From the Lebrecht Album of the Week:
…. a hypertense new recording by the City of Birmingham Symphony Orchestra and its Lithuanian music director Mirga Gražinytė-Tyla. Unlike many respectful English performances I have heard, this one reflects life at the edge, its continuance uncertain, its faith flickering to extinction. You are unsure from one bar to the next which way the world will go. It is the least English interpretation I have ever encountered, and all the better for that. Mirga stretches rubato to the point of transparency and admits hints of atonality. Does she sense the composer’s mixed feelings?
In The Critic.
More languages to follow.