The singer-songwriter is asked an egregious question by the principal of the Royal Academy of Music, where he once studied. Turns out, he’s studiously ambivalent: ‘It was a place full of fear.’

Your fans may not have known about your classical training at the Royal Academy of Music until they saw Rocketman. If you had your time again, would you still go through it?
Jonathan Freeman-Attwood
Jonathan Freeman-Attwood, principal, the Royal Academy of Music

 

In a heartbeat. I knew I wasn’t going to be a classical pianist – my hands are too small and I wanted to be a rock’n’roll player. But it was a wonderful place, even if it was full of fear – it was strict, they hated anything that wasn’t classical music, although it’s very different now. I learned so much from being in the choir, from the other musicians, from the teachers. You can hear it in the Elton John album: The King Must Die, The Greatest Discovery, Sixty Years On. I’d advise anyone to get formal training, because it teaches you the rudiments – chord structure, melody. It introduces you to music that’s beautiful and miles away from what you might do. It fills your mind with options.
 

When do we ever get to hear RVW’s concerto for 2 pianos?

Here’s a cracking new performance from the National Philharmonic Orchestra of Russia with pianists Boris Berezovsky and Dmigtry Masleev.

It starts at 44:00

IMG Artists have taken on Jonathon Heyward, whose present boss Mark Elder considers ‘a bright rising star’.

Before becoming assistant to Elder at the Halle, Heyward was a Dudamel Conudting Fellow in LA. Aged 27 and from South Carolina, Heyward has already been named chief conductor of the Nordwestdeutsche Philharmonie from January 2021.

IMG’s London office will manage his career worldwide.