The yellow label has just signed Sergei Babayan, Martha Argerich’s go-to four-hand partner and Daniil Trifonov’s US teacher.
Babayan, 57, is Armenian-American, a contemplative man who will not have much to do with media hype.
His signing is an industry coup.
From my latest monthly essay in The Critic…
You really couldn’t make it up. Well, they…
We reported earlier that Franz Welser-Möst had withdrawn…
The Cleveland music director, who has received successful…
Session expired
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.
Trifonov’s only teacher? Trifonov studied for 12 years with Tatiana Zelikman at the Gnissin Institute, and at the Moscow Conservatory with Vera Gornostaeva. An industry coup? Babayan has been ignored by major labels and managements for 30 years. Fake news all around.
Not to mention he is hardly Argerich’s go-to four-hand partner… Kovacevich, Barenboim, Zilberstein, etc. all collaborate more frequently with Argerich.
And Freire!
And Nelson Goerner.
Sergei and Martha are wonderfully close friends and try to work together as much as possible–their recent recording of his transcriptions of Romeo and Juliet and other works are already on DG and are definitely worth a listen~
Daniel Trifonov studied only 9 years from 2000-2009 at Gnessin school of music afterwords he moved to the US to study with Sergei Babayan. Check Daniel Trifonov’s Wikipedia.
Daniel NEVER studied with Vera Gormostaeva or any other teacher at Moscow Ccnservatory.
Vera Gornostaeva was Sergei Banayan’s Teacher.
I suggest you to change your nickname VERITA to a more modest one
Babayan’s Beethoven, if he gets to record it, will be more interesting than Trifonov’s — in a world where nobody seems able to play this repertory any more (Lang, Levit, et al.) or willing (the vaunted, and one is tempted to say overrated because of her limitations, Argerich). Remember Kempff? Gilels? Brendel? Goode?
An industry coup indeed. Mr. Babayan is a master pianist of the finest order. The industry is safe with pianists and string players at the moment as there is no scarcity of great ones. Pitifully, when it comes to vocalists, the ground is so dried up it’s parched. And with drought comes exodus and then nothing.
Most refreshing, for a number of reasons:
– great musician
– focuses on the music and skips the media crap.
– the 50s is a great age for pianists, because they are hardly loose any of their technical power while being musically wiser. Record companies are often too focused on the young, at the expense of middle age.
+ 1
https://www.youtube.com/watch?v=csXoj-AI0Sg
Nice and stylish as that fast Rachmaninoff excerpt is, I think that it is in slower music where the better musicians shine.
https://www.youtube.com/watch?v=cD4incfUi0M
The inner movement of this was quite lovely too but I could only find the small excerpt I posted as Medici is subscription only. I’m thinking of getting on board but may have to drop the BPO Digital Concert hall (I’ve found it under-whelming).
I got S.Babayan D.Scarlatti excellent CD while ago
Sergei Babayan is a phenomenon, loving and practicing his art for all the right reasons all these years. A true artist, he is fully deserving of every bit of recognition.
+ 1
Sergei is a genius! This is long overdue and richly deserved!
Wonderful news for a fantastic musician and exemplary human being with integrity—always focusing on music rather than career. Looking forward to these future recordings very much and we send our congratulations.
I second all the congratulatory comments! I heard the Babayan/Trifonov 4-hand recital in Boston this past winter. With all due respect to Daniil Trifonov, I actually thought Babayan had a warmer sound to his playing, greater expressiveness, and overall was more interesting to listen to. This is not to say anything negative about Daniil Trifonov, who I greatly look forward to hearing this coming season. But I was left wanting to hear much more from Sergei Babayan, and now it looks like we will get that chance, if only in recording.
Both were fantastic!
And what great news!
Eh
Nice name 🙂
This is only a Drudge-Alert style headline because of clandestine exchange of bags of cash. Remember, you read it here first.
I think most classical musicians would love to see clandestine bags of cash–but most of them will confirm that they don’t exist, even on this level. Thankfully with the artistry of Sergei Babayan, I would guess that most people wouldn’t ponder worldly concerns but rather forget about them–do check out his performances on youtube when you have a moment!
I agree completely. From the time I first heard Babayan play in the Cleveland International Piano Competition in 1989 (he won), it was clear that he was an exceptional, thoughtful musician (not your typical fleet-fingered competition contestant with nothing new to say). Glad to see he got signed by a major label (it should have happened 20 years ago).
20 years ago? He may have deserved it, in light of market realities. But chances are he’ll now make better recordings. Just as Trifonov and Yuja Wang may make better recordings in 15-20 years.
Surely classical musicians, however devoted to their art, do expect to be paid at some point. They have bills to pay like everyone else.