celebrating the return of its maestro.
Here’s some inside stuff from our pair of scouts at the lunch:
Lovely event, seeing lots of friends old and new, except the first course was dreadful. But that’s par for the course at the Waldorf.
Dolores Zajick pulled out of the musical tribute due to gallbladder surgery, so Christine Goerke stepped in at the last minute and was awesome.
Sherrill Milnes and Renata Scotto had a great Abbot and Costello routine. Sherrill loved being back on stage, he was the last man standing at the end of the program!
Roberto Alagna was sweet and his wife is Very pregnant. Also I got to meet Jesse Norman, who was surrounded by adoring fans.
The food improved slightly but no chance we’re having our wedding there. Service is terrible!!
Click here to watch.
The phenomenally dedicated Sally Groves, who has devoted her working life to the works of such important composers as Hans Werner Henze, Michael Tippett, Mark Anthony Turnage and Steve Martland, has decided to step down as creative director of Schott publishing firm after 40 years.
Press release below. She will be irreplaceable.
Schott Music is delighted to announce that Sam Rigby will follow Sally Groves as Creative Director, London.
Sally has decided to retire next year after 40 years working with her colleagues in Mainz, New York and Tokyo to build up and support the prestigious international roster of composers published in the Music of Our Time catalogue.
Sam comes with ten years’ experience with Intermusica, where his deep interest in contemporary music has informed his work with artists and projects all over the world. Sam will join Schott Music on 2 January 2014 as Creative Director Designate, working with Sally and her colleagues on a thorough six months’ handover. On 1 July he will assume the full title and join the London Board, with Dr Hanser-Strecker, Judith Webb (Managing Director) and Nigel Wildish.
Dr Peter Hanser-Strecker, Chair of the Schott Music Group, comments: “We are sad to be losing Sally from our Schott family after such a long and fruitful time, but we are absolutely delighted to welcome Sam and look forward to many years working with him.”
Sally adds: “I am so very happy and proud that Sam has agreed to join the international publishing team here at Schott. Promoting, supporting and protecting classical music in all its extraordinary richness is a lifetime’s work and needs strong vision and a collaborative approach. I am fully confident that Sam is the right person to take our work here forward.”
Our New York operavores, Elizabeth Frayer and Shawn E Milnes, were at the opening night of the Frau ohne Schatten revival.
He loved it. She spent part of the four hours counting empty seats. Read here.
Aimee Chow, based in Berlin, is the latest addition to the stream of disillusioned managers at the troubled artists agency. Aimee is a six-year vet of IMG turbulence. She is married to the cellist, Johannes Moser, and has looked after several instrumentalists and conductors.
See press release.
Who’s next?
By the conductor.
By the pianist.
By the Editor-in-chief of Gramophone magazine.
But not by this humble listener in his Album of the Week on sinfinimusic.com.
NB: The scoreline on the cover is misleading. The match was goalless.
A career of displaying domestic bliss is hard to shake off. For two decades, the tenor told the world how happy he was with the Rumanian soprano Angela Gheorghiu. Now, he’s happier than ever with his pregnant girlfriend, the Polish soprano Aleksandra Kurzak.
“Fifty is much easier,” he tells AFP. “I feel on form. Perhaps the story of new happiness, the fact that I’m waiting for a baby. I feel a sort of second youth and a calmness,” he said. “It’s a new start.” Happiness is….. (fill in your own definition).
