La Scala issues bleak message amid lockdown

Statement tonight from the La Scala press office:

Dear colleagues and friends,

Since yesterday Milan is in lockdown again. The streets are deserted, the silence is often broken by the sound of ambulances and performances with the public attending in the hall are forbidden at least until December 3rd. In these conditions it was neither possible nor a sign of responsibility to confirm our choice to open the Season with Gaetano Donizetti’s Lucia di Lammermoor on December 7th. Lucia would have been conducted by the music director Riccardo Chailly with the direction of Yannis Kokkos and Lisette Oropesa, Juan Diego Flórez and George Petean as the protagonists. Rehearsals had already started on 26 October and the performances will now be rescheduled.

The tradition of the opening of the Teatro alla Scala Season is very much felt in Milan. Originally La Scala, like all Italian theatres, opened its Season on 26 December. After the World War II the reconstruction of La Scala, which had been partially destroyed by bombing, became a symbol of the rebirth of the city. In 1951 it was decided to further underline the link between La Scala and Milan by moving the opening date to 7 December, which is the day of Saint Ambrose, the patron saint of the city. That year Victor de Sabata conducted Verdi’s “I Vespri Siciliani” with Maria Callas. Since then, 7 December has become a point of reference in the calendar of opera lovers all over the world and one of the most important cultural events in Italy, also thanks to the collaboration between La Scala and Rai (the Italian public television) which not only broadcasts the premiere live on its main channel but also shares it with some of the major international television channels. Last year the premiere of “Tosca” reached more than 2,850,000 viewers in Italy alone.

La Scala will not remain silent this 7 December either. In the next few days we will announce the program of a concert conducted by Riccardo Chailly in which some of the greatest international singers will participate together with our orchestra, choir and ballet. We will not be able to have an audience in the hall but Rai will allow us to be seen by a wider, international audience broadcasting our “7 Dicembre” on channel 1 and on some of the main international TVs. It will be a wonderful night of music but also a message of will and hope for Italy and for all the theatres and artists affected by the global events of these months.

We will update you soon.

 

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    • La Scala knows how to do does things they worked very well for the Requiem at the Duomo. Maybe like at the last Concertgebouw concerts they will advance the stage for the singers at the top of the first raws.

    • um, after months and months of obedient Europeans in masks you have not once thought….mmmmm, maybe they do not work? maybe they make it more contagious since there is zero social distancing by those who wear them and a virion meausures 30 nanometers and a cloth pore is measured in micrometers. It only takes 300 virions to catch an illness and when we breath 750,000 virions come out as aerosols…vapor….along with our breath. I stay away from people in masks they have bacteria growing on them …eeww….oh and watch those microplastics.

      • Social distancing is partly what I referred to by staying “safe”.
        It certainly would not be a problem social distancing from you, “m”. In fact, the more distant, the better.

  • Be not afeard. The isle is full of noises,
    Sounds, and sweet airs, that give delight, and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices,
    That if I then had waked after long sleep
    Will make me sleep again; and then in dreaming
    The clouds methought would open and show riches
    Ready to drop upon me, that when I waked
    I cried to dream again.

  • Milano is and always has been a boring city. Once you go to the Duomo, there’s not much else. In Italy, it trails: Rome, Venice, Florence, Naples, Bologna, and Balsano.

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