These are the finalists in today’s 2021 Gina Bachauer International Young Artists Piano Competition:
Hao Rao from China
Lixin Zhang from New Zealand
Kasey Shao from USA
Haozhou Wang from China
Maria Eydman from Germany
There is no room for Sir Simon Rattle…
The Vienna Philharmonic has just awarded honorary membership…
The summers season, rolled out today, shows welcome…
Latest leaps on the merry-go-round: – Vasily Petrenko…
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A descriptive, or a normative, statement?
You only have to look at the intake of the Royal Northern College of Music in Manchester, I am told, to see that phenomenon! Don’t know about the four London music colleges.
Experienced Gina Bachauer playing the
Grieg Concerto ca. 1970 with the
Cleveland Orchestra at Blossom. Truly, one of the most stunning musical events I have ever heard or seen….
Well at least we can look forward to 50 years of hilarious names
It’s sure been enough for some of the US Ivy Leagues to put quotas on the admission numbers for Asian American students!!!
Is 2 out of 5 the new standard of “domination”? Or just Clickbait?
The tagline could have just as easily (and more defensibly) said “Western Pianists Dominate the Future…”
Check out the last names four out of five are Chinese.
There is none so blind….
[Check out the last names four out of five are Chinese.]
And mine is German, but I was born in Canada.
I only see two from China
It may be interesting to reflect over a broader time frame. Since the 20th century, the world has witnessed trends and cycles of demographic shifts among performing artists. After the likes of the Lhevinnes and Isabelle Vengerova, for example, who taught many American students, the American school of piano playing maintained a stronghold among artists performing during the 1950s and 1960s. If one visits YouTube, there are countless artists from many countries who had performed and recorded, but their names never quite hit the spotlights as others. Not taking away from them, their artistry was of the highest calibre, which one will find upon listening to their recordings. The dominant players like Fleisher, Graffman, Kapell, Cliburn, Frager etc., took the traditions to the next generation in the continuum of piano playing. European and Asian artists, and a new Russian school of artists coming out of the studios in Russia, took the reins thereafter. Piano competitions became a norm, which brought forth many gifted musicians from all over the world. This is not to say they were able to maintain performing careers, however, many took the positive steps of teaching to keep the traditions alive into the next generations. This was and remains extremely important. They continued teaching and performing traditional repertoire and, in some cases, brought new music to the repertoire. True, there are many students of China studying all over the world, and entering competitions at young ages. However, it may be too early to project what will come of them as they pass the competition age limits and enter the post-35 year old career. Obviously, this applies to all musicians. But I don’t think we can generalize such a trend. Remember, the word ‘fad’ contains the first three letters of the word ‘fade’. What is most important, is seeing the music transcend the current generation into the next. That is more important than any one competition or performance. The music must continue to evolve in new hands.
Compared to the number of inhabitants, I’d rather say they underperform.
China dominates the future of western classical music. Period.
China will be to classical music in the 21st Century what the Soviet Union was during the 20th.
They have the work ethic and focus. Westerners are too busy being woke and lazy. The general decline in the Western attitude is worrying and depressing.
It’s called “decadence”.
China has 100 million piano students.
Speaking of overpopulation of the planet: a great field for activities.
Unfortunately for the rest of the world, China dominates the future of many other human endeavors as well.
The title should have been simply “China dominates the Future!!!”
china dominates everything today so what else is new
Work ethic. Alas, not a concept much known in the Western world, where “rest on your ancient laurels” holds sway amongst too many of the younger generation. Start learning Mandarin.
Whenever I hear about China and classical music, it’s mostly about pianists. What about children’s choruses, classical singin or other instruments?
Absolutely brilliant!! Whoever said classical music was on the down and down?? Thanks to Asians, absolutely NEVER.
I think it is time for Norman to get some sensitivity training! White privilege thinking needs addressing! Who cares where musicians are from if they can play? What is Norman trying to say? Does he disapprove of non-European non- white artists? Does he not know that this inflammatory headline is offensive?
Maybe it is time that American parents take their kids cell phones away and get them to music lessons…but, they would also have to put their cell phones away…
Don’t tell that to Pinky Zuckerman.