Watch here: Stravinsky world premiere
mainLast night’s premiere of the funeral music Stravinsky wrote for Rimsky-Korsakov has been uploaded.
Last night’s premiere of the funeral music Stravinsky wrote for Rimsky-Korsakov has been uploaded.
The US violinist has posted this message on…
English National Opera has rolled out plans for…
Laura Samuel, Leader of the BBC Scottish Symphony…
The Dutch conductor, ousted after a six-year spell…
Session expired
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.
Fantastic, thank you Norman!
for me the most interesting parts were the opening and closing 2 minutes. the whole middle was a bit too post-wagnerian for my taste. but those initial 2 minutes or so are very interesting in foreshadowing the more interesting parts of Firebird.
Beautiful piece. But I did not hear Stravinsky’s own description of the initial idea:
“It was like a procession of all the soli instruments of the orchestra, coming in turns to each leave a melody in the form of a crown on the master’s tomb….” Just the murmuring was present at many places. Probably this was indeed the initial idea but he changed his mind later-on, and forgot what he really had written.
Well, yes, the falling fifth theme does come back, over and over, in different voicings.
Wow! I loved it. Thank you Norman for uploading it. What a treat. Some observations if I may:
1) If you didn’t know it was Stravinsky, you’d never guess. Sounds nothing like his famous works. At times I hear early Rachmaninoff, some Liadov, Gliere, maybe even Sibelius? Too bad he didn’t write more like this rather than his horrible serial experiments.
2) This needs to get distributed quickly – and played! Is it published? Does anyone know?
3) Someone besides Gergiev needs to record it – someone who won’t hum and groan along with the music.
4) That orchestra has the coolest contrabassoon I’ve ever seen!
Regarding item 4, that contrabassoon is a model that descends to low-A. Normally, CBsn only plays to low-Bb. All the extra tubing (and therefore, it’s unusual height) is for the additional semi-tone.
PS I found this piece and the performance very moving. IS wrote so many gems, some early, some serial, etc. It’s really a shame that such a small amount of his output is played regularly.
What are the gems of Stravinsky’s serial works?
I’m doubtful but I’ll give them a try.
One can look on wikipedia.com for a list of serial woks by IS.
My two favourites (“gems” in my view):
“In Memoriam Dylan Thomas” from 1954. (You can listen on YouTube if you don’t want to buy the recording that I love which Michel Lecocq’s.)
Movements for Piano and Orchestra https://www.youtube.com/watch?v=y0lQUQzmD-8 This YouTube video scrolls the printed music with the audio. Note – the orchestral material is given as a piano reduction.
Thank you for “giving them a try.” I first encountered these pieces in my youth and they completely set my imagination on fire. Many many years later, they still delight and stimulate me.
Several years ago a musician acquaintance asked (somewhat rhetorically) “Oh, are you still going through your Stravinsky Phase?” I replied, “No, my Stravinsky Phase was during my teens and twenties. Now I only admire him as a genius.”
‘Canticum Sacrum’, ‘Threni’, and the ‘Requiem Canticles’.
So glad Gergievs knee has healed so quickly he must be in a lot of pain.
You may notice that he did not use a podium in this concert. At first I wondered about that but then realized that with my own injured knee one of the most difficult and painful things is simply going up and down a step.
Beautiful. Thank you for this treat