Maestros and their motor cars (40): Mahler’s Tina
OperaErnestine Schumann-Heink is one of only three members of Mahler’s Vienna cast to preserve his music on record.
Settling near San Diego, she drove a DeSoto.
Ernestine Schumann-Heink is one of only three members of Mahler’s Vienna cast to preserve his music on record.
Settling near San Diego, she drove a DeSoto.
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It’s not widely known that when Mahler wrote this masterpiece he used the pseudonym Thurlow Lieurance.
Which Mahler work(s) did she record ?
As the Victor label’s “VE” indicates this is an electrical recording, made in 1926, and while the song itself is not a timeless classic, we can at least glean a clear sense of her voice, timbre, and talents, quite well preserved at age 65. While her link to Mahler is of course significant and interesting, so too is the fact that we are listening to a voice that made its professional debut (alto solo in Beethoven’s 9th) in 1876, and sang the Alto Rhapsody with Brahms in the audience under the baton of Hans von Bülow in 1887. We have many recorded voices from that era, fortunately, but most of them are acoustic 78s which present a greater challenge in judging the voice.
Schumann-Heinz was a close friend of my grandmother—my mother always recalled being kissed by her when she sang for Mom’s school.
True ES-H story. She was attempting to make a stage entrance but couldn’t squeeze by some sets. A stagehand said “Why don’t you try is sideways lady”? She replied, “I haft no sidevays”