From the Süddeutsche Zeitung:

More than four million people in Germany regularly sing in a choir. Since March, they have all had to use solitary practice or faltering video conference rehearsals to comfort themselves that their otherwise rather harmless hobby is considered potentially deadly. In the Netherlands, the USA and in Berlin whole choirs have most probably been infected with the virus during rehearsals. In addition to the usual droplet infection, the even finer aerosols in particular are suspected of being responsible for the high infection rates because they remain in the air longer.

 The choirs have been silent for a long time, even in their resentment about the singing ban. But that’s over now. The choir associations are diligently creating their own hygiene concepts, on the basis of which they hope to be able to rehearse again soon. Former Federal President Christian Wulff, President of the German Choir Association, said in an interview that he “fervently hopes that singing in a choir will soon be possible again nationwide”….

The situation is different in Bavaria. From this week, the state government allows rehearsals for amateur music groups once again – but explicitly excludes the choirs. Singing may not take place, neither in large rehearsal rooms, nor outdoors. What followed was an “outcry of the choirs”, as the Bavarian choir associations put it in a press release. People want to sing. And they are saying it louder and louder.

The problem: choral singing is directly related to breathing, the risk of infection is high, says Thomas Goppel, former Bavarian Minister of Art and now President of the Bavarian Music Council, says that the singers consider the actions of the state government “to be unacceptable intrusion”. Bitterness is spreading among those responsible for choirs. They are ignored by politicians, who say that the regulations are “without scientific backup”.

But what does the science currently say? Eckart Altenmüller, head of the Institute for Music Physiology and Musicians’ Medicine at the University of Music, Theatre and Media in Hanover, recently warned against resuming rehearsals too quickly: he says “Because choral singing is directly related to breathing, there is a high risk of contracting coronavirus, which can implant itself deep into the lungs . . . If we want to avoid this pandemic spreading again, we should not allow choral singing at this time.” Although studies have shown that the risk of droplet infection is not much greater when singing than when speaking, the risk of droplet infection is not much greater when singing. How infectious the aerosols actually are, however, has not been researched, even though several studies are currently underway….

Mehr hier.

UPDATE: In today’s SZ we read:

Theatres, cinemas, concert halls and other places for cultural events will be allowed to reopen from 15 June. For events held there, there is a maximum limit of 50 visitors indoors and 100 visitors outdoors and, from 22 June onwards, these maximum numbers will double. All visitors must wear a mouth-nose cover. Amateur musicians have been allowed to rehearse together again since 8 June – with a minimum distance of two metres (for wind instruments: three metres) and a maximum of ten (including the leader). So far, this only applies to instrumental groups; from 22 June onwards, choir rehearsals are permitted again.

In a summer when all else is on hold due to Covid, Bamberg is going ahead with its international Gustav Mahler conducting competition at the end of this month. The contest has been held every three years since 2004. Gustavo Dudamel was the first winner.

The most recent was Kah-chun Wong.

Distancing measures have been put in place, but contestants will be arriving from all over the world. Does that make any sense at all?

The jury consists of: Marina Mahler, Jakub Hrůša, Bertrand de Billy, Juanjo Mena, Barbara Hannigan, Helmut Lachenmann, Deborah Borda (replaced by Pamela Rosenberg), Martin Campbell-White, John Carewe, Ara Guzelimian, Marcus Rudolf Axt, Martin Timphus. Whether all will turn up remains to be seen.

Director Cecilia Gasdia demonstrates how it’s done in a short video.

 

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🎥 Domani sarà un giorno speciale! Finalmente presenteremo il calendario dei concerti di luglio e agosto #inarena con il palcoscenico al centro della platea. Prima però vi vogliamo raccontare quanto è stato difficile e profondo dover smontare quelle tavole che, in oltre un secolo, si erano fermate solo per la guerra. Abbiamo sempre creduto che non sarebbe stata un’estate silenziosa… A domani. 💖 ∙ ∙ ∙
Un’iniziativa resa possibile grazie a UniCredit, @volkswagenitalia, @falconeriofficial, Veronafiere SpA – Fiera di Verona, DB Bahn Italia .
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🎥 Tomorrow will be a very special day! We shall finally present the July and August program of concerts #inarena with the stage at the centre of the stalls area. However, first of all we want to tell you how difficult it was and the profound effect of having to dismantle the boards that, in over a century, only stopped work for World Wars.
We always believed that it wouldn’t have been a silent summer…
More news tomorrow. 💖
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An initiative made possible thanks to Unicredit, @volkswagenitalia, @falconeriofficial, Veronafiere SpA – Fiera di Verona, DB Bahn Italia

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The tenor has won the lead role in a French musical, premiering in 2022 (Covid permitting).

Was there much competition for the lead role? Did Grigolo find a horse’s head on his pillow?

 

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Composée et écrite par @lalannejeanfelix , mise en scène par @philippehersen, « CAPONE ET LES INCORRUPTIBLES » – la comédie musicale – sera vraisemblablement le « spectacle événement » de l’année 2022 ! Je suis très heureux de faire partie de cette aventure artistique … À suivre ! Composed and written by Jean-Felix Lalanne, staged by Philippe Hersen, « CAPONE AND THE UNTOUCHABLES » – the musical – is likely to be the major “entertainement event” of the year 2022! I am thrilled to be part of this artistical adventure … Stay tuned! #RobertoAlagna #AlCapone #capone #incorruptibles #untouchables #ComédieMusicale #Show #Musical #Spectacle #Creation #Event #evenement

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Bochum has chosen a successor to Steven Sloane as general music director.

He is Tung-Chieh Chuang, 38, a Curtis graduate from Taiwan. This is his first job.

Sloane, who departs with a Ring cycle, has moved on to head the Jerusalem Symphony Orchestra.

 

The global music group has opened a talent-seeking office in Tel Aviv.

Sony used to own the music scene in Israel but it seems to have lost interest.

The Universal move is major. Read here.