It’s the naked pianist… look away now

Every single word that follows is from the press release, just landed:



Mixed-race, openly gay, Stockport classical pianist Emmanuel (Manny) Vass, 31, continues to push boundaries and divide traditionalists with the release his third album, The Naked Pianist.
From stripping down to Union Jack boxers on ITV’s Britain’s Got Talent; being spotted by the pool chatting to fellow daters in his orange speedos on Channel 4’s First Dates Hotel, to featuring as a ClassicFM Young Classical Star, Manny continues to take risks shaking up the classical world.
The half Pakistani half Filipino Stockport resident, who has performed for global royalty including the Prince of Monaco on the most prestigious stages across the UK, funded The Naked Pianist with an Arts Council England grant, following on from his previous album,
which hit #1 in the UK specialist classical charts in 2015 after a 165% funded crowdfunding campaign.
“I have faced adversity and difficulties all my life” says Manny, “but that is precisely why it is so important for people of colour such as myself to proudly exist within traditionally white spaces. Classical music and redbrick Universities can and should be celebrated as diverse, innovative, and inclusive places”.

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  • Diverse, innovative, inclusive! Yes, that’s what I always thought when seeing such players doing away with all those oldfashioned garments. Finally something to hold your interest at concerts!


  • Everything old is new again; you can’t do anything unique, because it’s been done before.
    When awarded the Vienna Beethoven Ring in 1969, Friedrich Gulda rejected it with grand gesture, one incident of many in a long and tortuous relationship with his home town. He played Mozart in Vienna’s holy of holies, the Musik- verein, tapping along with his feet. On another occasion, he and his girlfriend appeared on stage naked for a rendition of Schumann songs on the recorder.

  • Just another person who wants special recognition for his/her/their race or sexual orientation. But at least this one is at least fit.

  • It can work when the performer is fit but i think we were all relieved when Horowitz stopped performing naked.

    Note to radio announcers: Be sure enunciate the “t” in “pianist” when discussing this performer.

  • “diversity and inclusion….diversity and inclusion….diversity and inclusion….diversity and inclusion…diversity and inclusion”
    Now everybody repeat, and make sure you rock your body back and forth as you do so. The new religion takes hold!

    It would be fun to see how many documents come out of institutions these days that DON’T include the mantra above. There will soon be a hectoring spell-check paperclip that appears on your screen if you click “send” without including “diversity and inclusion” in the text of your email.

    • You left out “equity”. I’d like to include “talent”, but hey… the parrots would find it too difficult to recite.

    • There is a reason why diversity and inclusion are finally on the forefront of political debate and permeating the social fabric. It is the culmination of the pursuit of modern democratic liberalism, which humans have been working on for 400 years. Equating this to a mindless religious mantra illustrates your complete lack of understanding of history, not to mention your petty nature that appears to prefer exclusion and homogeneity, which, of course, were values embodied by many fascist states. We had hoped we learned from such mistakes but alas, here we are 🙂

  • All very well and good but at some point you have to play the piano great to be a great pianist.

    Having seen the fare at most post-concert receptions, the visual evidence suggests he has avoided those.

  • All those words, and they can’t tell us what he actually plays on the disc? I assume it’s Bach, but what?

    • From The Pianist: “I’m really looking forward to releasing The Naked Pianist as you can hear me playing classics by Beethoven and Debussy, alongside more virtuoso repertoire by Rachmaninov and Chopin, plus my own original compositions which I’m sure Pianist readers will love.”

      There are four words in a row in there that fill me with sufficient dread that guarantee I will never go near this disc (it was never very likely anyway). I’m sure you know what they are; they contain a tautology.

      Strike three (the first one counts for two) is his label, E. Vass Records. Wonderful what an Arts Council grant will fund.

  • Anyone who heard his performance of the Schumann piano concerto in Scarborough will understand why he needs to attract attention by stripping .

  • He clearly wants people to concentrate only on the music, without the distraction of his attire. … Who knows, Lola Astanova might follow, umm, suit.

  • The boy is delusional and misguided. His keyboard skills & musicianship are mediocre. And what does a gym-toned body have to do with being a pianist? He might have a future as a hustler, stripper, or gigolo, but that’s about it.

    • Why? Artists are identified as English, or Scottish, or American, or French. Why is Pakistani-Filipino to be sneered at?

  • He’s too late: his image would fit right in with those Wagner-for-Orchestra cds that Edo de Waart made for RCA 30 years ago or so. If you don’t know what this means, google it. I can’t post an image.

  • Say what you like about his talent (provided you’ve listened to him play) or classical crossover stuff more generally, but please, can some of you stop with the microaggressions? These are basically smaller-scale behaviours, attitudes and remarks that contain hints of stereotype and prejudice (this article describes them well and how they can be unintentional and semi-innate: I’m a gay man and I’ve personally experienced forms of them; they’re naturally not as horrific as violent attacks, but they’re still irritating. I think that the comments mocking “diversity and inclusion” (along with aspects of the original post, arguably) are pretty good illustrations of microaggressions. You’re entitled to your opinions, but I think it’s worth imagining things through the eyes of someone who is a minority and/or from a less affluent background in what is ultimately a society that is still largely tailored to the needs and interests of white, straight, middle/upper-class people (and largely men at that).

    As someone for whom classical music is more of a personal passion (I have few friends who are very keen on it), I think that these sorts of elitist attitudes are pretty off-putting to a lot of people, and it isn’t going to help the classical music industry thrive or prosper in the modern world.

    • ” I think that the comments mocking “diversity and inclusion” (along with aspects of the original post, arguably) are pretty good illustrations of microaggressions. ”

      Hmmm. Or could they be irritating because they exemplify a tendency towards catchphrases and slogans that can be substitutes for what really enables people to function free of prejudice, and which can generate ill-thought-out policies and practices that make some people’s situations worse, e.g. being punished at work for ‘liking’ a tweet even though their Twitter account makes no mention of their workplace?

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