I have just heard from a colleague in Pittsburgh that Gideon Toeplitz, who ran the symphony orchestra from 1987 to 2003, has died in his sleep while visiting family in Israel. He was 66 and suffered from diabetes.

Gideon’s great achievement was to bring Mariss Jansons to Pittsburgh in 1997 after a deep-chill dose of Lorin Maazel. Jansons struck an instant chord with city and musicians alike, but he hated long-distance flights and quit after just five years. Gideon followed him through the door a year later. He had a short spell with the ill-fated Honolulu Symphony and then dropped off the radar.

I had New Year greetings from him three weeks ago, and he sounded in good spirits. Although externally gruff, he was a warm and funny man when you got to know him. His father had been principal flute of the Israel Philharmonic and he knew orchestras inside out. I shall miss Gideon. I hope the PSO give him a good send-off. An orchestra manager’s life is not always a happy one.

Here’s a longer bio:

GIDEON TOEPLITZ, SENIOR ADVISOR – WASHINGTON, DC
ARTISTIC PLANNING, MUSIC DIRECTOR SEARCHES, ORGANIZATIONAL CONSULTING

Gideon Toeplitz joined the Arts
Consulting Group in 2004 with over 30
years of experience in the performing
arts field.  He was formerly the Executive
Vice President and Managing Director
of the Pittsburgh Symphony from 1987-
2003, and has had a remarkable career
as one of the most respected
administrators in the performing arts.
Under Mr. Toeplitz’s leadership, the
Pittsburgh Symphony achieved new
levels of artistic excellence, becoming
one of the U.S. orchestras most often
invited to tour aboard.  He was
instrumental in attracting two of the
world’s finest musicians to Pittsburgh —
Mariss Jansons as Music Director and
Marvin Hamlisch as Principal Pops
Conductor.  Balancing artistic
excellence with fiscal responsibility, Mr.
Toeplitz was the architect of several
dynamic strategic plans.
Mr. Toeplitz is recognized for his bestbusiness practices in bringing the
“Hoshin” style of management to the
Pittsburgh Symphony, where board,
musicians, staff and volunteers all had a
voice and stake in the future direction
of  the  institution.    He  is  an  expert  in
labor relations, artistic planning,
organizational culture and maximizing
revenue from both earned and
contributed sources.
He was integrally involved in bringing
the Pittsburgh Symphony to an
international audience.  Between 1989
and 2003 the Orchestra toured Europe
seven times, the Far East four times,
South America twice, Mexico and
Puerto Rico.  These performances were
in addition to numerous U.S. tours,
including annually at Carnegie Hall.
Prior to joining the Pittsburgh Symphony
in 1987, Mr. Toeplitz was Executive
Director of the Houston Symphony for six
years.  He previously held the Orchestra
Manager post at the Boston Symphony
and was Assistant Manager of the
Rochester Philharmonic.
Mr. Toeplitz was the first President of the
Greater Pittsburgh Arts Alliance, and
serves on the advisory boards of
Carnegie Mellon University’s School of
Music and the Avery Fisher Prize.  He
was a member of Board of Directors of
the American Jewish Committee, the
Pittsburgh Regional Alliance, and the
Kelly-Strayhorn Theatre.  He has also
served on the American Symphony
Orchestra League Board of Directors.
He was also a participant in National
Endowment for the Arts panels and has
written numerous articles for
professional publications.
Born in Israel, Mr. Toeplitz was raised in
a musical family. He first studied piano
and then flute with his father and later
with Marcel Moyse, the dean of flute
teachers.  His father Uri was a founding
member of the Israel Philharmonic and
was its principal flutist for 35 years.
Mr. Toeplitz has a BA in Economics and
Political Science from the Hebrew
University in Jerusalem and an MBA
from the University of California, Los
Angeles.

 

Yefim Bronfman is having a bad month. First he cancelled Oregon with a middle-ear infection. Now he’s out of Los Angeles with – more serious – a broken finger.

He may be out for a while. Wish him better.

Christie’s Kensington are putting on sale a handwritten letter from Macca, dated August 12, 1960, asking an unknown drummer to join this group of his called the Beatles that’s about to go off and play some gigs in Hamburg.

It seems drums was always the trickiest position to fill, until Brian Epstein came up with Ringo.

 

Nov 11 – Drummer_advert_ROCK+POP.rel

 

I was chatting last night at DCMM-2011 to Karim Wasfi, conductor, director general and cello soloist of the Iraq National Symphony Orchestra. He regenerated the orchestra under government auspices in 2004 and played on through car bombs and other horrors, telling the players that they were the nation’s hope of normality.

Musicians often came late, held up at barricades or scenes of outrage, but rehearsals started on time and proceeded regardless. The worst, said Karim, was when the power wnent down for three days and the morgue across the road wafted across sickening smells of decomposing bodies.

And the music played on.

Today, the INSO has 140 musicians and gives two classical concerts a month.

Karim Wasfi Cello soloist Karim Wasfi performs the Dvorak Cello Concerto with the Iraqi National Symphony Orchestra May 21, 2008 in the Green Zone of Baghdad, Iraq.  The orchestra played a performance for a gathering of Iraqi officials and Western bureaucrats working in the Green Zone, playing Rossini, Dvorak, and Mussorgsky as well as a selection of Iraqi traditional music.  The orchestra is a throwback to another time in Iraq, before the US invasion, when men and women mixed easily and Western culture was celebrated rather than reviled.  The orchestra was once one of the best in Middle East, but has had few opportunities to play since the fall of the Saddam regime and onset of civil strife.

Another happy encounter was with Maria Arnaout, general director of the Damascus Opera House. She produces two operas a year and a stage musical. The last was Oliver! with real-life orphans from a state institution. Fagin was sung by a member of a heavy metal band.

Damascus Opera House

picture: Damascus Opera House

Syrian Actors Elias Ailaneh (Right), And Elie Halabi Performing Respectively In The Roles Of Oliver Twist And The Artful Dodger In The Musical ‘Oliver’ At The Opera House In Damascus. (AFP)

Not many outside the French-speaking world will notice but Georges Brassens would have been 90 on October 22 – had he not died 30 years ago on October 29.

Brassens was the roughest, rudest, funniest of the French chansonniers. His song about the gorilla who breaks out of the zoo and rapes a vicious judge is a counter-cultural classic. His attacks on the bourgeoisie are sharper than Marx.

Sadly, he has hardly been translated. So here are a pair of youtubes to commemorate his time of year.

 

Mariss Jansons conducted a performance in Munich, where Mahler premiered the work in September 2010. Here‘s a review.

Somehow, the original looks more exciting.

photo: Lebrecht Music & Arts