The BBC has released attendance figures for the 2014 and, as suspected by the sight of empty rows,  the numbers are down.

Sold capacity at Royal Albert Hall concerts was 88 percent.

Over the past four years it has been consistently above 90 percent, reaching a record 94-95 percent in Roger Wright’s final seasons.

The 88% figure is still good, but there’s no denying the significant shrinkage.

bbc proms

press release:

A Glorious Summer for BBC Proms 2014

Following two months of great music-making, the 120th season of the BBC Proms concludes this evening with the world famous Last Night of the Proms celebrations. Edward Blakeman, Acting Director, BBC Proms, is pleased to announce that it has been another remarkably successful festival with more than 300,000 people attending 88 concerts in the Royal Albert Hall and Cadogan Hall.

 

Average attendance for the main evening Proms in the Royal Albert Hall this year was 88% with over half of all concerts in the Royal Albert Hall sold out.

 

Around 33,000 people bought tickets for the first time and more than 9,400 under 18s attended concerts across the season, an increase of over 1,000 from last year. Over 112,000 tickets were purchased when booking opened.

 

Edward Blakeman, Acting Director BBC Proms, says:

“I’m delighted that the 2014 BBC Proms has delivered such high quality performances throughout our eight weeks at the Royal Albert Hall. Once again, following the guiding spirit of Sir Henry Wood and with the ongoing commitment of the BBC, we’ve enjoyed a richly varied season of concerts that continues to offer great value for money. The atmosphere throughout the summer has been one of great excitement and engagement with the music.”

 

Jasper Hope, Chief Operating Officer, Royal Albert Hall says:

“London and the world has this summer enjoyed an extraordinary feast of music and musicians throughout the Proms. With ‎so many people attending performances by orchestras and performers from so many countries, the Proms this year has had a truly global feel. Our thanks to artists and audiences alike for a wonderful summer and we look forward to welcoming the Proms back in 2015.”

 

With more international orchestras performing at the Proms than ever before, including debuts from China, Greece, Iceland , Qatar, Singapore, South Korea and Turkey, this year’s Proms has been a celebration of music’s universal appeal. We have enjoyed welcome returns to the festival from the Berlin Philharmoniker, Cleveland Orchestra, Budapest Festival Orchestra, West-Eastern Divan Orchestra and Leipzig Gewandhaus Orchestra. The 2014 Proms has also introduced the first ever BBC Sport Prom, CBeebies Prom and debuts from Paloma Faith, the Pet Shop Boys and Rufus Wainwright.

 

With Promming tickets remaining at £5 for the tenth year running, the finest music making from around the globe has been made accessible to the widest possible audience.

 

With 12 world premieres, 10 of which were BBC commissions, the Proms has continued to demonstrate its commitment to contemporary music.

 

In the spirit of the Proms’ enduring mission to make the best classical music available to everyone, more Proms content has been available to listen to online for longer than ever before across PC, mobile and tablet. Using this year’s digital innovations which include a dedicated Proms button on the BBC iPlayer Radio app, six interactive BBC iWonder guides, and BBC Playlister, audiences can enjoy the Proms whenever and wherever they like.

 

This season has seen over a million requests for audio and video content at bbc.co.uk, record requests for on-demand content in BBC iPlayer and over 2.5 million visits to the BBC Proms site. Social media has continued to grow; the Proms now has more than 38,000 Twitter followers and 35,000 Facebook fans.

BBC television welcomed a new roster of presenters to lead the Proms broadcasts across BBC One, BBC Two and BBC Four, including soprano Danielle de Niese, organist Wayne Marshall and BBC News presenter Razia Iqbal. A second series of BBC Two’s Saturday evening review show, Proms Extra, hosted by Katie Derham, has introduced audiences to a wide range of musical guests. Every Prom concert has been broadcast live on BBC Radio 3 and the audio streamed online in HD quality, with additional broadcasts on Radio 1, Radio 2 and for the first time on both Radio 4 and Radio 5 live year.

The Proms has an extensive learning programme with a rich offering of daily pre-concert and participatory events; this year it included talks by Martin Amis and Michael Morpurgo. Sir Henry Wood, founder-conductor of the Proms, believed in making the best-quality classical music available to the widest possible audience and that ambition remains central to the BBC Proms today.

Part four of Gerald Finley’s assault on Mount Kilimanjaro:

 

Day 5

A strange and restless night – get up into the cold to traipse to the bucket tent, or

ignore the rumblings and try to sleep? The sleep needs wins. Eventually sleep is had

in the hour between light and Thomas’ “hello… how are you…? Did you sleep well?

Water for washing is here.” The filter of unconsciousness gives way to the

realization that today is THE DAY. I heard hard coughing in the night, as if to remind

that there are more vulnerable souls here among the hundreds. Breakfast is a big

carbohydrate event today – extra toast, and chapattis, along with the usual porridge

(millet) and fried eggs. I am very aware that my lack of sleep has been partly due to

the internal combination of the chicken cacciatore from last night’s supper. Not ideal

preparation for a long day ahead. We have a sense of how big a day it is. The walking

will be mechanical today and not too far thank goodness. The sun begins to warm

the tent and we open the flap of the tent. The HD clarity of the mountain and its

brilliant white and dark contrasts serves to clear the mind and the cool brisk air fills

the throat with a sterile pack of energy. The sooner we go, the sooner we can rest.

The deep blue above the snow and towering rock mass is vibrant and invigorating. I

plunge back into the tent to finish the packing. It is frustrating. Bits here and there,

choice of socks needing to stay out of dust and clean. Filex has told us that our walk

will be easier, a few hard scrambles will generate a few slower moments, but we will

be in camp not long before lunch, then a few hours of rest before dinner. Then sleep

until 23.00, when tea and biscuits will punctuate the moment we begin our climb.

He has mentioned to me that he thinks he will take another strong porter so that we

will have three helpers for three of us. That seems extravagant to me, but I say it is

up to him. My awareness of the challenge is focused only on my sense of

vulnerability and my slight concern for my heart rate. It seems to be strong – the

beating firm and steady. I am encouraged that after rest, the body seems ready to

plough on. In preparing the Camelbak water bag for drinking water, I pull the tube

out of the bag to enable it to go into my rucksack and the contents of the tube leak

all over the floor of the tent, and drain onto my sock. “Curses” – a wet sock with

everything else packed! I pull the tube out of the bag to enable it to go into my sack

and the contents of the tube leak all over the floor of the tent, and drain onto my

sock. “Curses” – a wet sock with everything else packed! I don’t hide my frustration

as things start to be grabbed out of my big bag, stuffed ready to close. Then a

realization that this is wasted energy, needed for later. Finally a bit calmer, bag is

closed. A very slow and frustrating start, when I know that getting to and setting up

at Barafu is important. I feel I am holding everyone and am very frustrated. Sticks

are extended, and finally I get out of the tent and say I am ready. Filex calmly turns

and begins to lead out of the camp, upwards of course, toward the ridge behind

camp. Below us, the blanket of cloud covers the lowlands, and the mountain looms

over us, with the sun in our faces, and a cool wind at our backs. Within 100 metres I

am hot; too hot for the fleece, so I strip down to my double layer of long sleeved

underwear. As I pack my fleece, the strap on the backpack snaps, and I have to take

another few minutes sorting out the flexi string so that it can hold my fleece. One of

those mornings. Once the rhythm of the trekking begins I am immediately happier.

“Pole, pole, eh, baba?” Yes, definitely, pole, pole!

The trek is very dusty. Thankfully, the wind is behind us. It is very cool, the radiant

sun very warm, a half cold, half warmed body is a bit confused. I pull the buff onto

my head, a sort of wind/sun break against my neck. My thoughts drift into areas of

Falstaff, and phrases tend to become repetitive with the rhythm of the walking, and

my tussle between wanting to leave the mind free and open, and the hope that my

memory is hanging on to the music results in a win for anxiety. The dust swirls, and

we plod on, over unstable flat rocks, occasionally on pumice-like boulders. The

surrounding landscape is barren of plant life, we comment on how moonlike it

seems, or a scene from Mordor. Onwards and upwards, the mountain seems to be

leaving us on our left hand, although we continue upwards across the scree. We

encounter “singing” rock, which rings out as our “tap, tap” of poles hits their surface,

like iron bars. The stream of porters, and banter between them and Filex is

incessant. The feeling is like a grand trade route with precious cargo being hauled to

its next market. Filex seems to know them all, and if not, it is clear by the laughter at

the end of the conversation that they won’t forget him. Little by little, the sun climbs

higher; our shadows shorten, and eventually, the mountain peak of Mawenzi

appears to our right, shrouded in clouds – Filex says, “not long to Barafu, then lunch,

then rest!” He times this well, because soon, we meet some people coming the

opposite way, those who have summited that morning, and who are heading down

the mountain to the lower camp. Barafu, at 4600 m, is certainly very high and

although we are not exhausted, it is time to stop soon. The camp appears behind a

ridge ahead, and it seems utter chaos, with hundreds and hundreds of people: tents

being put up, and tents coming down. We find our two tents and loo shelter at the

higher end. The ropes are secured by rocks of ironstone, which clink underfoot,

different to the crunch, crunch of previous camps. We gladly tumble into our tent,

and immediately get our sleeping quarters arranged. This is the highest camp, and

only one more night. We try to comprehend that within 24 hours, we will have been

to the top and back, and will be on our way down to our final camp. The mountain

time seems to have curiously vanished. After a quick lunch, I drift into semi-
consciousness, not really sleeping, and into a dream-like world full of dreams and

strange scenes. Excitement, thin air and “afternoon” napping not really allowing for

deep sleep. The sun through the fabric is still very hot and only by balancing my sun

hat over my head, with a bit of the tent flap open, is the balance of temperature

achieved. After a period of suspended time, the “knock-knock, flap-flap” of the tent

signals from Thomas that dinner is ready. It seems incredible to think of eating

again, but I am ready and so the boys also appear. Into the confined mess-tent again,

where a further carbo-rich platter is served with more fruit. We are not ravenous,

but we do eat most of what is there. Chapatti, rice, and chips! All excellent and

happily devoured. My cup of honey water is refilled twice, and we finish our

mouthfuls, anxious, in my case, to get on with the clothes preparation for the

evening. As we leave the meal tent, the sight of the rising moon over Mawenzi peak

stops us all in admiration. It becomes a magical scene with light of all hues

surrounding us. The sun starts to dip behind the looming peak in a half-sunset,

although still quite bright. And the coolness, stripped of radiant heat, immediately

pervades. The impending cold becomes reality – what will this chill become? Layers

may not keep it out! In final preparation, I lay out everything ready. It seems to take

ages. I look at the phone and consider whether to write a pre-summit text, then

decide it would be better to write the success now, and just press “send” when at the

top. Given my previous anxiety, I realise this could be a risky presupposition and

decide to word it as if it has been very difficult: “We have made it somehow, but all

is well”. At least, if I send it within 24 hours, it will cover all eventualities. I look at

the phone as I turn it off and it is already 8 pm – less sleep time than would be

preferred, but everything else is ready to go. The glow of the full moon means it is

not completely dark, but I wriggle half-layered into the warmth of the sleeping bag.

The drift into sleep is very slow, and eyes closed seems to heighten the nagging

anxiety of feeling tired, not quite warm, and a full bladder. But drifting happens.

The conversations in the camp begin to lull, then quiet, as if everyone knows that

silence and a bit of prayer is the best option. The semi-conscious awareness of

voices increases again and it seems that the wake-up call is not long in coming.

“Hello – it is time for tea now”, the gentle voice of Thomas invades the half-darkness.

I begin dressing. Each layer over the long underwear seems to get tighter and in the

confines of the tent, my heart and breathing rate increase. My heart begins to work

hard and a bit of sweat breaks out, along with a sense of frustration at the labour of

dressing. I really want tea, but the effort of getting boots on begins to overwhelm

me, so I leave the laces half-done. Only one pair of socks because the boots are

warm, and I like the room to wiggle my toes as in skates and ski boots. I haul myself

to the tea tent and decide on honey water, and stuff four biscuits.

My rucksack seems big, but is clearly heavy with water solutions. I decide to wear

all my layers because the air is very cold and breath is freely seen in the headtorch

light. My mood is determined now, but I feel very wrapped up with friction between

every later of clothing. Pulling on the gaiters and finally gloves within mitts

seems very arduous. I am aware that my waterproof trousers being restrictive in

movement as the outer layer seems to be hampering my leg action. The crotch is too

low for lifting the leg over small rocks. I will have to deal with it – a suggestion of

removing the outer layer is rejected. But suddenly, the awareness of light all around,

in support of the piercing beams from headtorches, makes me look up and see a

brilliant moon, and the Hunter Orion in the sky. This immediately raises my spirits

and I say a bit too loudly, “Let’s get on with this!” when actually my heart is full of

peace and joy.

We begin to set off, more slowly than ever, with Filex in the lead, and me behind

him. “Pole, pole”. We say how cold it is, and early on, the chill is already in the

fingers. I adjust my sticks lower, to keep my hands low, and suck on the water tube.

Already the water is very cold. My walking is hindered over small upward steps

by the waterproofs, and quite soon, the effort and the heat seem to build to hard

hindrance – the heart is beating, the breathing is very deep and the heat is rising

centrally, but the arms are being chilled; altogether I am feeling very uncomfortable.

I find, maybe due to contact lenses, that the headtorch does not help the definition

of the ground, and I turn it off. The moonlight is sufficient for depth perception and

seeing where Filex puts his feet. It is slow – parts of Falstaff begin to circle in my

head, phrases repeating with the slow steps, from different parts of the opera. But

the chill invades and the wind on the back of my neck is annoying. Balaclava back

on, hoodie up. Filex brings out the tea and energy tablets, both welcome! Adjust

trousers and plod on, hands now very cold; walking now very difficult on sliding

granules and shifting stones. We seem to be zigzagging every ten paces. Pole, pole.

“Ok, baba?” Feeling very steadily worse. Another tea stop. Need to rest, watch folk

go by, not looking at faces, just at feet. Begin again, foot upon foot, step upon step

and another step. Tablet. Try to suck water; frozen…Blow back into tube. Breath

vanishes, suddenly gasping, heaving for desperate satisfaction; stop; Filex says,

“Pack off –Johnson will take”. Off my back, lightness and energy suddenly. But feet

not quite steady – overbalancing, corners not quite secure, little higher steps need

thinking, then two attempts. Filex says something. Two hands on my hips from

behind, steering me! Holding me on each step, but firmly moving me ahead. Not sure

what is going on, losing sense of location; we stop. My head swirls and I sit down.

Walking better than stopping. Keep going. Going. Hands firm, guiding, poles finding

great weight on them, slow effortful rhythm. Pole, pole. Pole, pole…

“Hey, baba” Hmm? “Look up there.” Filex points up the slope. A trail of people stops

about 100m above. What? “That is Stella Point.” How long? “Ten minutes, baba!”

A surge of energy, disbelief, wonderment. We are going to make it! Personal sense

of urgency; limbs respond, arms, legs, feet. Balaclava frozen around mouth. And

the light around is brighter. “Sun will be up in 20 minutes,” says Filex. It seems

incredible – we are nearly there. Still the hands gripping my hips, assuring my

forward motion and restraining the toppling over. The sticks slam into the dust

and gravel. And then suddenly, we are there. Ground levels off, the troop of people

begins to disperse as wobbly bodies search for places to sit down. The grand vista

opens out – the sky is perceptibly light and the bed of clouds is silvered from below

along the horizon. The Stella Point sign is there, but we immediately head to a rock,

where I am steadied and eased onto. Johnson is in full vision, his Tanzanian hat

silhouetted by the increasing light from behind. “Ok, baba, you can rest now…” My

heart is full and the moment overwhelms me. I blub. “Don’t cry, baba, you have

made it! Don’t cry.” Asante sana, sana! Steve and Dan also sit, legs akimbo on the

ground, facing the ever-brightening sunrise. Filex offers tea, warm and lovely

sweetness, and another tablet. “Ok, we will continue, yes, baba?” Light, energy and

drunken joy surge through me. We stand, and after steadying with poles, we start

again, heading away from the intensifying light, blue, red and orange hues on the

cliffs of snow that we see ahead. But each step is very difficult. No hands to guide,

just determined stick plants and equally determined steps. This time alone!

“How are you, baba?” “Mzuka!!” but I stagger to one side briefly, before planting

sticks firmly. My feet don’t quite go where my mind wants, and the poles become

lifelines – slower, steadier. Pole, pole, pole, pole, unending plodding, breathing ice-
air in the intensifying brilliance of light. The cliffs suddenly gain amber, and behind

us, the sun breaks over the clouds below. The light is intense even with sunglasses.

Thankfully, we are walking away from the incandescence. Pole. Pole. “OK, baba?”

Yes, but very tired. “Not long now.” And awareness dawns that we are within sight.

The black soil and the white snow on the surrounding expanse give way to the

wooden structure, now illuminated by the whitening light from behind. It is there,

and we make our every step in that direction. Within ten metres, there are rocks.

“Here, baba, sit.” I place myself to turn and sit, and the world whirls away. Hands

grab me but I am on the ground, at least not bruised, just resting. My balaclava is

tugged off and the cold air hits my face and plunges into my lungs. Better; cold,

but energized. My head clears a bit. The noise from the wooden structure becomes

tangible – people clamouring to have photos, small shouts of glee and triumph, but

mostly organization for photographs. Somehow, focus and energy become part of

me. Photo time, must have shirt.

 

 

finley4

“Ok, time to go now,” says Filex. Curiously revived, now the radiant low sun

is warming me up, giving renewed impetus. Bear hugs then photos with boys,

celebrating in front of snow cliffs, glacier. I search and ask for the “ash pit”. “It is

here, but we won’t stop,” says Filex. I think it is ok not to demand more – it is a

miracle that I am here at all. But a photo at Stella Point, please, with Johnson and

Thomas, if we can. We trudge back into the light – I cannot look up, it is too bright.

We are on top of the world for now, the immense dome of charcoal grey giving

way to blue shade in the increasing brightness. Clouds far below – “How far can

we see?” asks Steve. Hundreds of miles probably. Oh dear, lack of concentration

and a big wobble brings Johnson to my side – “Ok, baba?” Poa, just. Every step is

thoughtful and effortful. Dust rising in the gravel – buff ready around mouth. We are

going down. Really down. My knees can feel it and each feels the weight –just of me-
Johnson has my pack. There is Stella Point. We place our things by the first rest rock.

Camera out – not too crowded – total group shot. Now – Dan, please, take video,

with me and guides. We line up, I sing: “Verachtet mir die Meister nicht, und ehrt

mir Ihre Kunst!” Do not disparage the Masters, but honour their Art! It seems right

to sing, to honour the guides who have skillfully brought us up. We could not have

done it without them. They are baffled at the singing; others look at us but no-one

comments. At the top, all behavior is forgiven; each is only there by determination

and grit, celebration in all forms permitted. “Ok, baba, we must go.”

We leave and head down over the bank, onto the sliding gravel, seeing the endless

line of climbers continuing to arrive at the top. The sun is warm, the air still cold

and dusty. We take big steps as the gravel gives way under each step. My sticks are

thrust into braking mode, and immediately, I am grateful for the tape around my

knees. Each step carries the relief and weight of burden of body and soul. It is very

hard going. Johnson has grasped my left arm and locked it in an embrace with his

right arm as if we are a couple on a red carpet, sliding down the dusty gravel. Clouds

of dust from others become our breathing space. I am giddy, my balance faltering

with every other step. My big strides allow me to think how small our steps up

must have been. Pole, pole, indeed. Rhythm adjustments every step, down, down,

ow, down. Scree, dust, rocks, gravel, dust, hot sun, dust. On and on. Finally a site to

stop. The water in my silver bottle has a frozen ring around the top but it is good to

drink cold, cold. Consciousness returning but definitely not equilibrium. I want to

shake Johnson off, but in the few moments he lets go, I am a tossing ship, looking

for handholds that the sticks cannot quite handle. Hard, juddering, clouds of dust,

sliding, slipping, ow, wrists now hurting, on and on. Filex keeps us going. I want to

think that the camp is just over that next mound, but onwards we plunge.

My heart is beating strongly, victoriously almost, but each lungful of air is like

London traffic smog. It begins to flatten out, and the downward vista is now

more horizontal, the clouds below defining the scene. A stumble here and there,

Johnson holds me steady. Down through the view of the “Kosovo” camp and a long

flattish trail ahead offers no reassurance. Where is Barafu? Finally, the round huts

and tented features appear, but from a high vantage point. Down gingerly and

protectively, slower than I would like. Just to sit and rest and stop. It is more like

hobbling as we enter the top of the camp. It is ideal that our tents are at this end,

I can make them out and they are beautiful to see. As we reach them, the sun is

warm and the light is brilliant. Legs, limbs and body stay upright. I can’t seem to

consider sitting. Then a porter called Peter appears out of the meal tent with one

of the chairs and places it on the stones, making sure it is steady. The feeling of

letting go, relaxing into the chair seems to let all the energy drain away. Then I am

aware that Peter is untying one of my boots, then easing it off, and he finds a flat

rock to rest my foot upon. I want to hug him, but he does not notice my emotion and

proceeds to take off the sock, which feels amazing. Then the other boot and sock.

I am overwhelmed, like at Stella Point. Peter then goes and finds my bottle of cold

water, which he hands over with a smile. “Ok, now?” oh yes, yes, asante sana, asante

sana! Filex appears and says I have about an hour and a half to rest, then lunch. My

spirit is very revived and calm. He then says we should make it to Mweka Camp,

since we will have about 5 hours to reach it. “No problem” I say whatever he thinks.

5 hours does not seem like too much, considering we have just come down the same

distance in about 3 hours, it should be easier. He nods, “Now rest, baba – you made

it to the top!” Asante sana, Filex. “Karibu, baba!” My God, we actually did it.

Waking from sleep, which was just one long opera dream, was a bit of a relief.

We got ourselves into the meal tent where we agreed the next bit would be hard

since all our knees were hurting. Lunch was perfunctory: some fruit and bread.

“Better food at Mweka,” said Filex, where there were supposedly fresh supplies. “A

traditional Chagga stew of green bananas.” We all felt better, concentration back,

limbs a little sore, but ready for the next stage. We packed as best we could, and

changing socks was a blissful process. Same familiar and easier routine- everything

for the summit now packed, everything else was not much – just water and a few

bits. We needed all out strength for the dusty downward slope.

We set off, and the scamper of porters began again, along with hasty trekkers.

Initially, ironstone pieces, small everlastings and then into heathland. I just couldn’t

quite believe we were starting at 4600 metres, and would finish at 3100 metres.

The slow pace of previous days was abandoned now as both health and camping

situation depended on getting down quickly. We trod through scattered rocks, then

dusty heathland, eventually encountering almost a dry stream or riverbed, with

rocks and boulders to scramble over. Downwards we hauled ourselves, treating

ourselves to unused sweets and biscuits. It was the reward journey, but hard going.

Eventually down through high forest, winding dry streams. Each step was more

difficult as thighs and knees joined with ankles in the protests from joints

and

muscles. The last part of the journey down to Mweka was on a slightly improved

path. Stories of rescues and other adventures gave us distraction as we descended

further into the lush forest and the hubbub and singing of the Kilimanjaro song

through the trees guided us into our very wooded, damp and cozy campsite, as

the light of the day fell. Our bodies ached, the mind was clear but drained, and our

appetite was enormous. The Chagga stew of green bananas and rice was scraped

out of the bowl, and watermelon and mango crowned the meal. Our sleeping

arrangements allowed the boys to share the tent, as Dan said he found me bulk and

snoring a little constricting! And so, finally, to bed.

An alleged ‘coalition’ of Jewish groups are planning a demo near the Metropolitan Opera to protest against the Sept. 22 staging of John Adams’ opera The Death of Klinghoffer, which they consider to be anti-semitic.

The news is net-blasted by Arutz Sheva, propaganda outlet of West Bank settlers.

Read here. Treat with care.

 

DeathOfKlinghoffer_just_image

 

We hear the Concertgebouw has very quickly put together a shortlist of the maestros it wants to consider to succeed Mariss Jansons.

Three are Finns: Esa-Pekka Salonen, Jukka-Pekka Saraste and Sakari Oramo.

Paavo Jarvi was added, two weeks ago, the moment he announced his departure from the Orchestre de Paris.

The fifth name is unknown to us at this point.

Of the four, Paavo’s manager will want more than the frugal Dutch can pay, Esa-Pekka keeps saying he means to spend more time composing and Saraste has never held office with a frontline European orchestra.

That leaves this man as Amsterdam frontrunner.

oramo

(c) Norman Perryman/Lebrecht Music&Arts

 

UPDATE: Sakari Oramo has contacted Slipped Disc to say he is definitely not on the C’bouw list. Others, however, have been added.

 

It is reported that Cornwall, probably the poorest part of England and certainly the most beautiful, has decided to sack all of its music teachers. They will be employed as and when required on a freelance basis.

What kind of living is that?

 

cornwall

 

San Francisco Opera and its musicians are singing off the same hymn sheet: ‘Following almost four months of bargaining, characterized by both parties as collegial, respectful and dedicated to shared problem-solving, the new agreement creates a stable working framework now through July 31, 2018,’ said a joint announcement (below).

Expect more like this. The spectre of the Met farce and the Atlanta shootout has brought a new realism to both sides of the American negotiating table.

sandy balint2

 

SAN FRANCISCO (September 11, 2014)—The San Francisco Opera Association and members of the American Federation of Musicians Local 6 today jointly announced they have successfully negotiated a new four-year agreement for the San Francisco Opera Orchestra effective August 1, 2014. Following almost four months of bargaining, characterized by both parties as collegial, respectful and dedicated to shared problem-solving, the new agreement creates a stable working framework now through July 31, 2018.

 

The labor agreement provides increases in weekly pay of three percent in each year of the four-year agreement along with important changes to the Orchestra’s healthcare insurance which is anticipated to save the Company approximately $300,000 to $400,000 each year.  This new contract was ratified by the San Francisco Opera Orchestra on September 2 and provides stable employment for 28 weeks (including paid vacation) for the 69 members of the Orchestra.

 

The new agreement continues a commitment to media activity, central to the work of San Francisco Opera through its audience development programs and its international media distribution. This follows a transformational media agreement reached in 2011 and subsequently negotiated with the Opera’s other labor partners, thereby ensuring all of the Company’s media activity.

 

The new contract also provides for improvements to the War Memorial Opera House orchestra pit with new lighting and sound shields. In anticipation of the Company’s upcoming expansion into the adjacent Veterans Building/Wilsey Center for Opera, which will include a 299-seat theater, a vanguard new provision for work at the Wilsey Center was negotiated with both parties recognizing the importance of a new kind of programming in that venue.

 

An important new healthcare paradigm provides a selection of HMO, PPO and high-deductible plans aimed at providing more cost-effective, yet still flexible coverage that provides cost savings to the organization while meeting the complex healthcare needs of the Orchestra.

 

“I’m deeply grateful for the dedicated work of both negotiating teams,” commented SFO General Director David Gockley. “At a time of continued turbulence for this industry, I’m heartened that difficult issues were able to be addressed in a respectful manner, with both sides committed to the future of the Company. I’m especially appreciative of the Orchestra’s work with us to find additional savings after significant concessions in the 2011 negotiation, and for partnering with us on finding solutions to the growing cost of healthcare.”

 

Musicians’ Committee Chair Kevin Rivard observed: “Having made major concessions in 2011, the Orchestra is hopeful that this contract puts us on a path toward recovery. We are proud of the joint effort that preserved our contract while producing better understandings between the parties and ultimately helped us find creative solutions to our health insurance needs.”

 

San Francisco Opera’s negotiating team included David Gockley, Matthew Shilvock, Michael Simpson, Teri Xavier and Claire Padien-Havens with legal counsel from Nick Geannacopulos of Seyfarth Shaw. San Francisco Opera Orchestra’s negotiation team included Negotiation Committee members Kevin Rivard (chair), Thalia Moore, CarlaMaria Rodrigues, Mark Drury and Craig Reiss, Musicians Union Local 6 President David Schoenbrun, healthcare consultants Ilene Levinson and Glenn Risso, and administrative assistant Jane Shaffer, with counsel Liza Hirsch Medina. Joel Schaffer, Commissioner of the Federal Mediation and Conciliation Service, participated in the latter part of the negotiations.

 

San Francisco Opera launched the 2014–15 Season on September 5 with a gala performance of Vincenzo Bellini’s Norma, followed by the Company premiere of Carlisle Floyd’s Susannah on September 6 and the 41st Opera in the Park concert on September 7. For complete details of San Francisco Opera’s 92nd season, visit sfopera.com.

 

It comes from Milan last night, courtesy of Kevin Pepers.

(If video does not pop out, click on word ‘Post’).

 

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A group of leading Scottish musicians, most of them composers, have published a letter in the Herald warning that a Yes vote could cost them valuable support from the BBC. The signatories are:

Rory Boyle, composer; Helen Grime, composer; James Loughran, former Principal Conductor, BBC SSO; Eddie McGuire, composer; John McLeod, composer; James MacMillan, composer; George McPhee, organist and Master of the Choristers, Paisley Abbey; Stuart MacRae, composer; Paul Mealor, composer; Hugh Macdonald, former director, BBC SSO, 4 Balvie Road, Milngavie.

Read the full letter here.

 

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Hardliner Karole Lloyd, who presided at the 2012 lockout, has cancelled this month’s board meeting. Here’s her memo. We might give her a ring.

 

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TO:                         Members, Board of Directors
Atlanta Symphony Orchestra
FROM:                  Karole Lloyd
I wanted to let everyone know that we have decided to postpone next week’s regularly scheduled Board meeting.  We will reschedule the meeting for a later date.
We’re postponing because we do not anticipate any updates on the Collective Bargaining Agreement process by Monday.   If that does change, we will of course schedule a special telephone Board meeting to update you with any substantive news on the bargaining process.
In the meantime, if you have any questions you can call me at my office or my cell (numbers withheld by SD).

Karole Lloyd

The music director’s walkout at the Vienna Opera has hit the orchestra hard. Franz W-M is due to take them on a Scandinavian tour. And their coming season is unusually full of new music –  Olivier Messiaen, Krzysztof Penderecki, Pierre Boulez, Claude Vivier, Jorg Widmann.

‘The Philharmonic musicians are very interested in contemporary,’ declares the orch’s new business manager, Harald Krumpöck.

The ‘not happy’ quote comes from VPO’s new chairman Andreas Grossbauer, and is clearly aimed at the opera boss, Dominique Meyer, who is scrambling around for conductors to fill 34 blank nights this season before he can consider a choice of new music director.

 

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Part three of Gerald Finley’s assault on Mount Kilimanjaro:

Day 3

Slept poorly – dreams strange but fleeting. The occasional deep snore from another tent – apparently a sign of altitude acclimatisation. The large group dynamics of similar language groups always throws up the livelier souls – always laughing too loud too often. Sleep is this strange state of lower consciousness. The heart pounds just loud enough to be unsettling… Slurps of water to try and mitigate the altitude, but resulting need for the loo very frustrating. So, up in the night. Moon had set, stars dancing in the darkness above the peak. But chilly enough to make the lingering brief. A gentle “hello” from Thomas, our very gentle Assistant Guide, roused us out of our half sleep – the sun was hiding behind the mountain and the very fresh air filled our now slightly easier breathing lungs. So a dish bowl filled with hot water encouraged us to get ourselves splashed and beginning to pack up.

Thomas suggests “now is a good time for breakfast” and we creek our joints into the mess tent. The odd body positions of the previous night begin to unwind and the next plate of fried egg, toast and sausages is presented. Tea, or hot chocolate or just hot water with honey make delicious drinks. We know that lunch will just be a snack since a hoped-for cooked lunch yesterday was aborted due to National Park surveillance. We eat lots of the porridge and polish off the eggs. We pack up, under the watchful eyes of the Russian trio, one of whom has the most extraordinary gauze trousers in combat colours: against mosquitoes, wind, ultra violet? A mysterious fashion statement. Finally our bags our packed, our water supplies topped up and we head off, now in the full glare of the sun. The plateau means the incline is gradual so the effort is very reduced compared to yesterdays start up the rock outcrops above Machame camp. We are walking above the clouds, which eerily cover the entire area of the valley behind us. The sun is intense, and, covered in long sleeves, sun hat and other parts in 50 plus sunscreen, we feel assured that we are protected.

The very fresh wind comes at us from behind as we trudge slowly, very slowly, up the dusty path. Porters again overtake frequently, and I find myself easing out of their way until it becomes rather a chore to disrupt the regular pace. My mind is slightly hazy and I wonder if the slight wobble in strep is revealing to outside assessment. We climb through ever- increasing tundra, leaving vegetation behind.

The days journey is designed to climb high and sleep low (altitude), so we will climb some 800 metres up to 4600 metres. This is roughly where we will spend at camp on Day 5 before the ascent. We started today at 3800 and there is no doubt that even the regular pace and slight incline are making us feel a bit strange. But from Filex “How are you, Baba?” always gets the reply “OK, thanks”. The boys seem rather jaunty, and Daniel asks one of the porters what the word for “great” is; the reply is “Mzuka!!” This has the porters in hysterics whenever Daniel responds with it to “Mambo?” Another version is “po-a, po-a, ca chisi, ca mandisi” (cool as a banana…!).

We trudge along for some time, the height gain is continuing and Filex encourages us to get to our lunch stop where we will be at maximum altitude and can then enjoy the final push to Lava Tower and the rapid decent thereafter. The stop is just long enough for an attempt at text messaging – which fails – but soon we are on our way again pressing onward toward Lava Tower. Dusty and then boulder-strewn, we see it begin to loom, then there is a very hefty climb up a steep incline but our pace is snail slow and rhythmic. We definitely begin to struggle to the top and we suddenly recognize that we will not climb this high again until summit day. The path out of Lava Tower descends precipitously. The altitude weariness gives way to the tough action on knees and hips as we pound down a tricky boulder section. Again, porters jostle for pace and urgency to reach the camp ahead of the clients. As we descend, the immense rock formations begin to become enveloped by clouds blowing up the side. We begin to lose views and perception and the walking becomes a real chore along with the accompanying headache. And then the cloud begins to condensate on our packs and hats. Finally, not too soon, we find ourselves reaching the Baranco Camp, unaware of the surroundings due to the dense cloud. Our knees and legs are exhausted and our faces from what must be wind and sun. A very tough hike. Soon, however, with rest and food, we begin to revive. The clouds somehow disappear with ice forming on the tents and on the ground and then the mountain begins to shine behind us, the ice shimmering in the moonlight. We are right beside it – as close to touch. Looking the other way, the lights of Moshi twinkle some 12000 feet below. It is magical, the glow of the moon on the terrain and the nearness of the mountain. I am even a little bit excited by the thought of being up there. The stars are vibrant and shed their light dust upon the camp. The crunch underfoot going to the loo in the middle of the night brings on a cascade of Canadian winter memories.

How amazing to be here with this tired body and two amazing sons to taste the beauties of such natural splendour. The silence is immense.

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Day 4

Did I actually sleep? Two brief sessions maybe. Crazy dreams! It feels like morning in no time, but the final half hour sleep is nearly the best. The hot water bottle is still warm, and I finally have found a position that lasts a while. Thomas’ “hello, how are you?” breaks the general early morning murmur and rising hubbub and we are invited to breakfast after a pack up that is much better in planning – camping is all about where to put what, where. There is nearly a system…! Getting out of the tent reveals the supreme majesty of the rock face we will climb today, with the sun just about to illuminate the camp and part of the path up the Baranco Wall. After another delicious breakfast with real crepes (they call them chapattis) we are ready to go.

But the climb is slow, slow, slow. Hundreds of people on a single ascending precipitous path mean that bottlenecks, large porter packs and slow climbers reduce all movement to a half snails’ pace. There are treacherous sections where holding on with both hands in a bear hug to the bolder allow feet to shimmy alongthe narrow rock ledge. Always upwards it allows a few brief conversations with fellow trekkers, but today it feels like there are just too many people on this section.

One step and a domino effect would take out a dozen people. We clamber higher and higher, then sun finds us on the top of the wall. From there, we begin a long descent, testing knees and hips again, eventually arriving at one side of the Karanga Valley. A fiercely sunny day with the ever cool-cold wind. Lots of remarks about sunstroke keep us covered and drinking. We finally reach the camp, tired and hungry. At least sun and mountain are hidden in cloud. Lunch of sandwiches and chapattis, then unpacking and a brief snooze. We got a photo of our whole group, and they sing the “Kilimanjaro song” – a slightly cheesy tradition for the clients but at least performed with cheerfulness and warmth. It was the first encounter with some of the faceless porters who carry anything and seemingly above the fifteen kilogram personal weight limit. Our stuff is always set up ahead of us, and the porters seem to vanish in the camp. Final instructions from Filex about the “big day ahead” involve what to wear, when and what the timing will be. Tomorrow is indeed summit day with all its endurance, strength and exhaustion attached. I have a brief moment of “what are we doing here?!” but stepping out of the mess tent after a dinner of chicken cacciatore with rice, the bright moon and stars again spotlight the mountain. We are underneath the peak. We are actually going up there tomorrow!

The producers insist no money changed hands. It’s just Macca reaching out to a new audience – with what sounds like an offcut of the numbers he was writing 40 years ago for Wings. Listen to it here. 

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